[Techno 143BPM] - June 27, 2024

If you could convert the thoughts of a Psychopath into music. This is what I believe it would sound like.
A relentless pounding and throbbing bass, distorted synths, ethereal percussion and FX.

Musings Of A Psychopath

RIDE THIS WOLF (Taio Cruz Furry Parody)

Damião Marco "Lil Wayne" Carter de Souza para presidente nesta eleição: nosso futuro, nossa esperança!

Brazilian National Anthemn (Ft. Lil Wayne)

I wrote this song after stubbing my baby toe, like, really, really bad...  Guitar, drums, and six synth basses.  The six synth basses reflect the six different forms of throbbing pain I was subjected to - the throbbing from my pulse, the throbbing when walking, the sputtering throbbing whenever I put my foot up, the locomotive-parked-on-my-toe throbbing when I put on a sock, the blood-rush-to-the-feet throbbing whenever I stood up, and finally the wtf random bs that happened whenever I almost forgot about it...  The eye-watering spikes of sharp pain are represented by glitchy drum breaks.  

Ouch

Engines Ready

Brain Hacking is a technique that enables a Cyberhacker to take control of the brains of their victims. This is a real thing and already part of every day life.

Surveillance

Brain Hacking

Perco Dance

Aft Skunk

Fragment VI: ROATENCHANT

Bifragments:

There are two forms of the chant.
You must listen to both —
but never together.

Deep in the lowest ducts,
beneath the mountains of discarded rhythm,
there lies a chant that was never meant to be heard.

It wasn’t played.
It wasn’t composed.
It was leaked
from the mechanical womb of the Roat —
not a groove machine, but a possessed relic.


ROATENCHANT

is not a track.
It is a mass of corrosion,
a danse macabre
conducted by sirens that gurgle through copper entrails.
A seduction made of sputters and oil.

It plays with no audience.
It loops with no structure.
It sings because it must expel what it contains.



It is not a signal.
It is a liturgical possession.

The Roat moans. The KOII EP133 throbs.
Distortion becomes language.
You hear ancient creatures screaming through the voice of modern failure.

This is not the final song.
This is the voice of what was buried,
and never decomposed.

ROATENCHANT
A lost tape. A machine in ecstasy. A chant of rotting circuits.

roatenchant [raw)

Autoliebe

Welcome to PANAM – Pure Audio Noise and Melody. 

PANAM is a personal music project born from a love of sound and the freedom to create. Tracks are crafted within a limited timeframe to embrace raw creativity and avoid overthinking, capturing the essence of the moment. It’s about letting the music flow naturally, imperfections and all.

📡 What You’ll Find:

A diverse mix of tracks across electronic, ambient, techno and hip-hop genres.  Sometimes all at once.
A glimpse into a collaborative vision: music by PANAM, live energy by a DJ, and vibrant media by an artistic eye.

🌌 Why PANAM?: Every track is an authentic snapshot of emotion, celebrating creativity over perfection and a hope to connect. 

🔗 Get in Touch: For inquiries, collaborations, or just to say hello, email contact.panammusic@gmail.com.

Subject showed signs of [REDACTED] and auditory sensitivity, consistent w/ findings circa 19[XX] . Further study required.

Slaughter Un!t
New releases every week


Consists of:

                                            TR Jah   &   Lil JC

Official composer and audio director for Wargaming titles: Steel Hunters, World of Warships.
Creator of ritual audio systems fully adaptive to battle events.
A core voice in a new sonic movement — fusing esoteric techniques with cutting-edge sound architecture.

His music has resonated across trailers, games, video art, and open air — where even birds paused to listen.
Acting as a medium, he channels ancient signals through jaw harps, throat singing, and field synthesizers.

Releases include: Mene Tekel Upharsin, Chrysolux EP, The Wheel Remains, Voces Exilii, EXUVIA, Signal from Isidis and more.
Each work is a document of ritual passage, inner mutation, and sonic exorcism.

