Gideon la novena, fragmento del capitulo 2: test de sonido

Gideon Fragmento Del Capitulo 2: Test

⚠LA NOSTRA 14° AUDIO LEZIONE É ONLINE⚠
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14° audio lezione I parametri vitali 1/2

Hallo und herzlich Willkommen zum KREWKAST! Ein wöchentlicher Podcast mit viel Gelaber über die KREW, Technik, YouTube, Abenteuer und vor allem was Julian und Felix so interessiert. In der heutigen Episode geht es vor Allem um die neuen MacBook Pro Modelle mit M1 Pro und M1 Max. Viel Spaß!


Themenüberblick:
0:00 Begrüßung
2:05 Zielgruppe des neuen MacBook Pro
2:56 Was war auf der Keynote los?
3:50 Apple Music Voice Plan
5:10 Chaos bei den Bestellungen im Apple Store!
7:30 Wie war die Keynote für uns?
10:25 Wie Apple jetzt Windows-User bekehren will!
15:20 Was ist alles neu? 
21:50 Wie sehr ist Apple der Konkurrenz voraus?
27:30 M1 Pro und M1 Max - Was können Sie?
47:50 Lautsprecher & Tastatur im MacBook Pro!
51:20 MagSafe, HDMI & SD: Die "neuen" Anschlüsse!
1:04:23 Ciao, Touch Bar!
1:08:00 Hallo Notch! Aber warum?
1:33:00 AirPods 3

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Hier sind wir sonst noch im Internet vertreten:

Youtube Hauptkanäle:
Felix: http://www.youtube.com/felixba
Julian: http://www.youtube.com/owngalaxy

Twitter:
Felix: http://www.twitter.com/felixba
Julian: http://www.twitter.com/julianvoelzke

Instagram: 
Felix: http://www.instagram.com/felixba
Julian: http://www.instagram.com/julianvoelzke



Falls ihr euch fragt, wo wir unsere Hintergrundmusik her haben - schaut hier vorbei:
⇨ http://share.epidemicsound.com/plDDT *


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* = Bei allen Links, welche mit einem Stern gekennzeichnet sind, handelt es sich um Affiliate-Links. Dies bedeutet, dass ich eine geringe Provision erhalte, wenn du über diesen Link einkaufst. Vorteil dabei ist, dass sich der Preis für euch nicht erhöht und ihr meine Arbeit damit gleichzeitig unterstützen könnt.

MacBook Pro mit Notch & M1 Max: Unsere Meinung! - KREWKAST #146

UMPHA

Sol Pleureur

Mareks Project

My ears are dead, and so is the Jupiter 8.

The Unedited Screams of a Jupiter 8

i made somethin spooky this evening. wonder what i can do with this.. any ideas?

Spooky Prototype

same as "spooky", i feel like im getting better at making loops

Joyful Prototype

Airplane Beeper

YourHighnessKing

FEESER C12 TELEFUNKEN CLONE TEST V03 WWarmUp30min

Vs CAT Manic test wip blunder oblivion

tempo slider make slow song go fast WOW!!!!! fast song FASTER?!?!?!
***NOT FOR NORMIES***

Fast Shadows {tryout G - $esh2}

Rey De Corazones

lyrics

静けさを望む者が
「静かにしろ」と　叫(わめ)く
己が一番五月蠅いと気付かず
愚かな言動を続け

その風　唯醜く
その風　猶醜く
秩序を壊す混沌が　迸る

号びは咢いへ
声が嗄れても猶　轟かせて
言葉の弾丸を散撒いて
濫り濫り、濫り　心を殺いで

号びは咢いへ
力尽きるまで　轟かせて
言葉の弾丸を失って
虚しく鳴り響く　感情の空砲

Test of music now I'm making(号びと咢い)

You can't be down when you're high
🌲 Beatmaker Underground 🌲
Contact Beats : omnezia.music@gmail.com

L'unico podcast che ti fà studiare ascoltandolo.
Il podcast dedicato agli operatori sanitari di Una domanda al giorno toglie il concorso di torno...

