What can I say about dead celebrities that hasn’t been said already? A lot actually. Which is why I’m not going to say anything. I’m really not. So anyways, we’re continuing the investigation we last left off with on the previous episode. I mean, we have our answers, we know where things are going, right? Maybe not literally but how could you possibly know where part three is going to end. Will our loose cannon cops play by the rules? Will they even fire their weapons at innocent minorities? Not a real story if neither of those things are happening. Vampires are real, though. I’m not budging on that one. But I am edging on it. Anyways, enjoy the rest of this story with these here boys. They had a good time, because I know they did. I made them. DUH-DUHN. 
So We’re About 99% Sure the New Guy in Town is a Vampire(20:33) by TheJesseClark
https://www.reddit.com/r/nosleep/comments/7ipy4b/so_were_about_99_sure_the_new_guy_in_town_is_a/

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Featuring wonderful ambient music from our fam in Sweden:  CryoChamber, givin' us all the ooky-spooky tunage.  Follow: @cryo-chamber Thank you!

“Astral Alley“ is not my song. I do not claim ownership.  Credit and All rights are reserved by the owners.

Episode Two Hundred Eighty-Two: The Vamp-Wire Part Two

Way Down In The Hole

Diez

Siete

Quince

Cinco

@jkjmetasco

no, no, no
no u don’t know what it’s like
she wanna be in my life
she wanna go to dubai
she wanna play me on da side
i wanna put dis shit to da side
everybody wanna be on da ride
she wanna go to dubai
she wanna go
no i don’t know
no i wanna give it up
wait violet going dumb
i wanna go see for myself
she wanna be in my life
doing these drugs to cope yea
why do u jus wanna know us
i was just down on my ass yea
don’t play wit me don’t act dumb
my twin up in dat viper
randy orton, im a viper
i can’t die no not yet
my bro up in dat fast shit
i was fucked up in a bad place
she wanna go to dubai
twin drink blood like he in da wild
i put dem racks all in da box
singing to u, mary j blige 
he wanna talk so he get knocked
i’m in da street like it’s the wire
talking to u i said bye yuh
she wanna go to dubai yuh
she wanna die
she wanna sing to me all night 
singing to u, mary j blige

viper (meta violet)

Rx Papi Ripleys Believe It Or Not

Our main character, trying to turn his bad luck around

City Lights

Bandcamp

The Ballad of Fuzzy Dunlop (Old Version)

Kate’s rewatching the Sopranos but the crimes of those fictional mobsters pale in comparison to the gruesome murders carried out by Roy Demeo and his Murder Machine. Hot Liz Short phones in about female facial hair. Sign up for the Sick and Wrong Patreon to hear the Second Show, SW archives, and the bonus minisode Serial Killer Star Signs.

S&W Episode 988: Stiff Drink at the Gemini Lounge

To accompany his interview in The Wire 495, Kolkata born Nilotpal Das, aka Bios Contrast, creates a special mix of his own tracks alongside music by influences including Aphex Twin, Madvillain, Deftones, AR Rahman, and My Bloody Valentine
https://www.thewire.co.uk/audio/tracks/wire-mix-bios-contrast-nilotpal-das

“The harmonium I use was gifted to my grandfather by his friend 45 years ago, and then he gave it to me,” says Kolkata musician Nilotpal Das. “I started playing when I was around 14. It’s really old and worn out, with an old sound to it. I wanted to experiment with how I can make drone sounds with it.”

The instrument appears in modified forms in his expansive, sometimes noisy, droning electroacoustic compositions. Another side of Das’s production is a collision-heavy club output that takes cues from “dubstep, noise, jungle, drum ’n’ bass” among numerous other sources of inspiration. Das works under his own name and the alias Bios Contrast, which “comes from the Greek word bios, meaning life, and contrast, which also means against life – I don’t really like the name but I’m stuck with it”.

As to how he decides which name suits each release, he leans into the confusion: “The stuff I put out is like a mixed bag, much like [Japanese video game designer] Hideo Kojima. I feel like now my stuff shouldn’t make sense all the time and that’s good, in a way I’ll have more artistic freedom.” His main tools are his laptop and Ableton, which he runs almost everything through. “My club tracks are mostly sample-based, and I also use harmonium samples,” he explains. Alongside soft-synths and samplers on his drone and ambient pieces he plays “guitar as well, but not as good as the harmonium. It’s been two years of playing the guitar – I used it with a bow like a string instrument. I also have a violin, but I play the guitar as a violin.”

