DJ Stingray 313's INDUSTRY 4.0 EP is a sonic exploration into modern manufacturing concepts and the impact on humanity.

Moods and titles across the EP cover artificial intelligence (LARGE LANGUAGE MODEL), the internet, and robotics (MULTI FUNCTIONAL ROBOTICS and SENSOR DATA) – all set to his signature high-energy, industrial, cyborg-style productions. 

Together, the tracks on INDUSTRY 4.0 work as a striking and current introspective of humanity's uncertain evolution, moving as fast as the technology it creates.

https://djstingray313.bandcamp.com/album/industry-40-ep

BANDCAMP

DJ Stingray 313 - SENSOR DATA

The word "resistance" is deeply embedded in the ethos of techno. For her debut release on the Tresor Records, the British artist and Tresor resident, IMOGEN, explores the concept of resilience; a related and equally vital concept.

Taking its name from a theological term meaning a fundamental change of mind or spiritual conversion, Metanoia is fuelled by IMOGEN's processing of what she describes as one of the most challenging years of her life.

Any struggle against injustice or misfortune takes time and effort which requires finding a fortitude within, not only to surpass the hardship itself but to not lose ourselves to despair or bitterness in the process.

IMOGEN's journey is summed up in the lead track, The Way She Moves - resilience is, after all, a persistence to continue, to move forward. The struggle against hardship is laid out in track titles like Tired Bones and Growing in the Dark before a sense of catharsis is reached in Breathe Again and Melancholy Flower. 

The music similarly mirror her experiences, passing through sadness, anger, before ultimately landing at acceptance and a newfound drive for self-actualisation and greater interoception; after all, the end goal of any resistance is liberation.

Metanoia

PREMIERE: IMOGEN - Summer Kiss

PREMIERE: IMOGEN - Breathe Again

Juan Atkins' Infiniti project combines raw tactility and puristic elegance with Skynet, where slinking grooves mask chaotic frequencies and roughly-hewn structure.

Alongside fellow Detroit legend Terrence Dixon who appears on several tracks, Atkins exposes the life and emotion in machines, outputting a biomorphic atmosphere of industrial soul.

The ongoing importance of this album is indisputable, essential both to techno and to Tresor.

Infiniti - Thought Process

Infiniti - Electric Circus

Infiniti - Body Oil

Infiniti - Coffeeshop Interlude

Infiniti - Coffeeshop Connection

Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds. 

Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of "the future". The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before "the overshoot and collapse." 

R&amp;D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system. 

Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth's intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec's cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis. 

The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec's essence and audio engineering. 

He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining "Cyberspace" &ndash; a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet "Cyberspace" morphs into a chaotic truth reservoir, spilling over into deception. 

The Parallel Shift manifests in the perpetual "Now," a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch&hellip; 

&mdash; The Rhythmanalyst aka DeForrest Brown, Jr.

PREMIERE: Cybotron - Parallel Shift

Growing up on the north Atlantic island of Iceland bestows one with an unusual and often intense relationship with light and colour: Summers come with endless days, Winters with scant sunlight yet increased sightings of the Aurora Borealis; the mysterious and awe-inspiring glow across the sky. Channelling these energies, Exos comes to Tresor with his Green Light EP, a five-track collection of the sort of spectrally rich techno synonymous with the Northman's 27-year career.

Across the EP, the five tracks fizz and pulsate driving ever forward, making the release's title a three-way play on words referencing the continuous travelling of photons, the verdant warping of the Northern Lights, and the universal colour for Go, for forward propulsion. Smart wordplay can also be found in titles like Gr&aacute;tt Silfur, a term in &Iacute;slenska (literally "grey sliver") which signifies a tension between two parties, further extending the colour metaphor and dark/light dichotomy found elsewhere.


The digital release comes with three extra tracks that continue the dynamic energy, pushed along by the same shifting, mutating force where the music often feels like voices calling out from the darkness or the shimmer of light as the sun rises across the horizon.

Green Light EP continues this year's blazing return from an artist who, similar to his output, is never stagnant: ever changing form yet ever moving forward.

PREMIERE: Exos - Dark Light

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

New tracks tagged #Tresor Records