Recommended by Spotify algorithms to listeners of Planet Supreme, Hainbach, Lustmord, Steve Bicknell, Luke Sanger.
#1 City: Singapore.
Works with SOMA, Teenage Engineering, Elektron, and hand-crafted audio relics as tools of alchemy.

You don’t hear him with ears. You hear him with scars.

「音は記憶であり、音は儀式である。世界が崩壊してもなお響き続ける火種。アトゥール・トフタシュ（Artur Tokhtash）の音の世界へようこそ。」

🎧 阿图尔·托赫塔什（Artur Tokhtash）

官方作曲家与音频总监，代表作品包括《钢铁猎人》（Steel Hunters）与《战舰世界》（World of Warships）。

他创造了完整自适应的战斗音频系统，将仪式性声音与尖端音频架构融合。

他的音乐跨越预告片、游戏、视频艺术与户外空间，甚至让鸟儿驻足聆听。

通过口弦琴、喉音唱法与实地合成器，他作为媒介传递古老信号。

代表作品包括：《Mene Tekel Upharsin》、《Chrysolux EP》、《The Wheel Remains》、《Voces Exilii》、《EXUVIA》、《Signal from Isidis》等。

每一部作品都是仪式通道、内在变异与声音驱魔的记录。

Spotify算法推荐给Planet Supreme、Hainbach、Lustmord、Steve Bicknell、Luke Sanger的听众。

#1城市：新加坡。 ￼

合作设备包括SOMA、Teenage Engineering、Elektron及手工音频遗器，作为炼金工具。

你不是用耳朵听他，而是用伤痕感受他。

Artur Tokhtash Original Music Steel Hunters World of Warships dodecafonic shoenberg  composers  approach hauer

Been playing with electronica & guitar synthesizer forever...  Sometimes spacey, sometimes hard, sometimes jazzy, sometimes algorithmic & scientific...

Email: mark_parr@hotmail.co.uk

Hi. I'm a Production Music Composer / Musician based on the South Coast of the UK

I write music for TV / Film / Advertising etc. 
My music has been aired on numerous TV channels including CBS, Amazon Prime, Apple Plus, MTV, VH1, Foxtel, Hulu, Vudu and many more.

If you are interested in licensing any of my music, please contact me.

I play the guitar, bass and piano.

If you enjoy my music please follow me.

Thank you. 

Peace and love to all.

can't access old account, can't make music anymore, I'm terrible, I don't live in Seattle anymore

All of my tracks on Soundcloud are free to download. 100% of my tracks on Soundcloud are my own original works, I don't do covers, arrangements or remixes.  I mainly write melodies, my pieces usually consist of a lot of melodic content and are melody driven. My music is multi-instrumental, I use many different instruments.. Many of my pieces contain more notes than a Pop song, less notes than a symphony. 

I compose music in many genres: Children's, Jazz, Melodic, Ethnic, Space, Halloween, Classical, Southern/Western, Rock. My music encompasses a lot of variety, it is eclectic. All my pieces have been notated, contact me and send me your email address if you want free PDF's of particular compositions. I currently use Sibelius 7.1.3 and Noteperformer. I have been writing music since I was in Junior High School, I have some songs with lyrics, but most are instrumentals. I was in band in High School and College, and I have been a member in several choirs as well.  

Update: I have recently uploaded virtually all of the compositions I have composed since 1997. I have included playlists as part of my offerings, with compositions from many novel genres.

I am open to collaborations with members of Soundcloud.

I have many pieces that are crafted primarily using the Aeolian scale. Some examples include, "Exotic Emerald", "Starlight Vow", "Bard 2 with Violin", "An Evening in Chatham Bay" and "Sacred Turkish Fountain".

I care about music, no matter the source. If you have heard something delightful or outstanding, and wish to share, please suggest it to me.

My compositions have surpassed 379K views on Score Exchange.

I have a profile here: http://www.scoreexchange.com/profiles/masonwright 

I can be found here: https://tunein.com/radio/Mason-Gregory-Wright-p1843848/


Feel free to check these links out...

https://www.earthing.com/

Earthing Movie: https://www.youtube.com/watch?v=44ddtR0XDVU&t=8s

New tracks tagged #Throbbing