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Confidently cinematic in classical and modern terms, layered with subtleties but also a straight-ahead, crowd-pleasing comedy, with more witty lines and bits of visual imagination than a dozen regular movies, O Brother is where thou shouldst be.
People interested in seeing "O Brother, Where Art Thou?" are in luck. The entire film is currently free to stream on YouTube, albeit with ads. That said, YouTube doesn't always keep films on the platform for very long. So, if you've been waiting for a good chance to see this film without spending any money, you better do it now before it's too late.
#1 The Best Years of Our Lives (1946)  97% #1 Adjusted Score: 108401% Critics Consensus: An engrossing look at the triumphs and travails of war veterans, The Best Years of Our Lives is concerned specifically with the aftermath of World War II, but its messages speak to the overall American experience. Synopsis: Fred, Al and Homer are three World War II veterans facing difficulties as they re-enter civilian life. Fred (Dana Andrews)... [More] Starring: Fredric March, Myrna Loy, Dana Andrews, Teresa Wright Directed By: William Wyler  #2 Raising Victor Vargas (2002)  96% #2 Adjusted Score: 99100% Critics Consensus: A coming-of-age tale marked by its authenticity. Synopsis: On New York City's Lower East Side, Dominican teen and aspiring ladies' man Victor Vargas (Victor Rasuk) has nothing but... [More] Starring: Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzman Directed By: Peter Sollett  #3 Being There (1979)  95% #3 Adjusted Score: 99769% Critics Consensus: Smart, sophisticated, and refreshingly subtle, Being There soars behind sensitive direction from Hal Ashby and a stellar Peter Sellers performance. Synopsis: Simple-minded Chance (Peter Sellers), a gardener who has resided in the Washington, D.C., townhouse of his wealthy employer for his... [More] Starring: Peter Sellers, Shirley MacLaine, Jack Warden, Melvyn Douglas Directed By: Hal Ashby  #4 Ghost in the Shell (1995)  95% #4 Adjusted Score: 96397% Critics Consensus: A stunning feat of modern animation, Ghost in the Shell offers a thoughtful, complex treat for anime fans, as well as a perfect introduction for viewers new to the medium. Synopsis: In this Japanese animation, cyborg federal agent Maj. Motoko Kusanagi (Mimi Woods) trails "The Puppet Master" (Abe Lasser), who illegally... [More] Starring: Richard George, Mimi Woods, William Frederick, Abe Lasser Directed By: Mamoru Oshii  #5 Hamlet (1996)  95% #5 Adjusted Score: 97650% Critics Consensus: Kenneth Branagh's sprawling, finely textured adaptation of Shakespeare's masterpiece lives up to its source material, using strong performances and a sharp cinematic focus to create a powerfully resonant film that wastes none of its 246 minutes. Synopsis: In the only unabridged film version of the classic play, here updated to the 19th century, Prince Hamlet (Kenneth Branagh)... [More] Starring: Kenneth Branagh, Julie Christie, Billy Crystal, Gérard Depardieu Directed By: Kenneth Branagh  #6 Glengarry Glen Ross (1992)  95% #6 Adjusted Score: 98858% Critics Consensus: This adaptation of David Mamet's play is every bit as compelling and witty as its source material, thanks in large part to a clever script and a bevy of powerhouse actors. Synopsis: When an office full of New York City real estate salesmen is given the news that all but the top... [More] Starring: Al Pacino, Jack Lemmon, Alec Baldwin, E

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This sheet music is available for purchase in PDF (to be downloaded and printed by purchaser) form. No additional copies may be printed beyond the quantity purchased without first ordering additional copies or receiving written permission from BYU Music Publishing Group.
Everything you will hear in this cover is made with human vocal cords--even though it might seem unbelievable! You won't want to miss this latest Christmas cover by BYU's Vocal Point. I love the spunky Christmas suits!
"Lead, kindly Light, amid the encircling gloom; the night is dark, and I am far from home; lead thou me on! Keep thou my feet; I do not ask to see the distant scene; one step enough for me." This gorgeous inspirational song offers hope along life's journey amid challenging circumstances. Made famous by Brigham Young University's a cappella group BYU Vocal Point, this tender a cappella divisi setting offers encouragement for the road ahead.
The ways in which you mix a lead singer and a backing singer are quite different. Mixing backing singers will be covered later in this guide. That being said, you can still learn a lot about mixing backing singers as you learn about how all types of vocals fit into a song.
