Andy Warhol’s 32 Campbell’s Soup Cans have become a canonical symbol of American Pop Art. Warhol, an American commercial illustrator from Pittsburgh, Pennsylvania turned fine artist, author, publisher, painter, and film director, first showed the work on July 9, 1962 in the Ferus Gallery in Los Angeles, California. It was his first solo exhibition.

Written by Brenna Miller. Narration by Dr. Nicholas B. Breyfogle. Audio production by Laura Seeger and Dr. Nicholas B. Breyfogle.  A textual version of this podcast is available at https://origins.osu.edu/milestones/november-2012-andy-warhol-s-campbell-s-soup-cans-1962

This is a production of Origins: Current Events in Historical Perspective at the Goldberg Center in the Department of History at The Ohio State University and the Department of History at Miami University. Be sure to subscribe to our channel to receive updates about our podcasts. For more information about Origins: Current Events in Historical Perspective, please visit ⁠origins.osu.edu⁠.

Andy Warhol’s Campbell’s Soup Cans, 1962

The Factory       (After Hours) RAW/UNEDITED

Dutch Horror House "The Factory" (2012) - Main Theme

"Cassette recording of one of the first Dance Vibes in 2002, back when it was still in Cargo. Recorded on a Type II chrome cassette and digitized by a Tascam 134, Rodec MX 180 MKIII, and Tascam DR-40 chain. There’s a brief pause around 46-47 minutes to switch to side B."

Dance Vibes At Cargo 2002

Archive of the event without monetary gain for ourselves. Part of the Stealing Fire Fall 2024 Tour with Virtual Riot!

Alternative Recordings: https://www.youtube.com/watch?v=YxcCSKO7d4w

Virtual Riot @ The Studio on the Stealing Fire Fall 2024 Tour in Dallas, Texas 2024

Archive of the event without monetary gain for ourselves. Part of the Stealing Fire Fall 2024 Tour with Virtual Riot!

Alternative Recordings: https://www.youtube.com/watch?v=DckX4kpiWCY

Archive of the event without monetary gain for ourselves. Part of the Stealing Fire Fall 2024 Tour with Virtual Riot!

Alternative Recordings: https://youtu.be/Q8Il2hLMCY0

Franky Nuts @ The Studio on the Stealing Fire Fall 2024 Tour in Dallas, Texas 2024

The factory ya esta disponible en todas las plataformas digitales !

The Factory

Jean Ce - The Factory ( Original Mix )

DISCOGS PAGE

https://www.discogs.com/release/4876809-The-Factory-Everybody?srsltid=AfmBOop3tNIjhsVuLp4VJozi_TTuVklgIvVit-tNyOCp5nqRXF7XIOAG

B1. The Factory - Everybody (Mirk 'O' Version) [Black Records - 1998]

Lynn & Chas talk with Greg Hagglund about Napoleon Dynamite LIVE at The Factory October 9th & their pre-party September 3rd at Steve's Hot Dogs at The District. They are then joined by Eric Dundon from the Saint Louis Symphony Orchestra about the re-openig events with Powell Hall.

August 31st, 2025 with Greg Hagglund & SLSO's Eric Dundon

Dj’s | Producer’s 

MGMT: asmotmusic@gmail.com

IG: https://www.instagram.com/asmotmusic/

Lynn Venhaus is a veteran journalist, specializing in features, entertainment writing and local news. Reviews movies for KTRS Radio, Webster-Kirkwood Times, www.PopLifeSTL.com and podcast, formerly known as Reel Times Trio, now PopLifeSTL.com Presents.
Carl "The Intern" Middleman has 30 years in the radio business in St. Louis, now working for Audacy (stations KMOX, KFTK, Y98, KEZK, WFUN and WHHL). He reviews film with Max Foizey on "Max on Movies" at KTRS and for this podcast.

A multi-member managed account for uploading IDs and various audio pieces created by fully or partly by Virtual Riot. We are not Virtual Riot or affiliated in anyway, all rights go to Virtual Riot & affiliated artists to their respective works.

Resident DJ at Dance Vibes, Chemistry, and The Factory Aalst (2002–2007)

In 1993, Aalst’s first house club, Hydrogène, opened on Sluierstraat. By 1998, house music was booming citywide, especially around the Hopmarkt, with hotspots like Apropoo, Barchock, and The Kings Club. Recognizing the shift, the owners of Hydrogène, Bernard and Kris, transformed the club into Cargo, a swing café catering to a wider audience.

