The Phantom of the Opera's & A Theatrical Duet BR 01 #Soprano #Tenor #Mezzo 

Amazing Performans Incredible Please Only Listen / Composer & Lyric & Music by Ali OKUR  

The Phantom of the Opera's & A Theatrical Duet BR 01 #Soprano #Tenor #Mezzo

On Wenlock Edge - V. Bredon hill
Ralph Vaughan Williams
Ryan Allais - Tenor
Kim Bakkum - Piano

On Wenlock Edge - Bredon Hill

A second sax take from this tracks served to create this new one:
https://soundcloud.com/daniel-diaz/golpe-de-suerte
https://ffm.to/outlaststhefall

Inspired by this haiku

dropped glass -
its ring
outlasts the fall

A duo jam (electric bass and tenor saxophone) I've been tweaking for a couple of months, ading textures and more subtle rhythmic elements.
Performed by Miguel Yanover (tenor sax)
and Daniel Diaz (bass guitar, synths, drum beats)
Summer 2025.

Poem by Darren Bourne
Photo by DD

@naviar-records
@half-unusual

@miguel-yanover

It Outlasts the Fall (feat. miguel yanover) naviarhaiku610

The final piece in the cycle of 3 Songs to the Lyrics by Ugo Foscolo for Tenor and Piano (2025).

Pawel Strzelecki: 3. "Alla Musa" [Songs to the Lyrics by Ugo Foscolo for Tenor and Piano (2025)].

(For The Cinotti Family)
My family friends the Cinotti family, you lost your mum, Rosetta, the most purest little angel I have ever had the pleasure of meeting, may she stand hand in hand with Angelo and watch over you all.

(Verse 1)
In a land of dreams, on distant shores,
A love was born, forever more.
Rosetta and Angelo, hearts intertwined,
Their love a flame that will never die.  

(Pre-Chorus)
In the quiet night, when stars are bright,
They watch over us, shining light.  

(Chorus)
Eternally together, beyond the skies,
Their love’s a song that never dies.
Through time and space, across the sea,
Love’s timeless magic sets us free.
No borders can contain, the glow they leave,
In every heart, in every breath we breathe.  

(Verse 2)
From Italy’s soil to lands anew,
They built their dreams, with hope so true.
A pizza bar, a family’s start,
They poured their love into every part.  

(Pre-Chorus)
In every laugh, and every prayer,
Their love remains, forever there.  

(Chorus)
Eternally together, beyond the skies,
Their love’s a song that never dies.
Through time and space, across the sea,
Love’s timeless magic sets us free.
No borders can contain, the glow they leave,
In every heart, in every breath we breathe.  

(Bridge)
Darkness may come, but their light burns bright,
Guiding us through the longest night.
Love’s a gentle whisper, a eternal flame,
Forever in our hearts, calling their names.  

(Outro)
So we carry their love, shining from above,
A promise of forever, a gift of love.
Rosetta and Angelo, together they stand,
Watching over their family, hand in hand.

Eternally Together (For The Cinotti Family)

Bài hát: Để Mãi Có Nhau
Sáng tác: Tiến Minh

Bài hát gợi về trong tôi nhiều ký ức.. và hoài niệm..

Bản thu chiều muộn ngày 20-9-2025.

Để mãi có nhau - Cover by Sơn Hải

Inspired by "Momma," an original tune by the awesome dudes who formed the iconic Kent, WA band "Johnny Bravo," back in the day . . .

"Momma" had a sweet portion with a shout-out to Bill Wither's Ain't No Sunshine, another inspiration herein . . .

Continuing with an even more paired-down sound, slower tempo, simmers strong throughout . . .

Thanks for listening!

Please feel free to hit us up!

We're always up to Jam!

Recorded in Seattle, WA

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B2K: electric guitar, loops, MIDI: rhodes piano, electric piano, organ, tenor saxophone, soprano saxophone, trombone, ocarina, flute/glockenspiel, voices ("The Sirens of MIDI")

and endless gratitude for both the intrepid:

Oh: drum kit/trap set/e-drums, and

Tree: bass guitar, e-bass, stand-up bass
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Electric Guitar: 1984 Alembic Electrum (prototype)

Pedals: Musictronics: Mutron Octave/Divider, Mutron Phasor II, Mutron III (envelope); Tube Works Real Tube Overdrive, Ibanez AD-9 Analog Delay, Thomas Organ Cry Baby Model 95, Ernie Ball Volume, Saturnworks 6-pedal connector - Loops: Digitech Trio+ - MIDI: Roland GR-20 Guitar Synthesizer + GK-3 Divided Pickup

Guitar Amp/Speaker: Fender Rivera-era Super Champ - 8” JBL K-110 speaker

Recording: Looper stereo direct, or direct to Tascam Model 12, (24 bit @ 48kHz) - initially all live, one take, edited for duration only.
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"Momma," an original tune by the awesome dudes who formed the iconic Kent, WA band "Johnny Bravo," back in the day . . .
-----------------------------------------------------------------
"Ain't No Sunshine," written by Bill Withers, 1971.

