I Fulfilled My Promise and Walked Through the Limbo, Met the Entities of Darkness, Descended Without Fear into the Depths of the Abyss and Cast Myself into Non-Existence, for in the End There Was Never Hope.

The Fulfilled Promise Led Me Through Limbo and Shadows, Where Nonexistence and Hopelessness Awaited

Echo Nexus Uplink

A spectral guardian awakens in sound. DOMOWOJ carries the pulse of ancient hearth-spirits into the circuitry of now—basslines thrum like floorboards under unseen footsteps, while spectral vocals shimmer as offerings in digital smoke.
This is folklore recoded, ritual reimagined: a house spirit whispering through wires, protective and mischievous, echoing between tradition and the mindstream.

🔥🔮 Cyber-folklore for the midnight dwellers.

DOMOWOJ

Memory Compression Protocol

Transcendent Algorithm

Halcyon Circuit

Desert Dreams

Psionic Starweaver

THE LUST SUPPER — саунд тайной вечери, где похоть становится религией, а сердце главным блюдом. 

облик (prod. by xelena & chiromancyx)

ореол (prod. by saigah!)

Here, the primordial truth reigns sovereign, dismantling the frail architecture of human narratives.

It is not a band. It is not art. It is not entertainment. It is a fragment of primordial darkness, an extension of the void materialized in time and space to convey the absolute truth.

Profile: Herman Giebartowski (a.k.a. Primitive Alchemy)

Based in: Melbourne, Australia

Disciplines: Electronic music production · Experimental sound design · Spoken word · Multimedia installation

Genres: Ambient · Post-Industrial · Leftfield electronica · Electroacoustic · Experimental techno · Liquid D&B

Active since: 1995
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📄 Artist Bio

Herman Giebartowski is a Melbourne-based electronic music producer and multimedia artist whose work blends ambient textures, modular\beat synthesis and the spoken word. With a background in audio engineering and live performance, Giebartowski creates immersive soundscapes that often explore urban decay, mythos, memory, and technology. His releases span both digital and cassette formats and have been featured in underground electronic circles across Australia and Europe.
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📄 Artist Bio (Extended)

Herman Giebartowski is a multidisciplinary artist and producer working at the intersection of electronic sound design, experimental music, and conceptual performance.

With a formal background in audio production and sound theory from secondary school onwards, Herman began performing under the tag Pyrotechnica in 1995. His live sets are known for blending slow-evolving ambient landscapes with fragmented post-industrial rhythms and spoken word overlays. His work has appeared at independent electronic events, clubs, warehouse shows, and gallery-based listening rooms throughout Melbourne, with international interest via curated playlists.

Giebartowski is a boundary-dissolving artist navigating the liminal spaces between sound, text, and memory. Drawing on a hybrid lineage of Eastern European folklore, post-communist architecture, and algorithmic decay, his work evokes the static hum of lost transmissions and the poetic distortion of time.

His signature “glitch chants” and ambient-noir soundscapes have earned underground acclaim in Melbourne’s electronic scene and Europe’s cassette-based art communities.

Whether composing for avant-garde theatre, broadcasting cryptic radio rituals, or exhibiting obsolete data as sculpture, Giebartowski’s aesthetic is a constant archaeology of the near-now.

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🔍 Education & Background
•	Bachelor of Arts: The University of Melbourne
•	Bachelor of Creative Arts: La Trobe University

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🛠️ Tools & Gear
•	Impulse Tracker 2.14 - patch #5
•	Ableton Live + Max for Live
•	Virtual DJ
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🔁 Themes in Practice

•	Environmental memory and field resonance
•	Post-industrial spaces and sonic textures
•	Voice and machine interplay
•	Loops and archival processes in sound

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📣 Public Presence
•	Instagram: @primitive.alchemist
•	Affiliated collectives: Pyrotechnica, Mindmonkey: the Monkeymind, Alienation Theory, Primitive Alchemy

New tracks tagged #TRANSCENDENCE