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1.- El Azul - Estilo Arriesgado

A tribute to Mike Oldfield with a Guitar Instrumental rendition of the classic tune, Moonlight Shadow.
Thanks for listening.

Information gathered from Wikipedia;
Released as a single on the 6th May 1983 by Virgin Records, and included on his eighth album, Crises, of the same year.
It has been suggested that the lyrics of the song are a reference to the murder of John Lennon, despite the fact that the events in the song do not correspond with those of Lennon's murder.
When asked whether "Moonlight Shadow" is a reference to John Lennon's murder in a 1995 interview. 
Oldfield responded..
"Not really... well, perhaps, when I look back on it, maybe it was. I actually arrived in New York that awful evening when he was shot and I was staying at the Virgin Records house in Perry Street, which was just a few blocks down the road from the Dakota Building where it happened, so it probably sank into my subconscious. It was originally inspired by a film I loved – Houdini, starring Tony Curtis, which was about attempts to contact Houdini after he'd died, through spiritualism... it was originally a song influenced by that, but a lot of other things must have crept in there without me realising it".

— Mike Oldfield

Lyrics;

[Verse 1]
The last that ever she saw him
Carried away by a moonlight shadow
He passed on, worried and warning
Carried away by a moonlight shadow
Lost in a riddle that Saturday night
Far away on the other side
He was caught in the middle of a desperate fight
And she couldn't find how to push through

[Verse 2]
The trees that whisper in the evening
Carried away by a moonlight shadow
Sing a song of sorrow and grieving
Carried away by a moonlight shadow
All she saw was a silhouette of a gun
Far away on the other side
He was shot six times by a man on the run
And she couldn't find how to push through

[Chorus]
I stay, I pray
See you in Heaven, far away
I stay, I pray
See you in Heaven one day

[Verse 3]
Four A.M. in the morning
Carried away by a moonlight shadow
I watched your vision forming
Carried away by a moonlight shadow
Stars move slowly in the silvery night
Far away on the other side
Will you come to talk to me this night?
But she couldn't find how to push through

[Chorus]
I stay, I pray
See you in Heaven, far away
I stay, I pray
See you in Heaven one day

[Guitar Solo]

[Outro]
Far away on the other side
Caught in the middle of a hundred and five
The night was heavy and the air was alive
But she couldn't find how to push through
Carried away by a moonlight shadow
Carried away by a moonlight shadow
Far away on the other side
But she couldn't find how to push through.

Mike Hilton - lead, rhythm, electric & acoustic Guitars.
Original composition written, produced & recorded from Feb - April, 1983 by Mike Oldfield, & released ©️ 6th April 1983 by Virgin Records.
Cover photo - From my backyard Astrophotography.

No copyright infringement intended.
This audio contains copyrighted material the use of which has not been specifically authorized by the copyright owner.
The above-mentioned audio on this site is distributed without profit to those who have expressed a prior interest in receiving the included information. I do not own the backing soundtrack to this music.

Moonlight Shadow

Moonlight Shadow (Mike Oldfield Tribute)

Here's a demo of three affordable dreadnought-sized acoustic guitars. The demo is based on Anssi Kela's classic track "Kaksi sisarta".
****
• Tanglewood TWD-ST
• Takamine GD10-NS
• Yamaha FG800MII
****
• rhythm guitar tracks recorded with a Shure 545SD
• lead guitar tracks recorded with an AKG C3000
• mic preamp: Cranborne Audio Camden EC2
****
Testi tulossa:
https://blogi.rockway.fi

Three affordable dreadnoughts – Demo Song – Guitars Only

Three affordable dreadnoughts – Demo Song

Welcome to the planet TABOOOO.

MUSIC WRITTEN AND RECORDED BY DS 2022-2024.

TRIBUTE to the unforgettable Mike Oldfield and the instrumental genre he invented; vaguely based on the concept of a never heard album, possibly Tubular Bells 4.

INSTRUMENTS: PRS & Schecter electric guitars; Takamine acoustic guitar; various VST synths (e.g., Zebra2, AAS) played via a Yamaha physical keyboard; drum loops, various pedal effects by BOSS and ZOOM.

The roots and origin of the new music is my deep respect for Oldfield, a fantastic instrumentalist and composer. During the recordings, I often tried to imagine what a “forgotten” full-length instrumental from his mid-career would sound like. In particular I had in mind live concerts from the early 80s; a rarity played, a track that Mr. Oldfield somehow decided to never release for mysterious reasons. Call me naive, laugh if you must but this was my line of thoughts while working on this music.



Special Thanks to Mike H, Mark H and Theuns K for feedback on early drafts.

TABOOOO

A rendition of a lovely piece of music.. Sunset, produced by Mike Oldfield from the album Light & Shade. 
Dedicated to my Wife, Louise.
Thanks for listening.

Rendition arranged & produced by Mike Hilton, 13/12/24.
No copyright infringement intended.


Instruments;

Takamine 6-string acoustic guitar.
Fender Stratocaster.
Cakewalk VST - Piano, Strings, Bass Guitar. Synth & Percussion.
Soft-Synth, ART Pyrite.
Cover Photo - Pexels

Sunset

Sunset (Mike Oldfield Tribute)

Demo casi terminao pero nah c: Chance le cambio el nombre

Que quede claro (?)