Hardly Momma's Jam (part I)

September 2025, St. James Infirmary, on the Tenor Sax

St James Infirmary SOTM

A worship song of blessing and peace, inspired by Scripture and centered on God’s grace and presence. The verses reflect the mystery of grace, the covering of Christ’s blood and our adoption as children of God, and His purpose to dwell with His people.

The chorus becomes a prayer over the listener: “Peace be yours in all you do, from our God and Father, King of glory”—echoing the apostolic blessings found throughout the New Testament.

Musically, the song is led by a gentle tenor voice with acoustic guitar, piano, and soft violin, joined by female harmony on the chorus. Slow in tempo and reverent in tone, it invites worshippers into reflection, thanksgiving, and trust in God’s unfailing presence.

Scripture References:

Ephesians 2:8–9 – The mystery of grace

Romans 8:15–17; Ephesians 1:5 – Adoption as sons and daughters

1 John 1:7; Hebrews 9:14 – Covered by His blood

Revelation 21:3; John 14:23 – God dwelling with His people

Philippians 4:7; 2 Thessalonians 3:16 – Peace and blessing from God

King of Glory

Miniatures for Harp and Recorders, track 5 of 11.
This track uses the Tenor Recorder (from the new Audio Modeling SWAM VariFlute app) and is played by me using GeoShred.

Tenor B Locrian

Lors de captations "live" chez maxime j'ai joué de nouveau titres composées en live ainsi que de nouvelles versions de mes compositions. Voici donc une compo en live "J'ai pas compris" (allez savoir pourquoi) Une vidéo est disponible. 
https://www.youtube.com/watch?v=EkF2qrmBuyQ

During live recordings at Maxime's place, I played new songs composed live as well as new versions of my own compositions. Here is a live composition of "I didn't understand" (who knows why). A video is available.

J'ai pas compris

Las torres, para coro mixto. (2024)

Obra basada en el poema homónimo del poeta peruano José María Eguren. Estrenada en el Festival Musicantes 2024 por el Coro Nacional del Perú.

LAS TORRES

Brunas lejanías...
batallan las torres
presentando
siluetas enormes.

Áureas lejanas...
las torres monarcas
se confunden
en sus iras llamas.

Rojas lejanías...
se hieren las torres;
purpurados
se oyen sus clamores.

Negras lejanías...
horas cenicientas
se oscurecen,
¡ay!, las torres muertas.

Las torres, for mixed choir. (2024)

Ma toute première musique composer classique 12 heures d'écritures pour les notes composition très compliquer  

The Magic (music by Harry Potter 7.2)

Hope there's someone

A song of love and appreciation of my wife Larissa.

Your Bring Me To Life

Tetris (JSU Baritone Fanfare)

This is the new REMASTERED & MIXED version 2025 of the german neoclassical SYNTHPOP darkwave album - "Die Sonne Scheint Fuer Alle Umsonst" (The sun shines free for everyone). The mastering was expecially done for all modern devices and streaming services! This remastered version with 15 tracks will be officially released in 2026 on most of the streaming platforms worldwide!

PLAYLIST:
00:00 - 01. Intro
00:45 - 02. Sklaven Geist  (Slave Spirit)
05:14 - 03. Blinder Saxophonist  (Blind Saxophonist)
08:31 - 04. Die Muse  (The Muse)
12:15 - 05. Die Sonne Scheint Für Alle Umsonst  (The Sun Shines Free For Everyone)
18:09 - 06. Oder Einfach  (Or Simply)
21:30 - 07. Sucht  (The Addiction)
26:18 - 08. Mein Spiel  (My Game)
30:40 - 09. Game Over!
31:58 - 10. Eisberg  (Iceberg)
34:53 - 11. Doppelte Rechnung  (A Double Bill)
39:19 - 12. „Keine“ LIEBT „Niemand“  (Mrs. Noone Loves Mr. Nobody)
43:11 - 13. Die Acid Platte  (The Acid Record)
47:32 - 14. Die Sonne Scheint Fuer Alle Umsonst  (Urknall Version 2025)
53:53 - 15. Die Sonne Scheint Fuer Alle Umsonst  (Acoustic Version 2023)

CREDITS:
- All Vocals by HARALD BOSH - https://www.instagram.com/harald_bosh/
- Lyrics by H.Bosh
- Written by H.Bosh
- Composed by Harald Bosh in collaboration with D.W.R.2009 (DWR Zweitausendneun)
- All Music by D.W.R.2009 (DWR Zweitausendneun)
- Keyboards & Piano by D.W.R.2009
- Programmed by D.W.R.2009
- Sound Design by D.W.R.2009