Cargo quickly became the place to be, and in those early days, a club felt like family. This was also the golden age of vinyl, with almost every track spun exclusively on records, giving each night a rich, authentic feel.

By 2002, Cargo had evolved, and Karim, Gols, Timothy, and Filip seized the moment to revive house music on Sluierstraat. This led to Dance Vibes on August 16, 2002, with Vince and Gols as resident DJs. The concept quickly took off, followed by a second event, Chemistry, and soon both were thriving. Back then, promotion meant putting up posters around town—a job the DJs gladly took on to connect with the community.

With the success of Dance Vibes and Chemistry, Karim and Filip took over the club in 2003 and relaunched it as The Factory. After a full renovation in 2004, The Factory became a hub for the local scene, with a unique family spirit that united staff, DJs, and regulars. Those were truly the best years—a golden era in the club's existence.

Between 2006 and 2007, Gols decided to move on, eager to explore new musical genres and continue his journey beyond The Factory.

𝟗𝟎’𝐒 𝐒𝐎𝐔𝐍𝐃 𝐖𝐈𝐓𝐇 𝐀 𝐌𝐎𝐃𝐄𝐑𝐍 𝐓𝐖𝐈𝐒𝐓

Any questions about my uploads? Please DM me!

Other socials: https://linktr.ee/SebaDJ

Need any of my uploads? Don’t hesitate to DM on SoundCloud, or message me on Telegram (@seba_dj), including some worthy offers!

Bouke Hennipman (1992) studeerde in 2019 af aan de HKU Muziek & Technologie in de richting Composition for the Media. Tijdens zijn studieperiode ontwikkelde hij zich tot een veelzijdig (media)componist, muziekproducent en mixtechnicus. Als stagiair bij Call4Music mocht hij o.a. additionele muziek verzorgen voor RTL promo’s en het NPO programma ‘Hunted’. Vervolgens werkte hij als onderdeel van muziekcollectief Laawaai aan onder andere ‘More! More! More!’; een multidisciplinaire filminstallatie voor het Imagine Filmfestival in EYE Amsterdam. In de periode die hierop volgde schreef hij de score voor de audiothriller ‘Staatsgeheim’ (Topcast Media, 2020) en verzorgde hij de muziek voor podcasts als ‘Spraakwater’ (PWN, 2021) en ‘Maurice de Hond, de schoft van de Deventer Moordzaak’ (Oordeelzelf, 2021). Met zijn score voor de audiothriller ‘De Omega’ (NTR/3FM, 2022) won hij de Buma Award voor Beste Originele Compositie in Podcasts. Hierna produceerde hij de soundtrack voor de audiodocumentaire ‘De Verdwenen SS’er' (iO, 2022) en legde hij de laatste hand aan de filmmuziek voor de korte film ‘Tot Vanmiddag' (Huis van Betekenis, 2022). Hierop volgend schreef hij de score voor de theatervoorstelling en audio-ervaring ‘De Gastheer’ (Theater Branoul/Podimo, 2023) en rondde hij de soundtrack voor de fictie-podcast 'Het Spoor Bijster' (NS/iO, 2023) af. Momenteel richt hij zich op de score voor het audiodrama ‘Anders, namelijk’ (BNNVARA, 2025) & de muziek voor de theatervoorstelling ‘Adam & Evert’ (Het Gelders Productiehuis, 2026).

Jean ce, comenzo escuchando Euro Dance a una edad muy temprana. En ese momento el Euro Dance fue la principal fuente de la música en su país.A la edad de 13 años vio por primera vez un concierto de trance "Tiesto in Concert". Cuando estaba creciendo empieza descubriendo nuevos géneros de edm partir de techno, minimal, progressive, etc.A los 16 ingreso a estudiar en la prestigiosa escuela de djs y productores "Dj College Peru" donde llego a aprender lo escencial sobre el arte de ser dj , con el tiempo aprendio a escuchar cada tipo existente de la EDM.
Hoy en dia a sus 23 años de edad ah logrado ganarse un nombre en la Trance family Peru , Peru raver y Asot Fans Peru donde toco en varios eventos organizados por las mismas , tambien ah tocado en varias radios onlines como Intensa FM de españa, Tempo Radio de mexico y actualmente con sesiones semanales de 1 hora de trance cada sabado en Radio Mushroom de Peru.

Smart conversations about today’s most interesting topics - a history podcast for everyone, produced by Origins from Ohio State's Department of History

New tracks tagged #THE FACTORY