All night Long mix rec vinyl collection & Digital love Timeless Track 90 Vibe at Club

Rochdee 90'S Vibes AmbassadeClub

The Innocence of Babies is a tender reflection on purity, love, and the way we shape the next generation. Originally written as a poem in 1976 by George S. Chandler — just a year after his niece Donna (Dean's sister) was born — it’s now reimagined in a timeless Sinatra-style ballad. With a nostalgic Godfather-era swing, the song flows like a lullaby for a world that’s lost its innocence but still remembers what it means to care.

Orchestral strings, soft piano, and warm horns frame the vocal — smooth, cinematic, and filled with heart. It’s a song that reminds us of the beauty in simplicity, and the quiet truth that children learn from the world we show them.

A collaboration between George S. Chandler & Dean R. Chandler — honouring the past, through music that never ages.

THE INNOCENCE OF BABIES

[Verse 1]
The innocence of babies
Is a wonder to behold
It seems such a pity
That they must grow old

[Verse 2]
Look at that little girl
What will be her life?
Hope that she grows up to be
Someone’s happy wife

[Pre-chorus]
Look at that baby boy
So fast asleep
He’s trusting in you, you know
His future to keep

[Chorus]
Look at those infants
How they laugh and play
Wish the rest of their lives
Could be like today

[Verse 3]
School is over
Listen to them cheer
Hand in hand as they walk home
No colour problems here

[Verse 4]
But as they grow older
What will they be?
It’s no use blaming them, you know
They copy you and me

[Pre-chorus]
Look at the little girl
As her first baby cries
Look at the love
That’s there in her eyes

[Chorus] 
Look at those children
How they laugh and play
Wish the rest of their lives
Could be like today
Oh, look at those children
How they laugh and play
Wish the rest of their lives
Could be like today

[Instrumental]

[Outro spoken]
The innocence of babies
Is a wonder to behold
It seems such a pity
That they must grow old
Enhance lyrics (e.g. "make it sound happier")
The ballad opens with a sparse solo piano motif, delicate and expressive. Soft strings gently join, layering lush harmonies beneath the melody. Light woodwinds—flute and clarinet—add warmth in countermelodies. Arrangements remain transparent, with subtle dynamic swells, ideal for tender vocal or spoken lines.
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cinematic, orchestral, classical ballad
Weirdness 39%Style Influence 90%
[Verse 1]
The innocence of babies
Is a wonder to behold
It seems such a pity
That they must grow old

[Verse 2]
Look at that little girl
What will be her life?
Hope that she grows up to be
Someone’s happy wife

[Pre-chorus]
Look at that baby boy
So fast asleep
He’s trusting in you, you know
His future to keep

[Chorus]
Look at those infants
How they laugh and play
Wish the rest of their lives
Could be like today

[Verse 3]
School is over
Listen to them cheer
Hand in hand as they walk home
No colour problems here

[Verse 4]
But as they grow older
What will they be?
It’s no use blaming them, you know
They copy you and me

[Pre-chorus]
Look at the little girl
As her first baby cries
Look at the love
That’s there in her eyes

[Chorus] 
Look at those children
How they laugh and play
Wish the rest of their lives
Could be like today
Oh, look at those children
How they laugh and play
Wish the rest of their lives
Could be like today

[Instrumental]

[Outro spoken]
The innocence of babies
Is a wonder to behold
It seems such a pity
That they must grow old

George S. Chandler (1976)

The Innocence of Babies

When I recorded “Irene Goodnight,” I wanted to keep that timeless spirit of old folk and blues songs — honest, simple, and full of heart. I sang it with acoustic guitars, harmonica, and a soft drum beat, letting the rhythm breathe like a story told by the fire.

This song, to me, is about regret and love, about those moments in life where pain and tenderness walk hand in hand. It’s not just about Irene — it’s about every goodbye we never wanted to say. While singing it, I felt the weight of the lyrics, that sense of longing that stays with you even when the music fades.

