«The Fall of Empires» is a musical artifact that preserves the egregorial evidence of the collapse of great civilizations.

In it, wind instruments instead of a solemn march bring distress signals from the depths of the ocean, warning the new world about the global catastrophe that has occurred. But this silent call goes into the emptiness of eternity.

There are no more ideological banners developing around the world, no more pompous speeches of political leaders, no more names of great heroes who gave their lives for the good of the future. There are no more discoveries of brilliant scientists, no more monumental masterpieces of architects and works of wise philosophers who found the truth in the labyrinths of the mind. Now only the silent cry of ruins and cold waters keep the secrets of past greatness.

Thousands of years will pass, and on the ruins of the fallen giant new languages, peoples and empires will blossom, hearing echoes of the grandiose past and following the path of their ancestor. This collective image of rebirth in the composition is symbolized by the bright sound of the piano.

But the question remains open: will we be able to break the vicious spiral of history and move beyond the cycles of eternal civilizational rebirths to a new level?

The Fall of Empires

5th song of Francis Poulenc's cycle Banalités, poem by Apollinaire oxfordsong.org/song/banalités

Sanglots

смерть на рельсах

BLANK, (out on 29th september)
it will be avalaible on my bandcamp and soundcloud page

Lyrics:

You're desire, you want to forget.
Because your past, is too heavy to endure.
Today the clouds, havea brighter glow.
Now spead your wings, you must go on.

You want to fly, you want to reach the sun.
You soar higher, freedom is calling you outside.
Air flows through your hair.
The sunlight shine within you.
Close your eyes, and let your spirtit flow.

The sea appears beneath you.
But your wings begin to burn.
Your feathers turn to black.
You're falling down, right now.

You used to shine amond the clouds.
But now you're falling.
Because you longed to be free.
Can your feel the air as you fall.
The light disppears.
As you fall.
Can you see the ground?

burning wings,

cover of one of my favorite witchhouse tracks ever. it's a rendition if anything, But I decided it should be on here

I Loved A Witch Once - Kareful (((Cover)))

Coronal Radiance - Female Cover (HSR Phainon Trailer Music)

TRAGIC (prod. Mister Hues & lol leo)

A melancholic scene, representing a sad conclusion.

Denouement

Alone Once More

The track starts in melancholy, a solo piano playing sad chords. It is shortly joined by a powerful synth lead that elevates the energy, transforming it into an epic, yet tragic track

5a - Eclipse

https://www.youtube.com/@moonfallingoff/featured

bandcamp: https://moonfalling.bandcamp.com/

Cinematix covers and remixes of music from video games, animes, TV and films. Also compose original songs. Toronto girl, Hong Kong soul🧋

новый проект - t.me/apathyeyess

I love making stuff ☆ ～('▽^人), i'll be sure to post demos or alt versions from my newer project memxrybleed (´ ε ` )

Bookings: n3bookings@gmail.com
Questions & shit-shootin': itshogarthhues@gmail.com

NIGHTMARE NIGHTMARE NIGHTMARE https://soundcloud.com/n3records

Friends & Affiliates: 
https://soundcloud.com/bathlete
https://soundcloud.com/wearealaya
https://soundcloud.com/eyrst
https://soundcloud.com/phuturecollective
https://soundcloud.com/thesouldojo
https://soundcloud.com/wizrdsonly

Tenor with interest in new music, early music, early-20th century song. 

Official short bio: 

Charles Blandy has been described as “a versatile tenor with agility, endless breath, and vigorous high notes" (Goldberg Early Music Magazine) and “unfailingly, tirelessly lyrical” (Boston Globe). With Emmanuel Music in Boston he has sung the title role in Stravinsky’s The Rake’s Progress, the Evangelists in Bach’s St. John and St. Matthew Passions, and major roles in Handel’s Ariodante and Mozart’s Magic Flute. In the last two years he has sung Handel’s Messiah with the Portland Baroque Orchestra, and the American Bach Soloists in San Francisco. Other recent engagements have been at Lincoln Center with the National Chorale; and with the Bethlehem Bach Choir, Charlotte Symphony, Boston Modern Orchestra Project, the Los Angeles Philharmonic, Opera Boston, Handel and Haydn Society, Boston Baroque, and the Cantata Singers.  He was a Tanglewood fellow, and has degrees from Indiana University and Oberlin College. He is originally from Troy, NY.

Semion Krivenko-Adamov is a modern Russian composer, pianist, teacher, philosopher, and expert in the field of art. Member of the Russian Musical Union, author of nine orchestral albums. He has written music for many TV series, documentaries and short films. Genres in which the composer writes: modern classical, neoclassical, new age, film music, minimalism, instrumental, chamber, symphonic.

New tracks tagged #TRAGIC