- Re-arrangements made by ADAM BALCERAK & MIKE FISSE (Track 15)
- Acoustic Guitar played by ADAM BALCERAK (Track 15)
- Guitar played by MIKE FISSE (Track 14)

- Recorded by ALEXANDER KRULL
- Mixed by A.Krull
- Mastered by A.Krull
- Sound Design by A.Krull
- Recordings Assistant THORSTEN BAUER 
- Recordings Assistant MARTIN SCHMIDT
- Recorded at Mastersound Studio in Fellbach by Stuttgart Germany

- Remastered in 2025 by MIKE FISSE at CTG Studios Germany
- Reworked (Tracks 1 & 9) by MIKE FISSE
- Mixed by HARALD BOSH
- Producer HARALD BOSH

- ©️ 2006/2007 DERCHO MUSIC
- ©️ 2025 ELECTRO LAGUNE Germany
- ℗ Phonographic Copyright:  ELECTRO LAGUNE & Harald Bosh
- Label Address:  ELECTRO LAGUNE, P.O.Box 1305, 49783 Lingen, Germany
- Label Code (GVL):  LC-15658

HARALD BOSH Die Sonne Scheint Fuer Alle Umsonst (Remastered & Mixed Version 2025)

Die Sonne Scheint Fuer Alle Umsonst (Remastered & Mixed Version 2025)

HARALD BOSH - Die Sonne Scheint Fuer Alle Umsonst (Remastered & Mixed Version 2025) FULL ALBUM

Youpi tendinite

Peruvian composer.

Taki 2021 prize winner.
Kajander-Laura Fiestas prize winner.
Co-founder and manager of Sinapsis Peru.
National and international premieres.

Returning sax player.

After 'learning' to play at school, over a decade later I picked up my Earlham Alto, and it snow balled from there. 

Fortnightly lessons for over 12 months, playing weekly with over 40 musicians in an Orchestra.

Somehow ended up with 
1x 1920's Conn NWii Alto
1x 1927 Conn NWii Tenor

Professional Music Video on YOUTUBE --->  https://youtu.be/w10C2zBFZuA
INSTAGRAM:  https://www.instagram.com/harald_bosh/
BANDCAMP:  https://haraldbosh.bandcamp.com/
I-TUNES:  https://music.apple.com/de/artist/harald-bosh/271487754
SPOTIFY:  https://open.spotify.com/intl-de/track/7tkiKGACUNuWM8stNiptSd
YOU-TUBE:  https://www.youtube.com/playlist?list=PLWOZX81IAS6jYibJcArJI7tueSsugMqJl
DISCOGS:  https://www.discogs.com/de/artist/2647561-Harald-Bosh
AMAZON Germany:  https://www.amazon.de/dp/B000TLA6V8
SONGKICK: https://www.songkick.com/artists/10347286-harald-bosh
*********************************************
SYNTH POP / ELECTRO POP / DARK WAVE / NEO 80s / RETROWAVE / NEOCLASSICAL / TECHNO
Pop Rock / Alternative / Independent
Acoustic / 80s Vibes & 90s Moods / Epic Touch
Adult Artist / Vintage Artist
Deep Male Opera Vocals / German Lyrics
WRONG ---> Harald B O S C H
CORRECT ---> Harald BOSH

*********************************************
I'm looking for someone like: Martin Gore or Alan Wilder (DEPECHE MODE); Vince Clarke (ERASURE); Chris Lowe (PET SHOP BOYS); Trent Reznor (NINE INCH NAILS); Will Gregory (GOLDFRAPP); Markus Reinhardt (WOLFSHEIM); Ernst Horn (DEINE LAKAIEN) = people, who can compose & produce, and also want to perform LIVE on one stage with me! My occupation is singing, lyrics writing and performing LIVE. I am open to any other collaborations, just say hello -->  synth@harald-bosh.de

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Ali OKUR & Medya Konya PR Music #SoundCloud Artist
Hz MAWLANA JALULUD DINI RUMI Quotes; 
“Not the ones who speak the same language but the ones who share the same emotions can understand each other.” 

Ali OKUR Medya Konya PR Music Türk Devleti Ebed Müddet Yaşasın Cumhuriyet - Ne Mutlu Türküm - Aziz Türk Milleti Kutsal Değerlerine Gönülden Bağlı Vatan Millet Dev imize İslam Dini Değerlerimize Tam Bağlıyız. Ulu Önder Tek Lider imiz ATATÜRK ilke ve Devrimlerinin Neferiyiz Gönüllerden Geçen Dile Getirilemeyen En Güzel Sözlerle Şiir Yazıyor Beste ve Müzik Yapıyoruz İnşaallah Siz lerde Beğenir ve Bize Paylaşarak Destek Verirsiniz İYİ Ki Varsınız! NE MUTLU TÜRKÜM DİYENE !  Yaşasın TÜRKİYE..

