Too Much - Tora (JAMESIK Remix)

@antimancy
@antimancy
@antimancy
@antimancy
@antimancy

sumtime u mix the past with the present and ur happiness disappears

333333333

Moof Insanity 1

Too Much

Too much of anything is too much too good
Too much of wanting is too much too good
Too much of waiting is too much too long
Too much oh baby, come home

I’ll see you on the facetime
Maybe catch you later sometime
Anticipating til the weekend
Til then, I’ll be touching myself

Touching myself 
Touching myself 
Touching myself 
Touching myself 
Touching myself 

Anticipating til the weekend
Til then, I’ll be touching myself

Touching myself 
Touching myself 
Touching myself 
Touching myself 
Touching myself 


Performed by Merna
Written by Merna Bishouty
Produced by Merna Bishouty
Mixed by Merna, Riley Bell
Mastered by Riley Bell
Additional Bass by Kemy Siala
Additional Guitar by Jozef Teeuwsen

Ours To Keep

Buy Vinyl

Too Much

Too hot to tame—too bold to hide.
Welcome to Spark Theory — a sonic chain reaction of passion, power, and unapologetic heat.

“Spark or Burn” is the first ignition: a cinematic pop-country crossover anthem that erupts with fierce female energy, molten emotion, and bold defiance.
Blending rebellious confidence with a touch of chaos, this track is for anyone who’s ever been called “too much”—and decided to wear it like a crown.

With thunderous drums, hypnotic strings, and soaring vocals, Spark or Burn fuses electronic pulse with acoustic grit in a Dolby Atmos landscape.

💥 If you’ve ever lit up a room just by being you—this is your soundtrack.

Produced for full emotional impact: punchy verses, cinematic choruses, and a finale that burns it all down in glorious harmony.

🎧 Spark Theory // Track 01: Spark or Burn
🎤 Bold female lead vocals with male harmonies
🎸 Gated arps, slap bass, detuned synths, raw acoustic energy
🔥 128 BPM in B minor → Modulates to C minor
🌪️ Genre fusion: Pop x Country x EDM x Attitude


This is where every fire starts.
#SparkTheory #Intoxi8d #SparkOrBurn

Spark or Burn

Overwhelmed

2 MUCH

A new song I've been working on for a bit. It is maybe too much noice at the same time , I've tried to remove the most busy parts and kept the feeling. I don't know...

Tragicomic - [first]

The Next Best Series Podcast is back for Episode 54 to discuss the latest television shows, including Lena Dunham's "Too Much," Noah Hawley's "Alien: Earth," "The Hunting Wives," what is going on with "The Late Show with Stephen Colbert," and the latest outrageous season of "South Park." We also advocate for who we believe Emmy Award voters should consider when casting their winner ballots for the 77th annual Emmy Primetime Awards from August 18th until the 27th. Please tune in as Megan Lachinski and Giovanni Lago join me to discuss these topics, shows, and more on this week's episode! We'll return with another new episode next month to deliver our final Emmy Award Winner Predictions. Thank you for your continued support. We hope you enjoy this free full-length episode.

Check out more on NextBestPicture.com

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YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw

And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

The Next Best Series Podcast: Episode 54 - FYC For The 2025 Emmy Awards

Dub pour les temps moyens

Maybe I’m the Fire is about embracing every wild, imperfect, and beautiful part of who you are — the spark, the storm, the madness, and the magic. It’s that moment you stop apologizing for being “too much” and start realizing that your fire is exactly what lights up the world around you. It’s confidence born from chaos, passion forged through pain, and power that can’t be dimmed.


LYRICS:

[Verse 1]
I dance through chaos wearing boots and glitter
Laughing while the world calls me a quitter
Yeah, I broke a few hearts just to see if they’d heal
But I never faked a thing I didn’t feel

[Pre-Chorus]
You said I’m wild like a warning light
But maybe you like that spark at night

[Chorus]
Maybe I’m the fire you can’t control
Burning through the rules you wrote in stone
You call it crazy — I call it soul
I’m not the storm, I’m the thunder’s goal
Maybe I’m the fire you can’t control

[Verse 2]
I’ve danced on thin ice, cracked it just for fun
Sang confessions to the morning sun
You say I drive too fast, don’t look both ways
But baby, I’m still here — must be grace or haze

[Pre-Chorus]
You said I’m wild like a warning light
But maybe you like that spark at night

[Chorus]
Maybe I’m the fire you can’t control
Burning through the rules you wrote in stone
You call it crazy — I call it soul
I’m not the storm, I’m the thunder’s goal
Maybe I’m the fire you can’t control

[Verse 3]
You found me barefoot in the pouring rain
Laughing at the lightning, screaming my name
You said I scare you — maybe that’s true
But you can’t look away when I’m burning through

[Bridge]
You wanted safe — I brought the flame
You said I’m trouble — I’ll take the blame
You wanted calm — I made it roar
Now you’re knocking on my fireproof door

[Chorus]
Maybe I’m the fire you can’t control
Burning through the rules you wrote in stone
You call it crazy — I call it soul
I’m not the storm, I’m the thunder’s goal
Maybe I’m the fire you can’t control

[Chorus – Final Lift]
Maybe I’m the fire, maybe I’m the cure
Maybe I’m the reason you’re not sure
You call it chaos — I call it more
‘Cause baby, you keep coming back for more

[Outro]
So turn out the light, don’t try to save me
If I’m insane, at least it’s blazing
You may be right — but I’m still shining
Maybe I’m the fire you keep finding



Maybe I’m the Fire

Move em

2 Much (2021) THA CHIEF

indie rap / pop & covers

1/2 of https://soundcloud.com/nnlf

Contact: rrmaksimov@gmail.com

I love to kill hundreds upon hundreds of birds in Green Hell. (That includes Green Hell VR, but there are many less there.) All of my music on SoundCloud are songs made by my adorable, amazing fox. Please listen to her music and check out her profile too!
Check out Cattywampus on #SoundCloud

INTOXI8D is a sonic force born of fire, fracture, and defiance. Where sparks fly, INTOXI8D listens — and builds anthems from the ruins. More myth than name, INTOXI8D is the sound of emotional combustion: polished alternative rock colliding with cinematic scale, songs stitched from confession, chaos, and unapologetic energy.

