Collaboration with Gooberoni!
Please do listen and enjoy!
A song that messes with your time... is it 7/4? 5/4? 3/4? What the hell is going  on?
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Cover drawn by me, with Mothim (my character) and Goober's character!

Desperation

[verse]
the air is charged when you're around
in you my missing piece is found
your laughter is a work of art
your touch resets my beating heart
the air is charged when you're around
in you my missing piece is found
your laughter is a work of art
your touch resets my beating heart
can you please come help me out now?

[chorus]
sparks
all in my head
something you said
something i read
you're making sparks sparks in my head
so i'll make you moan
i'll make you groan
all these damn raging hormones
stop all these confusing thoughts take me home

[bridge]
i want this
i know you want me
grant me bliss
and serenity
will you
feel my kiss
can you hear my plea
the abyss
makes me feel so free

sparks

Hey, it's been a while, I know...
No, I'm not back, sadly. This is a song I made before the accident where I lost everything, together with the other ones(that are coming in the future). I'm still trying to recover and work through everything, including the accident, medical appointments, and surgery. But I hope you guys enjoy my song and look forward to my future projects!

【Full Stream】: https://www.youtube.com/watch?v=57LZb8-RVYY

【Please follow AXiS】:
x.com/AXiSDTM
@axisakajp
https://www.youtube.com/channel/UC0vo4TbodHTqzshKKQwbbsg

【F/C Epoch Of Equion】Akurah

CarKpop Rap Battle - Season 5 Round 1

having some fun with 13/16 and 7/8

Lyrics:

Willkommen zu einer neuen Ausgabe der 
Reihe meines Flowmarkts. Heut'ge Aufgabe wär, 
den Puls im Nichts zu zerstreuen, aus Gabe per 
blühender Tugend ein Feuer zu schüren 

Wie wenn ein Funke - uns're Talente bildlich 
repräsentierend - leuchtend, fliegend, sich entfacht, ein Feuer 
schafft, macht, dass die 
Zeiten sich wandeln, ihr Schreiten spricht Handeln, 
Gezeiten verwandeln den wandernden

Wankelnden macht ihn frei, 4/4 schließt ihn ein
Struktur ist nur zum Schein, Einfall erstickt im Keim
Fantasie obendrein, allerdings alles bleibt
wie dem nun auch so sei, reine Reim-Zauberei und

Sprachmagie, wach wie nie, 
wandert die Fantasie 
dann in die Galaxie schlagartig
Trotz Wechsel der Taktart, ich halte meinen Takt artig

Ich seh, ist etwas nichts, dass
das Nichts etwas ist, seh ich
Was sich zeigt, seh ich oft nicht
nicht oft, ich seh, zeigt sich was

Die Intransparenz der Introspektion,
Inspirationskraft, in welcher schon 
inbegriffen die Intuition,
dringt durch mich durch, bin durch und durch im 

innersten Kern, Sinn völlig fern
Rhythmus, Hit, Puls
komplex unkomplett
7/8

Ich starte auf der drei,
Ich starte auf der zwei,
Ich starte auf der eins, vorbei
You ask, is this

mastery? Actually, as you see, has to be
majesty casually craft to be tapestry like a
lyrical labyrinth, intergral patterns in 
miracles dazzlin', pivotal passion links to 

infinity: skimmin' divinity's inner scheme
vivid dream: viciously spinnin' the imagery 
Yeah, I managed to damage you, damn, it's true, 
I take the advantage to challenge you,
vanish fool! Life may be sad.

비관과 낙관 끝 같은 건. 뭐 어차피
인간도 관으로 끝나고. 영원까지
지나가 버렸던 순시간 어떤 관심
있냐 꼭 맘으로 금하고. 변명 하긴

세계가 거꾸로 힘들고. 엉켜: 사실
거칠다 뒤집혀도 다칠 거. 거절, 상실
세상이 서글픈 이유는 여러 가지
때마침 완화 할 수 있길 걱정하지 마

Mein Flowmarkt – Part 2 : Time's Sick Nature

'Maari', translating to 'torrential rain' in Tamil, is a song that exudes a silent sense of passion, seduction and intimacy dovetailed with the age-old romance of rains, in all its intensities. The graph of mystery unfolding in this 'passion' is expressed not only via a composition based on a pop-culturally rare Raga, Madhukauns, but also in an unconventional time signature of 5/8 and the eccentric combination of Persian instrumentation - the Ney, Tombak, Daf and Bamkaman - to portray the universality of love and its sound.


Credits

Vocals: Mesbah Ghamsari, Shashaa Tirupati
Composition: Shashaa Tirupati
Music Arranger: Mesbah Ghamsari
Lyrics: Krithika Nelson

Soloists/ Instrumentalists:

Sarangi: Momin Khan
Ney: Pasha Hanjani
Tombak: Kamran Montazeri
Daf: Shima Shahoseini
Daf: Sahand Salimi
Bamkaman, Clarinet, Synthesizer: Mesbah Ghamsari

Recording Studio: Playhead Studio (Mumbai) 
Recording Engineers: Roop, Rahul
Mixed and Mastered by: Mesbah Ghamsari

Cover Artwork: Aishwarya Nabar 

Published by: Record Thirty-Nine
Distribution: Horus Music (India)

Maari

5/4 beats, 180bpm (ish), MC-707

First structured composition created on the 707 (before now it's just been more jammy, but this has more of a structure and different sections etc, not just knob twiddling). Played the sections ("Scenes/Clips)" live, recorded onto 4-track tape - beats in one channel, everything else in another channel. Bounced across to Harrison Mixbus to re-digitize it, in mono. Then uploaded to Soundcloud, and Distributed instantly (well, Friday May 30th 2025 it will be released to the rest of the world - Spotify/Apple etc).

