Juan Atkins' Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure.

Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul.

The ongoing importance of this album is indisputable, essential both to techno and to Tresor.

BANDCAMP

Infiniti - Walking on Water

Thought Process

Infiniti - Thought Process

Electric Circus

Infiniti - Electric Circus

Infiniti - Body Oil

Infiniti - Postcard from the Future

	Coffeeshop Interlude

Infiniti - Coffeeshop Interlude

Coffeeshop Connection

Infiniti - Coffeeshop Connection

Subterrainea

Infiniti - Subterrainea

Intro - Energy 52 – Café Del Mar (Michael Mayer Remix)
1 De Jeugd van Tegenwoordig - Elektrotechnique
2 Steffi - Pip
3 Lusine – These Things
4 Computer Data – Healing 
5 Terrence Dixon & Thomas Fehlmann – The Corner 
6 Inigo Kennedy – Curveball  
7 Mehen – Heat From a distance (Eelco’s packing heat edit)
8 Marcel Dettmann Cycling Bits / DJ Funk - Run U.K. 
9 Joey Beltram – Ball Park (DJ Rush First Bass Mix) VS. Green Velvet – Killer Bees  
10 Gustav Brovold – CMND
11 Phuture – Only friend (Hardspace Remix) Eelco's Shooter Mcgavin edit
12 Ron Morelli – Extinctionist
13 Brice Kelly - Lean In
14 Data Theft – Data Loss
14 CH415 – Counting Down 
15 Detroit’s Filthiest – Crème de la Crème
16 Colleen Grant - Latin Parang  12”
17 Vince Guaraldi – Skating
18 Deftones - Be Quiet & Drive (Far Away) Acoustic version

Eelco's Electro Mixtape Vol. 43

Vyatka`s Saunas

Eelco’s taste in music has always been eclectic. He has been passionate about music from an early age, drawn to a wide range of sounds, from indie, rock, metal, jazz to hip-hop and drum & bass. But everything changed when he experienced his first AWAKENINGS techno party in Amsterdam over 20 years ago. That day, he had an epiphany! The pulsating energy, the hypnotic rhythms they were a calling.
From that moment on, he became addicted to the raw, driving force of Techno and Electro.
"The first time I stepped into a warehouse and FELT that hard bass, those hissing  sharp hi-hats, and the deep, hypnotic groove of proper Techno, I knew I had come home!"
Ever since then he wanted to share his unrelenting passion for TECHNO with the world!

Eelco自年少时就开始沉迷在音乐的世界当中，与许多Techno DJ一样，他有着自己不拘一格的品味，从金属到爵士，再到古典和鼓打贝斯等。20年前第一次参加Techno派对时，他感受到一种前所未有的顿悟，以至于不可自拔地爱上了这种声音。Techno与Electro是他最喜爱的音乐风格。
“当我第一次走进被低音填满的仓库，尖锐的镲声与令人着迷的Techno之声，我知道自已经回家了，我希望用我纯粹的热情来传播这特有的Techno之声！”

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

New tracks tagged #Terrence Dixon