Hãy ghé thăm những bản cover của tớ và ở lại nếu cùng tần số nhé các cậu!

Most of my music centers on Jesus Christ and God’s amazing grace. I primarily write in the Country Christian style, but every now and then I like to branch out when the mood strikes. You might hear touches of alternative Christian rock (I did grow up in the ’60s and ’70s), contemporary gospel, or even a hint of bluegrass gospel along the way. From time to time, I also step outside faith-based music into modern bluegrass or country.

One of my current projects is an album inspired by poems I wrote to my wife while she was deployed during Desert Storm in 1991. After all these years, I’m finally adapting them into songs — a project that’s been close to my heart for decades.

I was fortunate to play bass and sometimes piano in my late teens and early twenties for a country gospel group known as The Gospel Crusaders. We performed primarily at churches across Illinois, Indiana, Ohio, North Carolina, and Tennessee. Then life happened, and I stepped away from performing for almost 50 years. During this time, I started focusing more on writing lyrics and music. In 2017, I picked up my mandolin and joined God’s Country in Largo, Florida. The group disbanded in 2023 when several members moved out of state, but we’re planning a reunion performance in 2026.

Even when I venture beyond my main focus of sharing the gospel through song, I strive to keep my lyrics honest, heartfelt, and sometimes just plain fun. Believe it or not, I’m not in this to make money — I write as an outlet to share the stories and experiences of life over the past 70 years. I write the lyrics for most of my songs, though I’ve been blessed to collaborate with a few talented friends along the way.

I use Studio One to produce my music and have built a large library of loops over the years. Some vocals are mine; others are performed by friends. And yes, I also use AI-generated voices or enhancements to vocals when needed.  I am in my 7th decade on earth and my voice doesn’t have the range it once had, plus I don’t have immediate access to female vocalists.  There’s a lot of debate about AI in music, but for me, the goal has never changed — to spread God’s love and joy. Technology is simply a tool, much like the studio innovations that have shaped music for the past fifty years.

In today’s music, many well-known and touring artists now use pre-recorded tracks and digital stems during live concerts to fill out harmonies, recreate orchestral parts, or trigger sound effects — it’s all part of modern performance. Whether it’s a backing track on stage or an AI vocal line in the studio, the heart behind the music still matters most.

I don’t believe AI will ever replace real musicians, but those who learn to embrace it and use it to enhance their craft will continue to flourish in the music industry.

I play bass, trumpet, guitar, piano, mandolin, and I’m currently working to get up to speed on the fiddle. You may not agree with my take on AI, and that’s okay. My purpose isn’t profit — it’s to share the message of God’s love through whatever tools I have, whether that’s a guitar, a loop, or an algorithm that helps me clean up a mix.

As W. Edwards Deming once said,
“It is not necessary to change. Survival is not mandatory.”

Technology will keep evolving, and so will we. My greatest hope is that one of these songs touches someone’s heart or makes a difference in their life. If God can use even one of them to do that, then I’ve accomplished what I set out to do.

God bless you all.

multi-instrumentalist & composer.
Genre fluid music for images / instrumental / contemporary post-fusion / experimental jazz / electro acoustic ambient / melodic noise / neoclassical / naive hard core / cosmopolitan world music.

bio here:
http://dedeland.com/daniel-diaz-bio/


In some words:
Composer, arranger, producer, multi-instrumentalist. Born in Argentina,
I studied music in Buenos Aires, New York, Boston, Los Angeles and Paris.

For 20 years, I developed an important career as a session and backing musician in Argentina and Europe, playing, among other instruments, the bass, touring and recording with many jazz, rock, fusion, world, Latin and tango bands.

At the same time, I worked as an arranger, producer and musical director with many projects and artists in the USA, Argentina and Europe.

From 1992 to 1997, I performed my compositions live with my own band in Buenos Aires and began a solo recording career with the worldwide release of my first album "The Years Alone" on the North American label Green Linnet/Xenophile. On this album I arranged and performed 11 of my songs written between 1986 and 1993. I played most of the instruments, but included guest appearances by some great South American players.

My recording career continued with "Segundo Ciclo" (1997), released worldwide by Timeless Records, and 12 more albums released between 2000 and 2016.

Currently, I work as an on-demand film/TV composer while continuing to play live and produce.

Everything here is created, recorded and mixed on an IPad Pro using AUM.

I use GeoShred to play everything that is not generated or sequenced.

I also have some tracks on my YouTube channel

Mix Acidcore tribecore Hardcore Frenchcore 
Ma Page YouTube : 

https://youtube.com/@jeremygamer5283?si=GJZvf12YqlMB9YlV

New tracks tagged #Tenor