This track is 180bpm originally, but the tape may have affected the speed it's been captured at, so it could be a slightly different BPM. It is in 5/4.

Colin FA

Spotify [TBC]

5/4 beats, 180bpm (ish), MC-707

This is a more distorted version of "Colin FA" (the "DB" in this version means "Dirty Beats"]. The saturation/crunch is from overloading the 4-track tape machine. Also crunched this into the CALF Limiter in Audacity. It is a completely separate live mix from the other cleaner-beats version. The dirty version was played/created first, but the clean-beats version was released first because it took a while to mix/master the mad crunchy version due to the blown-up tape causing some mad glitches, which I was finally able to fix (basically by turning the outputs down on the tape machine).

This track is 180bpm originally, but the tape may have affected the speed it's been captured at, so it could be a slightly different BPM. It is in 5/4.

Colin FA DB

finally got this out lol, it had been mostly done for a bit but i got distracted by doing some other stuff... black knife cover soon?
thanks for the art (it was hard) - @OroDelta

original by Toby Fox and recreation by @stormstudios1 on youtube (used it to help with some of the notes)

The Second Sanctuary || a river cover

1000 listens = music video( ͡° ͜ʖ ͡°)

394 BABOX BAJA BOX

I made this weird song for school, it's in 13/8

Lobby

Cocaine Bear is the second single off of our upcoming album, New Life Will Grow. It showcases a maturity in musicianship and a deep emotional connection with metaphorical, melancholy lyrics.

Cocaine Bear

The light that stained upon glass
The echoes of hollow past
Can’t be seen

In silence you meant to ask
What happened to the last
Little thing

I am running
Breathe is leaving
Lungs are heaving
Burned

Time is coming
The last tick of the
Clock has yet to
Turn

Sympathy 
Killing me
One day now
You will see
This is how
I will be
Forever
Lasting
Spurned

Put simply
I won’t be
All that you
Want of me
Constantly
Filling the
Cup of
Dynasty
First

I’m becoming
A shadow
Of the thing
I used to be

I’m evolving
Growing past
The thing that
Once was me

I still know
One regret

Won’t you
Remember
What you said

It all fades with time

Time

Foamy Rroo-ho To Ibagan The Evil

Often described as twinkly and compositionally beautiful, Stereosity’s unique sound and vision have created a lasting impact on the math rock community—one that resides in their joyfully-complex rhythms and time signatures, a striking contrast of inspiring guitars and melancholy vocals, and their colorful live performance. There is an intimacy between the two guitars—a daring rhythm section accompanies floating, catchy vocal lines to create a menagerie in a genre so niche and established; something that breaks the boundaries of what is possible in the modern rock scene. Their newest single, “Cocaine Bear,” is the second single off of their upcoming album, “New Life Will Grow.” The name captures the chaotic energy in endless time signature changes, with an underlying feeling of hope in metaphorical lyrics. The new album showcases growth and prosperity, as the band dives into the heart of their own established sound.

nickname: ozzy
hardcore, dnb, experimental
blm
Wyvren#9090 / _tatsuoto

-

part of 
@tanuki-tech-records 
@sleepyzone
@wellsfargoreal as WF Hardkore Sound Team
⅙ v/vanquish
½ endgame

in:
vivid/stasis x5
RUSHER x2
NEODITRONIX x2
Project Outfox x1
OpenTaiko x3

-

I'm 100% fine with anyone using my work w/ credit and a link to my sc
Some songs owned by companies, or that are collaborations may not be as ok (Please ask everyone in the collab/company if it's ok!)

Work email to contact me (I do VA work as well): ozzythevoiceactor@gmail.com

hi! i like to make music.
co-owner of Flotation Devices.

OCTOSHED! ----->>>>>> ☀ weird Beats / DnB / Ambient / Breakbeats / Samples / > Noise / Field Recordings ☀ >>> ☀ Amiga / Linux Audio ☀ >>>>>>>> releasing new tracks [2023] along with tracks from the past few years [2016 ->], but maybe the odd nugget from a good few years ago [1996 -ish onwards].

To be honest, I'd given up on Soundcloud for a long while, but I've returned to it in 2022 and it seems to be much improved. Also, maybe I never quite appreciated it in the first place. It's one of those things that is too hard to comprehend the scale/size/quality of, so you need to spend time with it to get the most out of it. It's certainly great when you connect with someone new etc, or discover their music etc.

"Beāuteoüs Läñdsçäpe Sñïffers are we!"

hi im river i do music (i dont upload most of the stuff i do though)
profile art -  https://x.com/AHhhAceey
discord -  thatwaterriver

National Award/ Filmfare Recipient | Singer | Songwriter | Actor 

NEW MUSIC: 
'MAARI' - Out Now! 7th February, '25

Hi, I make music.

◤You can listen to my old songs on my YouTube channel◢

New tracks tagged #Time Signature