Lots of acoustic guitars blended with syncopated rhythms and a bit of my silly voice have shaped the new album. Broken rhythmical patterns with powerful distortions here and there give a continuous feeling of emotional and physical change. Dark but hopeful, straightforward yet sudden, tight but relaxed - this is Smear. Composed, recorded, produced, mixed and mastered by myself.
#musicproducer #newalbum #musicproduction #logicpro #logicprox #homestudio #mixing #mixingengineer #mastering #masteringengineer #fender #casio #gibson #fendertelecaster #gibsonsg #takamine #newrockmusic #newalternative #recordingstudio

Dkey

Accept the Fate

Letter

Do Not Wake the Atlas Up

Dead Rabbit

Please Put Them On, Takamine-san Opening OP (sped up)

https://www.youtube.com/watch?v=Ne3zqiWxMCM

Zanim przyjdziesz do mnie

Bienvenidos a Estilo Arriesgado Sigue nuestra página para disfrutar de nuestra música y descubrir la emoción de Arriesgado 
Contacto: 5561587738

Composer of multi-instrumental music, with a preference for longer, progressive and complexly arranged pieces.   

Have played guitar for many years, but I am probably a slightly odd type of guitarist. Not particularily interested in the guitar genre, not too keen on listening to long solos, etc. I don't enjoy playing for people - a party-killer, in short. However, leave me alone with this wonderful tool (or the keyboard, which I play too), and I will start experimenting with it, searching for something to develop. 

Strongly interested in classical music and anything remotely related to that. I want to construct music with a similar structure and complexity, although with other instruments, and in my own way...  
___________________________________________________________

During 2010-2013, I worked on a suite of related pieces, GUITARS PLAYED BY DS, with every sound played on the electric guitar. A major undertaking, and (all-in-all) 45+ minutes long, all complexly related and released in five segments.

During 2014-2015, the main focus was on the full-format 'LONG INSTRUMENTAL', a progressive work with lots of different instruments and sounds, restless and complex. Some sections stand on their own feet: MYSTERY, and FANFARE. 

The 2014-2015 recordings also resulted in two shorter pieces: CAMBRIAN EXPLOSION and CLUSTER OF WARNINGS.

During 2015 I initiated a suite played on classical guitars - GUITAR STRUCTURES. It is a series of slowly changing ideas, a weave of melodies and harmony, the first section out in April 2015 (the 2nd came 2 years later).  

I played guitars on Tolubai's wonderful ambient piece 'MEMORIES' (August 2015).

EARTHSHINE came out in January 2016; a darker and slightly dissonant progressive piece, and one of my personal favorites. So is SILENCE, out 1st July 2016. September 2016: IGNITION  with TOLUBAI and LET THERE BE LIGHT 22th Sept 2016 with PuppyWolf. 

20/11-2016: The OORT CLOUD PROJECT I-IX. An 18+ minutes long progressive synth-based instrumental, with lots of short guitar phrases integrated. Also, the spin-off PASSAGE was released. 

GROTESQUE released too in the end of 2016. The 19th January 2017, I released the sketch OMMA CONTRAPUNCTUS PROJECT. The 4th February 2017, the track '3 WORLDS COLLIDE' was released.

'Guitar Structure No. 2' out in March 2017, took 2 years to complete.

BEST OF 2 WORLDS was released in November 2017, another personal favorite composition.

APPROACHING: an unfinished sketch released 1st April 2018. TAURUS IV released 8th April 2018.

New Years evening 2019, quickly improvising a track: DECADE. Uploaded 23:58 local time. It was a very fun way of ending the year and I used a symbolic art cover with red sweeping in, but I wouldn't have dreamed of what was to come soon.

One main project this year is the SNOWFLAKES VARIATIONS suite; the Prelude was released in January 2020.

8th April 2020: CREATURES RISING was released. CREATURES OF THE RAINFOREST also a spinoff track (released 2021).

In the Lockdown March-April 2020, I recorded 'Era', out of frustration...

5th June 2020: REPORT FROM PLANET THREE, which was initiated 31st May 2019. 

31st July 2020: FORECAST was released. April 2021: SUMMER SNOWFLAKES, a 25 minute long track and perhaps my most ambitious ever. 

OCTOBER 22, 2021: OUTPOST. Was hell of a lot work behind this, which started out as the "Conquerer" project already in 2017. 

APRIL 28, 2022: The Disclosure (Part I).
SEPTEMBER 23, 2022: PEACE GUITARS. A track very dear to me, much of it written outdoors at the shores with my lovely dog with me. 

OCTOBER 6, 2023: SHAMBOLIC GUITARS.  Intensive recordings!

DECEMBER 7, 2024: TABOOOO released. (Oldfield Tribute, started out as an experiment to impute what Tubular Bells 4 might have sounded as. But it took its own life and became a very different story)

 ___________________________________________________________
Many thanks for visiting here, and for the comments, 'Likes' & reposts.

D.Svensson Sept. 2022

*********************************************
All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 

© DavidSvensson.

Welcome and thanks for listening.. 

Composer of guitar instrumentals from Australia, producng music & film from the home studio in my spare time purely for enjoyment.

Inspired by some of the guitar greats & instrumental bands from the 60's and 70's era. 
I produce mostly original instrumental guitar tracks. a few covers & tributes, and involved in the odd collaboration.

In the spirit of the old Classic Soundcloud, please feel free to leave a comment or like.. would be greatly appreciated. In recent years it's been difficult to leave timeline comments possibly due to some AI issue, but i will certainly try to return by mutual interaction where possible.

To family, followers, friends and Soundcloud, thanks for all the support and inspiration over the years and hopefully many more to come.
Thanks for dropping by and I hope you enjoy the music.

All rights to the audio/tracks, and album photography are reserved, and respectfully belong to the owner. 
© 2008-2025

New tracks tagged #Takamine