Here, he curates a special Wire mix in advance of his new album SSAC42, which will be released on 27 June by Infinite Machine.
https://infinitemachine.bandcamp.com/album/ssac42

Tracklist:

Aphex Twin “Nightmail [London 14.09.2019]”
Deftones “Engine No 9”
Madvillain featuring Quasimoto “Shadows Of Tomorrow”
Wadaiko Matsuriza “Oni-mo-naku (Even A Demon Cries)”
Baatarjav “Tsuur”
Bios Contrast & Nilotpal Das “Crossing The River”
Caterina Barbieri “Math Of You”
Bios Contrast “Silence”
Death Grips “Lost Boys”
Bios Contrast & Nilotpal Das “Gondho Jhaater Chule”
Bios Contrast & Nilotpal Das “Club Warfare”
Bios Contrast & Nilotpal Das “everyth1ng 1n l1fe (feat K_anti)”
Bios Contrast & Nilotpal Das “ap0calypse 42”
Lucky Ali “Ek Pal Ka Jeena”
AR Rahman/Lata Mangeshkar/MG Sreekumar “Jiya Jale”
My Bloody Valentine “Soon”

Wire mix: Bios Contrast & Nilotpal Das

Conversations

Lynn & Carl talk to actor & director Michael Kostroff who is directing Stages St. Louis' production of Murder for Two (from May 30th) about the show, his past work on The Wire & upcoming work on Spider Noir. They are then joined by director Ellie Schwetye & star Emily Baker from New Jewish Theatre's The Heidi Chronicles (from May 29th). Plus Lynn saw the new releases: Jane Austin Wrecked My Life, Fountain of Youth & Freiendship.

May 28th, 2025 ft. Stages' Michael Kostroff & New Jewish's Ellie Schwetye & Emily Baker

In "The Wire", David Simon’s telltale masterpiece about what’s wrong with America and especially, the criminal justice system, Omar, is a tragically but instinctively noble and likeable stick-up character, played by the late Michael K. Williams and he put our whole moral dilemma in perspective when he said, “A man’s got to have a code.” 

MAGA Aint Moral North

RETIRE is a cinematic trap anthem that captures the death of the laugh track and the rise of raw storytelling. This isn’t nostalgia—it’s a eulogy for sitcoms and a salute to the cable gods who changed television forever. With HBO as muse, this track dives into iconic shows like The Wire, The Sopranos, and Six Feet Under, flipping their legacy into poetic bars and haunting imagery.

Produced with glitched TV static, piano in a minor key, and a thumping 808 heartbeat, RETIRE blends conscious rap with trap’s backbone. It’s the sound of memory, power, trauma—and the crown cable stole from traditional broadcast. This is for the fans who grew up with complexity, not comfort.

Perfect for listeners of Kendrick, Westside Boogie, and Earl Sweatshirt. 🔥

RETIRE

Im black and I don't like the government :)

Lynn Venhaus is a veteran journalist, specializing in features, entertainment writing and local news. Reviews movies for KTRS Radio, Webster-Kirkwood Times, www.PopLifeSTL.com and podcast, formerly known as Reel Times Trio, now PopLifeSTL.com Presents.
Carl "The Intern" Middleman has 30 years in the radio business in St. Louis, now working for Audacy (stations KMOX, KFTK, Y98, KEZK, WFUN and WHHL). He reviews film with Max Foizey on "Max on Movies" at KTRS and for this podcast.

The LA Progressive is a digital political magazine.

The Lotsa Pasta podcast is a horror storytelling podcast that speaks to all things that go bump in the night. Reading sources from CreepyPasta, NoSleep, Unsettling Stories, Not Hot but Spicy, Stories to Read Alone at Night, and so many more. Join our colorful cast of characters as we dive into the unlimited world of creepy online fiction and scary stories.

All of my latest music is on..
https://unitedmasters.com/a/mbaileyz

Immersive soundscapes that blend trap, hip-hop, electronic, and experimental genres. Fuses cultural commentary with unforgettable rhythm.

mBaileyz

Golden Grill, Golden Smile, Golden Artist, Golden Child

THE WORLD’S SOURCE FOR ANTI-SOCIAL COMMENTARY

Sick and Wrong is your hearing aid into the dark, depraved, and dripping abscess that is contemporary existence. An enchanting mélange of social criticism, pointed observation, and well-deserved derision; Sick and Wrong is the pepto-bismol for society’s indigestion. In their critically acclaimed weekly podcast, award-winning broadcasters Dee Simon and Lance Wackerle discuss the most vile, disquieting, and oddly amusing news items for your listening pleasure.

“The most foul thing I have ever heard. I can’t believe people listen to this shit.” — Katy Perry

“Sick and Wrong is my new favorite podcast.” — Drew Barrymore

“My mom told me about this podcast.” — Neil Patrick Harris

“These guys have seen Brokeback Mountain one too many times.” — Bruce Campbell

Profile for both Curtins and Babe Vigoda.

Curtjr88@gmail.com for any questions.

Contact & Bookings: bioscontrast@gmail.com
https://linktr.ee/bios.contrast

New tracks tagged #THE WIRE