Hobbyist Electronic Music Producer in Ableton Live 10

Hi, I'm "xod 2213W (WEISS box)" the silly guy who calls himself "the Terriblest example of composer".
Please call me "shiro", "shirobako", or "weiss box".
I'm loving instrumental rock.
I compose music with free vst etc, but the perfection of my works is very low, because I'm mo' amateur than amateur and I think my brain and thinking circuit are made of muscles.
I often play my "likes list" when I train my muscles, study kanji that's difficult to read, and so on.
Btw, I can't read'n'write English very well. And I can hardly speak and listen to English.
The only language I can use is Japanese.
So I basically use Google translator when I write a description etc.

-----
「作曲者界最凶の悪例」を自称してる馬鹿野郎のxod 2213W(WEISS box / 白匚)と白します。(羅語だとAlba Arca Archa)
白とでも呼んでください。
インストロックにハマってます。
フリーVST等を使用して音楽作ってますが、超々弩級のシロートな上に脳筋なので出来は拙いです。
筋トレ中や難読漢字の学習中なんかはよく「いいねリスト」を再生してます。
あ、日本語しか使えません。
なので説明文とかの英語は基本的にGoogle翻訳を使って書いてます。(基本的に丸々コピペはせず、ある程度の推敲はしてます。)

Late 1990’s he began to build his own studio, bascially a cheap pc, soundblaster compatible soundcard (noise & hiss), Yamaha An1x, and a Clavia Micromodular. From the Modular he learned modular synthesis, also Analog synthesis. And he found a mint condition Korg Ms-20 for a good price, and its still in fine shape. He first met Rasmus Alanne (Etnoscope) in the late 90’s when he left Sölvesborg for a room in a student facility. They shared the same entusiasm in electronic music and having a good time. Once Jesper was asked if he wanted to join Etnoscope, but he declined cause he wanted to develop his own sound.
However Jesper have been in the background with advices and some cooperation with the band and giving constructive
critism about the music. He played live with Etnoscope alot of times including Boom Festival 2010 opening.
Under strange circumstances he met Liam Dorff, who was busy moving in furniture to his new apartment. They also shared the same love for electronic music and could discuss it day and night.
As it was no turning back to Etnoscope for full membership, Rasmus & Jesper started a new band.
They named it Pusherstreet, the idea to work for a Free Christiania. Later on Jesper convinced Rasmus that Liam should join the band and so it took off quickly. First official release was on the very first Panzar Produktonz compilation “Progressive Bunker” with his minimal progressive track “Methbaron”. Jesper left Pusherstreet after a while, and Panzar Produktionz for a solo career.
One of Jespers friends from Germany, once played his tracks for Dustin Henze (Asarualim/Coldfusion/BUFU) in a car on the highway in Germany.
At that time a new label was started, BAM/FAM Rec, Binary Audio Machinery/Fractal Audio Machinery Records.
He asked his musical friends, like Patara, Mantra Flow and of course Asarualim & Coldfusion, if they could do a remix of a 10 year old track called “Neutralizer”. Each track going into an entirely different direction than the others, as his friends are devoted and had true skills.
Today Jesper works for BAM Rec and recently also back to Panzar Produktionz.
A new remix EP with Asarualim is on its way, slowly but surely, also featuring an upcoming Panzar Produktionz Compilation. He have ideas of starting sideprojects with a little faster, more twisted music, nothing’s impossible. He is thankful for his special interest, as life in a smalltown was far from good, in many ways, he always turned back to the music, avoiding getting into trouble, a lifesaver.
He likes to cooperate with other musicians around the world. And keep learning and playing, to take him where he wants to be at parties & festivals, getting to know people and learn more and more!
Links to:
psynews.org/forums/index.php/t...gressive-bunker
“Sixth track is COMATIC – METHBARON, a hard progressive stomper. There is no melody at all and it’s also the shortest track but the progression in its machine-like style mingled with percussive synth effects is actually good, so I don’t want to skip this one.”
discogs.com/artist/Comatic
History (List): Panzar Produktionz VA-“Progressive Bunker”
Left Pusherstreet & Panzarproduktionz 2010
Guest performance with Etnoscope at Boom Festival 2010
Joined BAM/FAM Records 2011
Rejoined Panzar Produktionz 2013
Future Gigs:
Energy Circle 25, Hamburg, Germany 25th December 2013
T

New tracks tagged #Test