It reminded me why I love these old songs: because they speak the truth without needing to shout. Just a voice, a few strings, and the feeling that someone, somewhere, understands exactly what you’re singing about.

Basadas y Covers II

Irene

Irene Goodnight

من قلب الذكريات والمشاعر الدافئة، هذه المجموعة الموسيقية جمعناها لكم لتعطي نكهة زمن جميل على نهار الشوي يوم الأحد. من إحساس منى مرعشلي الدافئ إلى صوت جورج وسوف العميق، من كلاسيكيات أم كلثوم وعبد الحليم الحافظ إلى رومانسية ملحم بركات ومحمد عبد الوهاب... خلي الموسيقى تحكي، والدخان يطلع، والقلوب ترتاح.

نشرة خاصة  ٠٠٢ / موسيقى مشاوي نهار أحد /  StereoScope

🎉 New Year Wishes – Auf ein Neues – KI Sunclub Mallorca (Global Hope & Unity Anthem) 🎉

**KI Sunclub Mallorca Releases Groundbreaking Hope & Unity Anthem: "New Year Wishes" Unites 28 Cultures in a Musical Masterpiece**

**Oberhausen, December 30, 2025** – In a time when the world needs hope and unity more than ever, the AI-supported music project KI Sunclub Mallorca has released its magnum opus today: the "Global Hope & Unity Anthem" titled "New Year Wishes – Auf ein Neues". This danceable epic is not just a song, but a musical film that celebrates the diversity of humanity and sends New Year wishes full of hope in 28 languages from four continents. As the culmination of an ambitious project that has produced over 70 individual tracks in various languages in recent weeks, "New Year Wishes" marks the transition from local greetings to a global symphony of hope.

The project, initiated by Patrick Levien in collaboration with xAI's Grok, started as a simple idea: to send New Year greetings in the languages of the world to build bridges and connect cultures. What began as a series of dancefloor tracks – with authentic instruments and trilingual choruses – grew into a collection of over 70 tracks covering cultures from all continents: From African rhythms (Swahili, Yoruba, Wolof, Hausa, Zulu, Amharisch, Fula) to South American vibes (Spanish, Portuguese, Quechua, Haitian Creole, Aymara, Kimbundu, Guarani) and European harmonies (German, French, Italian, Russian, Greek, English, Yiddish) to Asian melodies (Mandarin, Hindi, Japanese, Korean, Thai, Tamil, Tagalog, Telugu, Kannada, Malayalam, Gujarati, Odia, Bhojpuri, Marathi, Farsi, Javanese, Pashto). Additionally, ancient and indigenous languages like Latin and Aramaic were integrated.

"New Year Wishes" is the crowning finale: A timeless anthem that omits any specific year, making it playable every New Year. The track opens with a warm, global voice: "KI Sunclub Mallorca sends New Year Wishes full of Hope and Unity". It features four stanzas, each dedicated to a continent, with seven New Year wishes – alternating sung and spoken. The refrain is pure, kindergarten-simple fun: "Ahhhh uhhh uhhh – La un nooooooo" (three times), a crowd-pleasing moment that creates ecstasy and invites everyone to sing along. The finale with a hundred-voice choir overlaying all greetings is the highlight: A choir of humanity fading out in 'Hope'.

Overall, the anthem processes 28 cultures and languages representing billions of people – a unique work of inclusion and hope. "This is a gift to the world," says Patrick Levien. "Music connects where words fail."

DJ promo available on request! 🔥 Share the joy – Hope for the world! 💃🕺🌍



Hope and Unity 2026-#1

Clause unfolds like a single sentence spoken with care. Rooted in classical Middle Eastern expression, the piece carries emotion through restraint, each phrase weighted, each pause intentional.

The music lingers between tension and release, allowing sorrow, devotion, and reflection to coexist. Rather than telling a story outright, Clause suggests meaning through nuance, leaving space for the listener’s own memory and interpretation.

