X-Men 97 Opening Theme | COVER VERSION

Summer Album Title Track

This track can be used as a Title track for Suspense thriller movies, videos

Chained Cello

I got my boots, I got my jacket, got my music in my heart
Got my angels in the treetops, left my demons in the dark
Got my hometown in the rearview, spin the compass, chart the stars
I said, ‘mapmaker, make me a home out here where the wild things are.’

Cut all my ties with wasted time
Break out the banners, let them fly so high
The land before me free of footprints, free from scars
So, mapmaker, make me a home out here where the wild things are

I got my boots, I got my jacket, got my music in my heart
Got my angels in the treetops, left my demons in the dark
Got my hometown in the rearview, spin the compass, chart the stars
I said, ‘mapmaker, make me a home out here where the wild things are.’
		       
Light on my feet in rarest air
Outrun the monsters, see them stand and stare
Set my direction, this my moment, this my mark
Now, mapmaker, make me a home out here where the wild things are

I got my boots, I got my jacket, got my music in my heart
Got my angels in the treetops, left my demons in the dark
Got my hometown in the rearview, spin the compass, chart the stars
I said, ‘mapmaker, make me a home out here where the wild things are.’

Whoa…(x2)
Whoa…

And to all who came before me, and to all who will come next
Swear I’ll do my best to honor, do my best to leave me tracks
Cause these songs that I’ve been singing are the reason my day starts
I’m the mapmaker, blazing a trail out here where the wild things are. 

I got my boots, I got my jacket, got my music in my heart
Got my angels in the treetops, left my demons in the dark
Got my hometown in the rearview, spin the compass, chart the stars
I said, ‘mapmaker, make me a home out here where the wild things are.’
I said, ‘mapmaker, make me a home out here where the wild things are.’

Whoa… (x2)

Mapmaker

@NimbusNin3 - Death City ! | Produced By @Soaliax 
@444CLVN @NOCTURNALKORE @NIMBUSNIN3 @SOALIAX

DEATH CITY

Dieses neu komponierte Titelstück für das aktuell erschienene Album "Greetings From Australia", welches die Zusammenarbeit mit Heidi-Marie Arapa präsentiert, entstand kurz vor der Veröffentlichung und ist zugleich Heidi-Marie gewidmet, welche meine Kompositionen, deren Originale ebenfalls auf dem Album zu finden sind, so einfallsreich und vielfältig bearbeitet hat. Da es sich zumeist um Ambient-Piano-Stücke handelt, welche Heidi-Marie vor allem mit orchestralen Synthsounds ergänzt hat, ist auch das Titelstück passender Weise ein Ambient-Piano-Stück.

This newly composed title track for the currently released album "Greetings From Australia", which presents the collaboration with Heidi-Marie Arapa, was written shortly before its release and is also dedicated to Heidi-Marie, who my compositions, the originals of which can also be found on the album, edited so imaginatively and diversely. Since these are mostly ambient piano pieces, which Heidi-Marie has supplemented primarily with orchestral synth sounds, the title track is also appropriately an ambient piano piece.

Greetings From Australia

The title track for my upcoming EP! Out the 6th of December <3
Inspired by Grimes

Stagnation

CFG MUSIC – SUBLOW HZ & TITAN K – THE BAYOU TITLE THEME


Multi-genre music production duo Sublow Hz have teamed up with Titan K to create a heart-pumping, adrenaline-inducing electronic behemoth of a tune as the title track for Taneli Mustonen and Brad Watson's 2025 horror movie 'The Bayou'.


Reflecting the shallow-breathing, lurking-danger tension of the film, the track opens with militantly-insistent drums and just-off-kilter chords, before pitching headlong into a murky pool of heavy dubstep bass and disconcerting electric guitar sample manipulations.


Treading the line between animalistic savagery and technological threat, this is a piece that establishes the tone and storytelling vision of 'The Bayou' perfectly, blending with the atmosphere of Segun Akinola's original score.


And, with these producers' history of creating all kinds of electronic dance music, no surprise that it functions as a bass-heavy club banger as well. With that level of versatility and ability to capture a vibe, look out for the names Sublow Hz and Titan K on many movie soundtracks to come.

The Beast

Sublow Hz & Titan K - The Beast (Music from The Bayou Tilte Sequence)

Theme song of a forthcoming video-series about Iceland.
Co-creators: Dorothy Over The Rainbow (photographer) and Hilmir Einarsson (director).

