"Link & Build" freestyle
prod. yung starbeam @yungstarbeam

i like that, let's link up and build this summer

link & build (ysb)

BELLATRXX - LESTRANGE [TEMPHIOT REMIX] [FREE BUY]

ORIGINAL: https://soundcloud.com/phaseoneau/six-feet-under


FOLLOW TO:
PHASEONE:
Soundcloud - @phaseoneau
Instagram - https://www.instagram.com/PhaseOneAU
Spotify - https://open.spotify.com/artist/0mO3Yf5XIPHfAbHh8yWLFk?si=1Vg2DGItRp2aeARbGcbY_A&nd=1&dlsi=1e1fa42a03bb4711


FOLLOW TO:
TEMPHIOT:
Soundcloud - @TEMPHIOT
Instagram - www.instagram.com/temphiot/
Spotify - open.spotify.com/artist/6LXRIGNDyeuvC9mHsnoWad
YouTube - www.youtube.com/@temphiot

PHASEONE - SIX FEET UNDER [TEMPHIOT REMIX] [FREE BUY]

VISPROINTIAMO No. 7 for piano, composed and performed by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

Free Download

VISPROINTIAMO No. 7 for piano

Concertino #12

GVNDUBZ IS BACK WITH SOME DUBSTEP BITCHES

Disco Fuel (GVNDUBZ REMIX)

VISPROINTIAMO No. 8 for piano, composed and performed by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

VISPROINTIAMO No. 8 for piano

銀杏の葉舞散る

VISPROINTIAMO No. 9 for piano, composed and performed by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

VISPROINTIAMO NO. 9 for piano

VISPROINTIAMO No. 10 for piano, composed and performed by Gary Lloyd Noland. For Frank Feldman. For more information on the composer, please visit his website at: garynolandcomposer.com

VISPROINTIAMO No. 10 for piano

Carry No Worries

TEMPHIOT X KOLEKLEIN - ID [CLIP]

ORIGINAL: https://soundcloud.com/muerteisdead/muerte-stoned-level-hash-slinging-slasher

TEMPHIOT:
Soundcloud - @TEMPHIOT
Instagram - www.instagram.com/temphiot/
Spotify - open.spotify.com/artist/6LXRIGNDyeuvC9mHsnoWad
YouTube - www.youtube.com/@temphiot

MUERTE: @muerteisdead
STONED LEVEL: @stonedlevel

MUERTE & STONED LEVEL - HASH SLINGING SLASHER [TEMPHIOT REMIX] [FREE BUY]

The Feeling Seeps is one of Ab:Ru most prized tunes. Bringing a powerful / Triumphant tone to finish off the MainFrame sequence. Including some of his alma mater cadences. Something his classmates will definitely identify. This tune is somewhat of a bonus track. Leaving inspiration flowing through the system.

Feeling Seeps

In August 2025 we welcome Cyrus (@bellymusicworldwide) to the show.

-- Entire show is from Cyrus --

Coming towards the end of Summer is always a bit of a mixed bag -- the chill nights contain a morose of relaxed hangs, and at the same time that swinging undercurrent of a summer night wanes away. Alas, how do you capture all these transitions and feelings into words, into sound?

When I was thinking of a guest to chide us into this mode, Cyrus came to mind. We met at a musical gathering this year in July, both baking in the heat to tunes for 4 days and nights. From our marathon of sonics, we found a connection and I garnered that Cyrus is an extremely thoughtful person and listener, not that they aren't one in the same. 

Weaving from deep ambient, to experimental, chuggers, downtempo grooves, techno, this mix has it all. I imagine myself on a boat somewhere watching the water turn from darkness into light, a wave of sunrise peaking over the water. Heads are down but spirits are up. Like a good wooden rollercoaster, the thrills are earned and respected, maybe this is a weird analogy but I find it apt.

//
@bellymusicworldwide
@itxpo

Boom Boom Radio #049 w/ IT-XPO / Guest: Cyrus (08/18/2025)

original photo is from hollowpericardia on tumblr :]

tell me the things you know will hurt me. i want to know and be known.

DISABLED

element freestyle prod. dolo 
no trespassing 2 otw

element (h1ndolo)

NCMAJO "THE AFICIONADO" PRODIGAL STUNNA TONEMASTER

https://soundcloud.com/gamersonly #𝖋𝖗𝖊𝖊𝖒𝖆𝖏𝖔 ♛✰

my second account @BVLLETDUBZ
I'm also @jxmp3rdotwav
-----------------------------------

ł'ⱠⱠ ₮₳₭Ɇ ɎØɄⱤ ₴ØɄⱠ, ₦Ø Ø₦Ɇ ł₴ ₴₳₣Ɇ

𝗶̘̚'̘̚𝗹̘̚𝗹̘̚ 𝘁̘̚𝗮̘̚𝗸̘̚𝗲̘̚ 𝘆̘̚𝗼̘̚𝘂̘̚𝗿̘̚ 𝘀̘̚𝗼̘̚𝘂̘̚𝗹̘̚,̘̚ 𝗻̘̚𝗼̘̚ 𝗼̘̚𝗻̘̚𝗲̘̚ 𝗶̘̚𝘀̘̚ 𝘀̘̚𝗮̘̚𝗳̘̚𝗲̘̚
-----------------------------------

GO FOLLOW @bloooddthirst RN

-----------------------------------

Biography 
I studied piano from 5 years old. Composition from 15 years old. 
I studeid under prof.miyoshi keiji,the professor of hiroshima university and tokunaga 
takashi,same. 
I won prizes such as 24th tiaa composition competition minister prize,4th youg composer`s 
composition competition that was held by hisaishi jo finalist,3rd k composition competition 3rd 
prize.  
I `m a member of contemporary music society. 
I  love hindu mysticsim and philosophy. And I wrote many work under such line of esteric 
philosophy. 
I have a passion to express my philosophy and emotion. 
Thanks for participating to roma prize!!

http://datafruits.fm/

it's just a website

radio station and label

check out our podcast section for more mixes from the radio:
http://datafruits.fm/podcasts

if you're interested in playing a show on datafruits check out
http://www.datafruits.fm/dj-inquiry

send tunes for radio or demos:
info@datafruits.fm

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https://www.patreon.com/datafruits

@firedrill
@ovenrake
@boogieidol
@radio-scotvoid
@fengir
@kosmo-kat
@peteellison
@djnameko
@sea-cuke
@striderkun
@ksd6700
@therealhojo
@alptrack
@dotay
@e_s_0

Just trying to send thought provoking messages and chill vibes. Thank you.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

Conceptual artist who happens to make noise.

DISCORD: temphiot

Sound Engineer\Sound Designer

Ivan Abreu from Miami FL 
For Booking, Media, & Collaborative Inquiry
E-mail : ab.rusound@yahoo.com

New tracks tagged #Tonal