Clause

Lyrics written and owned by Robert Czikall

Rockin In The Clouds

I Wrote Your Name (On A Wet Cave Wall)

Vera & Lovisa is back. Their first release on their upcoming album - "Only Time Knows" is a gentle, timeless folk song about uncertainty, closeness, and the quiet moments where answers aren’t meant to arrive yet.
Carried by intimate two-part harmonies and an organic Celtic-inspired arrangement, the song unfolds slowly — like a morning mist lifting over an open meadow.

With acoustic guitars, soft fiddle lines, subtle bodhrán, and voices placed front and center, "Only Time Knows" feels less like a performance and more like a shared breath.
A song about paths not yet chosen, love not yet defined, and trusting time to do what it always does best.

Only Time Knows

"The Green Island" is a heartfelt folk song about belonging, memory, and the quiet pull of a place that never truly leaves you.
Guided by intimate two-part harmonies and a modern Celtic-inspired acoustic arrangement, the song unfolds like a walk along a familiar shore — calm, grounded, and deeply reassuring.

With fingerpicked acoustic guitar, soft fiddle and flute lines, subtle tin whistle, gentle bodhrán, and warm cello drones, The Green Island carries a strong sense of home.
It’s a song about roots that remain, voices that call you back, and the feeling of knowing exactly where your soul belongs — even when you’re far away.

A timeless sing-along built on nostalgia, hope, and quiet strength.

The Green Island

Frédéric Chopin’s Étude Op. 10 No. 3, often called “Tristesse,” is one of the most lyrical and emotionally touching works ever written for piano. Unlike études built on pure virtuosity, this piece places expression at the center, transforming technical study into a deeply human confession.

The famous opening melody unfolds with tenderness and restraint, carrying a sense of longing that feels intimate and timeless. Each phrase breathes naturally, supported by gentle harmonic movement that gives the music its unmistakable melancholic glow. Even when the texture becomes more demanding, the emotion never disappears—technique here exists only to serve feeling.

Perfect for reflective listening, late-night focus, or moments of quiet introspection, this étude offers a rare balance between simplicity and emotional depth. It also works beautifully in visual or creative projects that call for sensitivity, elegance, and classical intimacy.

Public domain / royalty-free classical music (original composition by Frédéric Chopin), suitable for videos, podcasts, streams, and artistic content without licensing constraints.

#chopin #fredericchopin #etude #opus10 #opus10no3 #tristesse #classicalmusic #romanticmusic #classicalpiano #pianomusic #instrumental #publicdomain #royaltyfree #nocopyrightmusic #studyclassical #focusmusic #readingmusic #workmusic #emotionalpiano #melancholicmusic #timelessmusic #classicalcomposer #romanticcomposer #classicalplaylist

Chopin - Etude Opus 10 No-3

"Close to Home Feeling" is an intimate folk song about memory, familiarity, and the quiet sensation of almost belonging.
Built around close two-part harmonies and a gentle Celtic-inspired acoustic arrangement, the song captures the small, unnoticed moments that carry the strongest emotions.

With fingerpicked acoustic guitar, soft fiddle and flute lines, subtle tin whistle, gentle bodhrán, and warm cello drones, the track feels close and lived-in — like an evening at home when the world outside slows down.
It’s a song about half-remembered rooms, familiar sounds, and the feeling of being near something meaningful, even when you can’t quite name it.

A tender, timeless reflection on home as a feeling rather than a place.

Close To Home Feeling

Beethoven’s Piano Sonata No. 1 is where the fire starts: crisp classical energy, sharp contrasts, and that unmistakable early-Beethoven drive. Bright, fast passages collide with more lyrical moments, creating a piece that feels both elegant and bold—perfect for focus, study, and cinematic concentration.

Public domain / royalty-free classical music (Beethoven’s original composition). Ideal for videos, podcasts, projects, and playlists that need timeless intensity without licensing headaches.