Eyes On Iceland (Taken From)

The title track “Ambient Highways” embodies the spirit of the album—a contemplative, cinematic piece that weaves together emotion, reflection, and expansive soundscapes. It is the heart of the journey, offering a moment of clarity within chaos.

🌌 Vinyl & CD (preferred): https://shop.owtt.net/collections/ambient-highways
   • Vinyl: https://shop.owtt.net/products/owpid0070-lemcv
   • CD:    https://shop.owtt.net/products/owpid0070-cd-1
🎧 Listen hub: https://owtt.lnk.to/ahs
📺 YouTube: https://www.youtube.com/@keithrichie

About the Album:
Ambient Highways blends ambient, electronic, and cinematic soundscapes—finding beauty within chaos and moments of clarity. Fans of Vangelis, Tangerine Dream, and Hans Zimmer will feel right at home.

Credits:
Written & Produced by Keith Richie
Label: Other Worlds Than These
℗ 2021 Other Worlds Than These • © 2021 Other Worlds Than These


Ambient Highways

🎧 Ambient Highways | Title Track by Keith Richie

125 BPM deep-house — uplifting, warm and euphoric.
Title track of the “Dancing at Sunset” series.
Full visual → youtube.com/@VSAIMUSIC

09 Dancing at Sunset

Download: https://redders1.bandcamp.com/album/forests-of-freya-12-track-lp

Forests Of Freya - Forests Of Freya LP

Film Composer | Music Producer
Original Music | Cinematic Cover Songs

CFG Music is a Record label, Publishing, Management & Film company for artists in Dance Music

Multi-genre electronic drops every week. From deep grooves to club energy.

I am a Dutch composer, arranger and conductor.
I composed and arranged for national and international choirs, symphonic orchestras (Wiener Philharmonic) and theatre and video projects.

#444CLVN #PORTALPLUG 
#AVS #ETB #MOONSHINECIRCLE

ELECTRONIC MUSIC, AMBIENT, PROGELECTRO, PIANO and more ...
Artist contact via E-Mail: jens-hinrich@t-online.de

The instrument I learned first was the cello, later on the piano. In my childhood and youth I took part in several orchestras and choirs. At the age of 17 I started playing in rock bands; in 1989 me and my friend Daniel ("Vocebasso" and "Liedschmied", you find him here) founded the progressive rock band "The Lynx"
(my functions: keyboards, cello, backing vocals, songwriting and arrangement). In the early 90s I became more and more enthusiastic about electronic music and the German broadcast radio show "Schwingungen" with Winfrid Trenkler. With the help of my first synthesizers Kawai K1 and Korg T3 I started to compose tracks. After using the internal sequencers I discovered the possibilities of Cubase. 
Beside my activities in the cover rock band "Silent Sound", several projects I initiated in my function as a teacher for music in a secondary school and the singer- /songwriter project "WortSpiel" (https://www.facebook.com/DuoWortSpiel) I never stopped composing electronic music in the last 20 years. 
My music is most influenced by orchestral music (classic, soundtracks), progressive rock and pop music and - of course - by electronic music. I will never forget, when I was six years old and my brother put on the record "Oxygene IV" by Jean-Michel Jarre. Another track, which gave me magic moments, was "Force Majeure" by Tangerine Dream. The year 1990 meant the final electronic wake-up call, namely in the form of Ron Boots and his great record "Dreamscape". It's one of my favorites to this day.
The themes of my music are generally the nature, journeys and landscapes, personal relations and emotions and - within these associations - often the longing for inner and outer freedom, for the breakout of boundaries and fears. 
Wiesenberg: That's the maiden name of my mother (by trade a vocalist), which refers back to my roots and to the long way, my ancestors took from Salzburg (Austria) through Königsberg / Kaliningrad (Russia) to Rheda-Wiedenbrück (Germany, North Rhine Westphalia). I walked on - through Lower Saxony to Rhineland-Palatinate. Next stop: Who knows? In the end I am an expellee and a hermit - an "eremit".

Other Worlds Than These (OWTT) is the creative home of composer Keith Richie, blending ambient, cinematic, and electronic soundscapes in albums like Ambient Highways. Alongside his own music, Keith shares insights through “Reviews from the Aural Realms,” celebrating and supporting fellow artists.

🌌 owtt.net
 | 🎶 shop.owtt.net

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