The lead vocal is the main foreground instrument. Therefore, when you are mixing all of your sources, carve out frequency space in the instruments so the lead is out front. In case of having backing vocals, carve out the backing vocals for the lead to shine through when the song calls for it.
The Church, although made up of persons who have diverse languages, cultures, and rites, nonetheless professes with a united voice the one faith that was received from the one Lord and that was passed on by the one Apostolic Tradition. She confesses one God alone, Father, Son, and Holy Spirit, and points to one way of salvation. Therefore we believe with one heart and one soul all that is contained in the Word of God, handed down or written, and which is proposed by the Church as divinely revealed.
We attain beatitude by virtue of the grace of Christ which makes us participants in the divine life. Christ in the Gospel points out to his followers the way that leads to eternal happiness: the beatitudes. The grace of Christ also is operative in every person who, following a correct conscience, seeks and loves the true and the good and avoids evil.
"Saviour, like a Shepherd, lead us" appears again in 1838, in Mrs. Herbert Mayo's Selections of Hymns and Poetry for the use of Infant and Juvenile School, No. 171; and again in the edition of 1846, but without signature. As in that collection several hymns and poems are signed "D. A. T.," it is clear that Mrs. Mayo did not regard the hymn as Miss Thrupp's production. The most that we can say is that the evidence is decidedly against Miss Thrupp, and somewhat uncertain with regard to Lyte as the writer of the hymn. Its use is extensive both in G. Britain and America. [William T. Brooke]
James Finley had traveled with his family from North Carolina to the Ohio frontier in the late 1790s. In his later life, he would become a leading figure on America's religious landscape. But as a young man, Finley, like thousands of other Americans, struggled alone with his faith.
JOHN McGREEVY: That was the fear of many Protestants. "We're going to have Bishops interfering in our politics. Here is this unelected bishop, appointed by the Pope in Rome, telling thousands, maybe hundreds of thousands of our fellow citizens how they should vote. Catholics are more or less like sheep. They're going to do exactly what they're told. And if we have people like Hughes telling Catholics what to do, we're in trouble."
Tenor is the highest part, harmonizing above the Lead. Notated in the top stave, Tenor stems always point up. Tenor singers should have a light, lyric vocal quality. Male teno

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Great art Thou, O Lord, and greatly to be praised; great is Thy power, and Thy wisdom infinite. And Thee would man praise; man, but a particle of Thy creation; man, that bears about him his mortality, the witness of his sin, the witness that Thou resistest the proud: yet would man praise Thee; he, but a particle of Thy creation. Thou awakest us to delight in Thy praise; for Thou madest us for Thyself, and our heart is restless, until it repose in Thee. Grant me, Lord, to know and understand which is first, to call on Thee or to praise Thee? and, again, to know Thee or to call on Thee? for who can call on Thee, not knowing Thee? for he that knoweth Thee not, may call on Thee as other than Thou art. Or, is it rather, that we call on Thee that we may know Thee? but how shall they call on Him in whom they have not believed? or how shall they believe without a preacher? and they that seek the Lord shall praise Him: for they that seek shall find Him, and they that find shall praise Him. I will seek Thee, Lord, by calling on Thee; and will call on Thee, believing in Thee; for to us hast Thou been preached. My faith, Lord, shall call on Thee, which Thou hast given me, wherewith Thou hast inspired me, through the Incarnation of Thy Son, through the ministry of the Preacher.
And how shall I call upon my God, my God and Lord, since, when I call for Him, I shall be calling Him to myself? and what room is there within me, whither my God can come into me? whither can God come into me, God who made heaven and earth? is there, indeed, O Lord my God, aught in me that can contain Thee? do then heaven and earth, which Thou hast made, and wherein Thou hast made me, contain Thee? or, because nothing which exists could exist without Thee, doth therefore whatever exists contain Thee? Since, then, I too exist, why do I seek that Thou shouldest enter into me, who were not, wert Thou not in me? Why? because I am not gone down in hell, and yet Thou art there also. For if I go down into hell, Thou art there. I could not be then, O my God, could not be at all, wert Thou not in me; or, rather, unless I were in Thee, of whom are all things, by whom are all things, in whom are all things? Even so, Lord, even so. Whither do I call Thee, since I am in Thee? or whence canst Thou enter into me? for whither can I go beyond heaven and earth, that thence my God should come into me, who hath said, I fill the heaven and the earth.