#beethoven #pianosonata #pianosonata1 #classicalmusic #publicdomain #royaltyfree #nocopyrightmusic #classicalpiano #pianomusic #instrumental #studyclassical #focusmusic #readingmusic #workmusic #cinematicpiano #timelessmusic #classicalcomposer #ludwigvanbeethoven #sonata #pianorecital #concertpiano #baroqueandclassical #classicalplaylist #musicforstudy #musicforwork #backgroundmusic #creativeprojects #podcastmusic #youtubecreators #royaltyfreeclassical

Sonate pour piano no 1 de Beethoven (Piano Sonata No. 1)

Franz Schubert’s Piano Sonata in C minor, D.958 stands as one of the most profound and intense works of the piano repertoire. Written near the end of the composer’s life, this sonata carries a dramatic weight that feels both classical in form and deeply romantic in spirit. From the opening movement, the music is charged with tension, bold contrasts, and a sense of inner struggle that never fully releases its grip.

The first movement unfolds with dark, assertive themes, driven by restless rhythms and powerful harmonic shifts. Moments of calm appear, but they feel fragile—like brief reflections interrupted by returning urgency. The slow movement brings a haunting, almost suspended atmosphere, where time seems to stretch and emotion speaks quietly but with great depth. The scherzo introduces sharp, biting energy, while the final movement pushes forward with relentless momentum, balancing turbulence and clarity in a striking conclusion.

This sonata is ideal for deep listening, study, and focused work, offering emotional richness without distraction. It also provides a strong, cinematic presence for creative projects that require intensity, gravity, and timeless expression.

Public domain / royalty-free classical music (original composition by Franz Schubert), perfectly suited for videos, podcasts, streams, and artistic content with no licensing restrictions.

#schubert #franzschubert #pianosonata #d958 #classicalmusic #romanticmusic #classicalpiano #pianomusic #instrumental #publicdomain #royaltyfree #nocopyrightmusic #studyclassical #focusmusic #readingmusic #workmusic #dramaticmusic #cinematicpiano #timelessmusic #classicalcomposer #romanticcomposer #classicalplaylist #musicforstudy #musicforwork #backgroundmusic

La sonate pour piano D 958 de Franz Schubert

Claude Debussy’s Two Préludes — “Ondine” and “Les Tierces Alternées” invite the listener into two contrasting sound worlds shaped by color, movement, and atmosphere.

“Ondine” shimmers like water under shifting light. Fluid arpeggios, delicate waves, and impressionistic harmonies create a sense of motion that feels almost liquid. It’s poetic, elusive, and deeply evocative—music that doesn’t tell a story directly, but lets images rise naturally in the listener’s mind.

“Les Tierces Alternées” explores a more abstract terrain. Built on shifting intervals and subtle rhythmic tension, it feels playful yet cerebral, refined yet unpredictable. The constant alternation creates a hypnotic pulse, showcasing Debussy’s mastery of texture and harmonic color rather than traditional melody.

Together, these two preludes highlight Debussy’s genius for suggestion and nuance. Perfect for focused listening, artistic inspiration, or elegant background ambiance.

Public domain / royalty-free classical music (Debussy’s original compositions), suitable for videos, podcasts, creative projects, and curated playlists.

#debussy #claudedebussy #preludes #ondine #lestiercesalternees #classicalmusic #impressionism #impressionistmusic #pianomusic #classicalpiano #instrumental #publicdomain #royaltyfree #nocopyrightmusic #studyclassical #focusmusic #readingmusic #workmusic #cinematicpiano #atmosphericmusic #timelessmusic #classicalcomposer #frenchcomposer #classicalplaylist #musicforstudy #musicforwork #backgroundmusic

Debussy - 2 Preludes ''Ondine'' et ''Les Tierces Alternees''

Bach’s French Suite No. 5 in G major (BWV 816) unfolds like a refined conversation between elegance and precision. From the very first notes, the music flows with a natural grace, balancing clarity of structure and expressive freedom. Each movement carries the spirit of the baroque dance tradition while remaining light, fluid, and deeply musical—never rigid, never academic.