The project is not about escape — it’s about engineering. Every song is designed like a structure: rooted, deliberate, impossible to ignore. Each release strikes the ground with purpose: On Fire, Spark or Burn, and now Shakes the Ground. Together, they chart a path of intensity, resilience, and clarity.

The heart of INTOXI8D is simple: one life — live it; intoxicate it. Not with acid, not with numbness, but with craft, presence, and design. The music stands firm in its own skin, moves with direction, and refuses to lose its pulse for play.

This is music built to move: soaring vocals, wide synths, heavy toms, distortion rising into harmony. A polished alternative rock anthem that hits like a cinematic storm. Every chorus is a strike that shakes the earth awake.

Retired Music Producer/Musician & Song Writer. 
Here are some songs From DJ MOJO & THA CHIEF from 2008-2023
Music is an Art Form which comes from the Soul

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

A podcast by NextBestPicture.com that reviews the latest film releases and discusses various topics within the world of film and the awards race.

/dreaming/

say hi : jamesiksounds@gmail.com

part of a few other things

Get Merna's new album on vinyl (Ours To Keep - Autographed Ltd Edition)
https://vinylmuseum.ca/pages/artist-in-residence-merna

Palestinian-Canadian artist and GRAMMY-nominated songwriter, Merna has collaborated with some of the most respected names in music — including DJ Jazzy Jeff (Jill Scott), James Poyser (The Roots), Ali Shaheed Muhammad (A Tribe Called Quest, Lucy Pearl), Doc McKinney (The Weeknd, Esthero), and written for artists like Charlotte Day Wilson, Syd, JoJo, Demi Lovato, Rapsody, Baby Rose, Cory Henry, Khamari, and others.

Merna’s latest self-produced body of work, Ours to Keep, is making waves — signaling deep cultural resonance and cementing her place on the global stage.

***IMPORTANT PLEASE READ***
Hey everyone, I hope you’ll take a moment to read this. Our dear friend @DJShAnkAri in France is fighting to save her home after being the victim of a devastating construction scam — and now a bank error that threatens to leave her, her two sons, and her three cats homeless. 💔

She finally found a lawyer who can save her case, but she has to raise the fees quickly. This is her last chance for justice.

If you can help — even a little — it would mean the world. And if you can’t donate, sharing the link helps more than you know. 💜🙏

GoFundMe:
https://www.gofundme.com/f/help-save-shankaris-homeone-last-chance-for-justice

Thank you to anyone who takes the time to read or support. It truly matters. 🫶


Songwriting has been a lifelong passion for me, dating back to elementary school when I first began crafting stories, poems, and eventually lyrics. As a former drummer in various bands, I always relied on others to bring my words to life musically. However, after a long hiatus from drumming, I decided to take the leap and learn to compose music to accompany my lyrics. Through classes and dedication, I've embarked on a new journey, breathing fresh life into old lyrics and penning new ones. You'll find a mix of older and newer works here. Especially for some of the lyrics. 

Music has been a part of me for as long as I can remember. One of my earliest memories is being completely entranced by 'The Little Drummer Boy' as a very young child. There was something about the rhythm and the melody that just captivated me. I must have played it a thousand times, wearing the record out, and from that moment on, I was hooked. I knew I wanted to be a drummer and to create that magic for others. 

But I was too young then, and of course, I couldn't afford a drum set just yet. So, I turned to writing as a way to express myself. As I mentioned above, I started with stories, then poems, and eventually, lyrics. I found that writing was not only a way to tap into my creativity, but also a way to process my emotions and experiences. 

As I grew older, my love for music only deepened. I realized that music has this incredible power to transport us to different times and places, to evoke emotions and memories that we thought were long forgotten. It's a universal language that can bring people together like nothing else can. 

For me, writing lyrics is a cathartic experience. It's a way for me to tap into my emotions, to process the world around me, and to create something that I hope will resonate with others. And when I hear my words come to life in a song, it's truly magical. It's a feeling that never gets old, and it's what keeps me coming back to music time and time again. 

I love many genres of music and artists of many genres. And if you listen to some of my songs, you will find that I like to make songs of different genres as well as mix different genres into each song. One of my all-time favorite bands is Evanescence, and I have made a lot of songs where I have tried my best to emulate that sound. 

Now, I have recently started experimenting with new sounds. I never heard of glitch beats before I took music classes, and now I'm fascinated with the sound, so I have been experimenting with glitch beats recently. 

I hope you enjoy some of my songs. And thanks so much to everyone who has been listening so far. I truly appreciate it. I welcome constructive feedback to help me grow as an artist, and I appreciate your support. ❤️





Everything you hear is me if there isnt a feat listed.
East.
If you want to become a member. - eastlanderestonia@gmail.com
Send a email to me.

I've got all the time in the world... or not...

New tracks tagged #TOO MUCH