Do the heaven and earth then contain Thee, since Thou fillest them? or dost Thou fill them and yet overflow, since they do not contain Thee? And whither, when the heaven and the earth are filled, pourest Thou forth the remainder of Thyself? or hast Thou no need that aught contain Thee, who containest all things, since what Thou fillest Thou fillest by containing it? for the vessels which Thou fillest uphold Thee not, since, though they were broken, Thou wert not poured out. And when Thou art poured out on us, Thou art not cast down, but Thou upliftest us; Thou art not dissipated, but Thou gatherest us. But Thou who fillest all things, fillest Thou them with Thy whole self? or, since all things cannot contain Thee wholly, do they contain part of Thee? and all at once the same part? or each its own part, the greater more, the smaller less? And is, then one part of Thee greater, another less? or, art Thou wholly every where, while nothing contains Thee wholly?
Yet suffer me to speak unto Thy mercy, me, dust and ashes. Yet suffer me to speak, since I speak to Thy mercy, and not to scornful man. Thou too, perhaps, despisest me, yet wilt Thou return and have compassion upon me. For what would I say, O Lord my God, but that I know not whence I came into this dying life (shall I call it?) or living death. Then immediately did the comforts of Thy compassion take me up, as I heard (for I remember it not) from the parents of my flesh, out

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In response to Charles comment, coming from a worship leader perspective, all I can say is as leaders we try to make the music easy to remember in order to sing along and participate as a whole in the congregation. There are lyrical and musical master pieces that will move you to tear up or fall on your knees and praise God from the likes of Casting Crowns, Chris Tomlin and such. Although music, just like social economic status is all relative to the individuals own perception. Not everyone is musical, but they are capable of following hymns that repeat themselves. We are not on the stage to bring attention to ourselves but to help facilitate the congregation to sing and praise together as one from the heart. God bless, and may you find the beauty in music that shakes your soul, tears you up, and moves you to understand the power and glory that is Jesus Christ.
His point about singable keys is also apt. As the music librarian, who is responsible for setting up the worship music for the worship teams from week to week, I struggle to get worship leaders to understand this. It works both ways. Not only do people struggle to sing in keys that are too high, they often struggle with keys that are too low.
I also belong to a church where instruments are not allowed, but for my husband and I, who are both musicians, this is a problem, as the song leaders are not good song leaders, although they do their best of course. Often the song is started to high/low, phrases are shortened, etc. The congregations tries to follow, but basically the singing is poor. We find it difficult that, according to our church, musical instruments are not allowed during worship!!!
Your comments seem to be about your own view and experience of worship. What about those who need help and guidance into worship? Also, this article is about congregational worship, not individual, and in my opinion and experience as a,worship leader, it is absolutely correct in every point.
I think this article raises some interesting points and they are things we as worship leaders should definitely be aware of and navigate but I think I would agree much more with the views of Scott Ivey.
Agree whole-heartedly Scott. I consistently see 25-30% of the congregation participating. These are valid points. And maybe there should be a #10. Style, for some folks, P&W music is simply not a style that floats their boat and will never work for them. I like your points about vocal range, singable for one is not singable for another. I believe there is no such thing as singable. Making the melody too dominant is a major turnoff. Music is intricate and that is what makes it beautiful. Hearing a group of singers all sing unison comes across as very mediocre.
Thanks for your comment, Emily. I do not disagree with your inference at all. As I wrote about in other posts, personal worship is a prerequisite to corporate worship, and we as worship leaders cannot force someone to worship. People have to have that 24/7 relationship with God and come expectant to times of corporate worship. We can, however, set an environment conducive to worship. Unfortunately, as this post points out, we as worship leaders can do things that get in the way of helping people voice their worship to God. The purpose of this article was not to determine who is responsible for people worshipping (the congregant vs. the worship leader) but rather to point out what we as worship leaders often do (perhaps unknowingly) to be a barrier. Unfortunately, the nine reasons I highlight here are seen far too often in churches throughout the world.
I think one point is missing. if we are worshipping, we are worshipping GOD and Jesus throug the Holy Spirit. Everything should be focused on this. When the worship leader and the whole group Knows exactly on WHO is the focus of the time they have to manage, and they know ho

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