The suite moves through contrasting moods with ease: poised and confident passages give way to more intimate, lyrical moments, all supported by Bach’s unmistakable sense of balance and rhythm. The articulation is clean, the phrasing breathes, and the overall feeling is one of calm intelligence—music that sharpens the mind without overwhelming it.

Ideal for focus, reading, studying, or creating an elegant background atmosphere, this piece offers a timeless sense of order and beauty. It works just as well in a quiet workspace as it does in creative projects that call for sophistication and historical depth.

Public domain / royalty-free classical music (original composition by Johann Sebastian Bach), making it perfectly suited for videos, podcasts, streams, and digital content without any licensing constraints. A true classic that proves great music never ages—it simply continues to inspire.

#bach #johannsebastianbach #frenchsuite #frenchsuite5 #bwv816 #classicalmusic #baroquemusic #keyboardmusic #harpsichord #pianomusic #instrumental #publicdomain #royaltyfree #nocopyrightmusic #studyclassical #focusmusic #readingmusic #workmusic #timelessmusic #classicalcomposer #baroque #classicalplaylist #musicforstudy #musicforwork #backgroundmusic #elegantmusic

Bach's  French Suite No.5 in G major, BWV 816

How Can We Keep From Singing is a gentle, uplifting folk song about resilience, everyday life, and the quiet music that carries us through it all.
Rooted in traditional Celtic-inspired folk and shaped by intimate two-part harmonies, the song finds beauty beneath the noise — in routines, memories, and shared breath.

With soft acoustic instrumentation, warm strings, subtle folk textures, and voices placed front and center, the track flows with calm determination rather than drama.
It’s a song about holding on to what matters, listening beneath the surface of life, and realizing that even through chaos and doubt, the song never truly disappears.

A timeless reminder that some melodies are impossible to silence.

How Can We Keep From Singing

Mozart – Sonata in F Major, K. 533 (1st Movement)
Royalty-Free Classical Music

Bright, elegant, and full of classical wit, this first movement from Mozart’s Sonata in F Major, K. 533 captures the composer at his most refined and expressive. Crisp phrasing, graceful transitions, and a natural sense of balance give this piece a timeless charm that feels as fresh today as it did in the 18th century.

As a public domain work, this recording is royalty-free, making it ideal for films, documentaries, podcasts, YouTube videos, educational projects, and refined background atmospheres. Whether you need a touch of classical sophistication or a lively yet elegant piano mood, this movement delivers clarity, light, and musical intelligence — no powdered wig required.

🎼 Composer: Wolfgang Amadeus Mozart
🎹 Work: Sonata in F Major, K. 533 – I. Movement
📜 Status: Public Domain / Royalty-Free

#mozart
#classicalmusic
#pianosonata
#classicalpiano
#publicdomainmusic
#royaltyfreemusic
#freeclassicalmusic
#instrumentalmusic
#pianomusic
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#mozartsonata
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#instrumentalclassic

Mozart - Sonata in F-Major K-533 1st Mov

Ludwig van Beethoven – Adagio Cantabile (From Sonata Pathétique No. 8, Op. 13)

Experience the timeless elegance of Beethoven’s Adagio Cantabile, the serene and deeply expressive second movement from the iconic Sonata Pathétique. With its graceful melody and emotional depth, this piece embodies classical refinement and introspection, making it perfect for film, documentaries, podcasts, meditation content, and sophisticated audiovisual projects.

This royalty-free classical recording brings a sense of calm, dignity, and emotional resonance to any production. Its flowing phrasing and delicate harmonies create an atmosphere that is both intimate and universally moving.

Royalty-free use available.
Terms of use: https://www.musiqueslibrededroit.fr/conditions-dutilisation/

#Beethoven #AdagioCantabile #SonataPathetique #ClassicalMusic #RoyaltyFreeMusic #FreeClassicalMusic #PublicDomain #PianoClassics #InstrumentalMusic #BackgroundMusic #FilmMusic #DocumentaryMusic #PodcastMusic #RelaxingMusic #CalmMusic #EmotionalMusic #ElegantMusic #TimelessMusic #ClassicalPiano #MusicForVideos #ContentCreators #YouTubeMusic #CreativeCommons #StudyMusic #MeditationMusic #AmbientClassical #HistoricComposers #AudiovisualMusic #MusicLicensing #FreeToUse

Adagio Cantabile  From Sonata Pathétique No. 8, op. 13

Ludwig Van BEETHOVEN  - Adagio Cantabile  From Sonata Pathétique No. 8, op. 13

Federico Gerhardt is a versatile Argentine musician who moves effortlessly between blues, pop, and funk.

As a singer, harmonica player, and guitarist, he has made the cigar box guitar one of his trademarks, blending tradition with experimentation in every performance.

His music ranges from the raw authenticity of blues to the freshness of contemporary sounds, always carried by honest lyrics and deep emotional presence.

Beyond being a songwriter, Federico is also a luthier, crafting and playing his own instruments, which gives his work a unique and handcrafted identity.

موسيقى وخبار

كما يكشف الستيريوسكوب عن العمق والأبعاد، منصتنا تكشف عن طبقات من القصص والأصوات، تتقاطع وتتشابك لتخلق تجربة موسيقية غنية. وُلد في العالم العربي كإثبات وجود صوتي، ليكون مساحة للموسيقيين للتعبير، للمقاومة، وللتأمل—أحيانًا عن قصد وأحيانًا فقط لأن الأمر يستحق ذلك.

في الداخل، ستجد جلسات جاز حيّة من زوايا غير متوقعة، مقاطع راب خامّة من شوارع السودان، وأشرطة إيقاعية تمزج الثقافات، وكل ما هو بينهما. هنا تتلاشى الأنماط، تذوب الحدود، ويحمل كل مقطوعة قصتها الخاصة. استمع، اشعر، ودع الموسيقى تكشف عن أبعادها.


Like a stereoscope reveals depth and perspective, our platform uncovers layers of stories and sounds, intersecting and intertwining to create a rich musical experience. Born in the Arab world as a sonic proof of existence, it’s a space for musicians to explore, resist, and reflect—sometimes with intention, sometimes just for the f**k of it.

Inside, you’ll find live jazz sessions from unexpected corners, raw verses from the streets of Sudan, hypnotic beat tapes that blend cultures, and everything in between. Genres blur, borders dissolve, and every track tells its own story. Tune in, listen deeply, and let the music reveal its layers.

#stereoscope

Patrick Levien
Singer-Songwriter & AI Music Pioneer | Oberhausen, Germany  The Patrick Levien AI Project – over 1300 tracks in 12 months.
Four unique worlds:
• KI Sunclub Mallorca (Party & Dance Hits)
• Jesus Christus KI Generation (Multi-language Spiritual Anthems)
• KI Komplott (Social & Political Commentary)
• Patrick Levien Core (Pop, Rock & Ballads)  All original German lyrics, concepts, themes and creative direction: 100 % by Uwe Joswig (Patrick Levien).
Translations and style optimisation developed in collaboration with AI assistant Grok (xAI).
Music generated using AISong.org – full ownership and commercial rights granted to the artist.  Hybrid creation: Human heart, AI power.
100 % royalty-free | Full commercial rights owned by Patrick Levien.
No third-party claims (AISong.org / xAI).  Over 250,000 plays on SoundCloud and growing.  Licensing | Sync | Label inquiries:
patricklevien111@gmail.com (mailto:patricklevien111@gmail.com  #AIMusic #KIPatrickLevien #KISunclubMallorca #IndieArtist

- Ymer Records -
Independent Swedish label for the next wave of artists.
Real stories. Fresh sounds. Pure passion – from underground beginnings to global stages.

About

https://www.instagram.com/reel/DRMpYn3DaExz7nilHD0_DMTQvKzAScuXxLZdVw0/?igsh=OHV3anV6MTZzaTR0

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

All songs written and owned by Robert Czikall except covers.

Very early in music, Rochdee listens very young first rhythms SoulFunky, Disco and Garage. It is 15 years old, he started a few nights animation. 2 years later, he earned his first residence was 23 years. Then everything speeds up, it starts a compose his own songs in the spirit of early Daft Punk, a period of testing, refinement and learning. Lyon opened their arms. Among his memories, his meeting with Rocco, Manoo and Ambassade club staff, kris(AGLIA rec) ,Brahms ,Klement Bonelli (KROME rec) and their song on the American independent label Basement Boys records, passing the Ministry of Sound London and his audience very receptive and knowledgeable. But Lyon and Rochdee loves his demanding clubbers. Lyon is a major city or it is hard to break and the challenge is. Models:Tom Moulton ,Larry Levan ,Vincent Montana ,Patrick Adams ,Giorgio Moroder ,Danny Krivit ,Francois Kevorkian for soulFunkDisco ,Paul Simpson ,Kevin Saunderson ,Marshall Jefferson ,Jovonn Amstrong ,Little Louie Vega ,both DJ and producer ,Osunlade (yoruba) ,Blaze ,Kerri Chandler ,Q-Harris ,Spen ,Karizma & Teddy Douglas and Basements Boys records staff and much more For the House Music,. Today is 51 years old, Rochdee think these moments of pure music with the sounds of Chicago house music and 70’s, hope inspired by these influences for one day in a mixture can affect news generations .he also a great culture Disco / Funky music, being rocked from an early age, he has been collecting vinyl records from the time that his music does never turn off.he said; "we must live with his time, but not to forget where we come

Très tot dans la musique ,Rochdee écoute tout petit les premiers rythmes soulFunky, Disco et House Garage. C'est à 15 ans, qu'il commence à animés quelques soirées. 2 ans plus tard, Il gagne sa première residence . Ensuite, tout s'accélère, il commence, a composer ses propres morceaux dans l'esprit du début Daft Punk et du sampling, une période d'essai et d'apprentissage. Lyon lui ouvre les bras avec sont public exigent. Parmi ses bons souvenirs ,sa rencontre a l'époque avec Rocco ,Manoo ,Kris(AGLIA rec) ,Brahms ,Klement Bonelli et leurs morceaux sur le label indépendant Américain Basement Boys records , son passage au Ministry of Sound pour mensuel SOUL HEAVEN avec son public londonien très réceptif et connaisseur.Rochdee aime la nuit Lyonnaise et sont public exigeants. véritable challenge dans cette ville importante, ou il est difficile de percer. Ses modèles : Tom Moulton ,Larry Levan ,Vincent Montana,Patrick Adams ,Giorgio Moroder ,Danny Krivit ,Francois Kevorkian pour la soulFunkDisco ,Paul Simpson ,Kevin Saunderson ,Marshall Jefferson , Jovonn Amstrong ,Little Louie Vega, a la fois DJ et producteurs ,Osunlade (yoruba) ,Blaze,kerri Chandler,Q-Harris,Spen,Karizma & Teddy Douglas et le staff de B Boys rec et bien d'autre pour la Deep et House. Aujourd'hui a 51 ans , Rochdee repense a ces moments de pure musique avec le son house de Chicago et le son des années 70’s, en espérant un jour, s'inspirer de ces influences pour en faire un mélange intéressant pouvant toucher les générations a venir.Il a aussi une grande culture Disco Funk musique , étant bercer dès son plus jeune âge , il se mis à collectionner des vinyls de l’époque pour que ses musiques ne s’éteignent jamais. il dit,"On doit vivre avec son temps, mais ne pas oublier d'ou on vient"c'est important.

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