Stratègie

introspection_3.mp3

La fête

Le début de la fin

Once upon a time, was lost off in a dream - when I opened up my eyes, this world was just so mean - aint what it seemed in the light - my life just aint alright - everyday would turn to night - while contemplating suicide...

Blame You (produced by i7eventy5ive)

This lecture discusses key ideas from the ancient Middle Platonist philosopher and biographer Plutarch's essay On Being A Busybody

This episode focuses specifically on  why the sort of curiosity, inquisitiveness, meddlesomeness, or being a busybody he discusses is actually a vicious disposition, rather than something good. It involves a desire to learn about the troubles, problems, or bad things (kaka in Greek) of others. Instead of focusing upon their own problems or deficits, they focus on those of others.

You can find the copy of the text I am using for this sequence on Plutarch's On Being A Busybody here - https://amzn.to/3IcyoX5

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Plutarch, On Being A Busybody - Curiosity As A Vicious Disposition - Sadler's Lectures

06 17 2025 A Promise Unfolds - Geo and Solar Alerts

Troubles (Deep House Mix) Demo V1

Sometimes The Trains Don't Roll
© 2011 by Eric Carl Dahl

I’m not so sure
He’s wrong and everyone else is right.
You all sound so righteous and so pure
But I won’t choose sides tonight.

Sometimes the trains don’t roll
Sometimes the trains don’t roll
Sometimes things get out of control
And the trains don’t roll, the trains don’t roll.

Maybe he crossed some lines that bend
But he always stood strong by my side.
So now when his troubles just won’t end
Am I supposed to run and hide?

Sometimes the trains don’t roll
Sometimes the trains don’t roll
Sometimes things get out of control
And the trains don’t roll, the trains don’t roll.

I don’t think it’s anyone’s place
To take pride in another man’s loss
And I don’t like the cold smile crossing your face
As he falls down hard carrying his own cross.

Sometimes the wrong hand takes the nail
Sometimes the power lines fail
Sometimes when the wind blows too stale
The ships don’t sail.

Sometimes the trains don’t roll
Sometimes the trains don’t roll
Sometimes things get out of control
And the trains don’t roll, the trains don’t roll.

Live By Your Word

Sometimes The Trains Don't Roll

Bandcamp

Gentle picking, warm harmonies, and a steady bluegrass groove carry this heartfelt gospel song about life’s journey toward our true home in Heaven. Through verses of trials, worries, and unexpected turns, This World Is Not My Home points to the hope and peace found in Christ alone. Inspired by John 14:2–3 and Philippians 3:20, it’s a comforting reminder to keep walking the narrow road, knowing a place is prepared where saints and angels sing praises to the King of Kings.

John 14:2–3 – “In my Father’s house are many mansions; if it were not so, I would have told you. I go to prepare a place for you. And if I go and prepare a place for you, I will come again and receive you to Myself; that where I am, there you may be also.”

Philippians 3:20 – “But our citizenship is in heaven, and we eagerly await a Savior from there, the Lord Jesus Christ.”

This World is Not My Home

The Ocean Is Out There!


🧠 TDAH : l’essentiel en clair
• Définition &amp; présentations (inattention / hyperactivité-impulsivité / combinée)
• Diagnostic clinique (pas de biomarqueur), critères DSM-5-TR/CIM-11
• Impacts : scolarité, organisation, émotions, santé
• Prises en charge : psychoéducation, PEHP, aménagements (PAP/PPS), thérapies, médicaments (ex. méthylphénidate)
• 🇫🇷 Focus France : stratégie TND 2023-2027, filières régionales, PCO
🎯 Objectif : des repères pratiques pour mieux accompagner.
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Le Trouble Déficit de l'Attention avec ou sans Hyperactivité (TDAH)

Joyride 2025


Dory nous sert de porte d’entrée pour comprendre le trouble de la mémoire immédiate : qu’est-ce que c’est, en quoi cela se distingue de l’attention, de la mémoire de travail et de la mémoire à long terme, et comment la pop culture représente (parfois avec justesse, parfois avec limites) ces difficultés au quotidien. On donne des repères simples pour mieux communiquer, adapter l’environnement et favoriser l’inclusion.



À retenir
Définition &amp; repères utiles sur la mémoire immédiate.


Forces &amp; limites de la représentation de Dory.


Pistes concrètes d’accompagnement au quotidien.


Abonnez-vous pour d’autres décryptages “pop culture &amp; handicap”, et dites-nous en commentaires ce que le film vous a appris !



 Visitez notre site pour récupérer les ressources : https://beacons.ai/sageora
Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Pourquoi Dory oublie ? La mémoire immédiate expliquée

GAINED BLESSINGS FROM PAIN. SURVIVING TRUE FAITH

HEALING

Our troubles turn us to relying on God, not ourselves, as we find that God is completely faithful.

2 Corinthians 1 Part 2

Reclaiming the Ancient Paths

Autumn envelops Brussels in its grey veil. Headphones become our refuge.    Shnadar and emsy invite you on a sonic journey — an architecture woven from field recordings, sound creations and hypnotic dubstep.    Walking through the city. Letting the bass become warmth against the biting cold, a refuge from the anxiety that lurks. The woobbles awaken our souls, the tempo slows down, breaking away from the rhythm of our bustling cities.    Memories of adolescence: the first nights out, the body discovering the subwoofers, the endless journeys to secret venues. The sacred moment of the first drop.     This music we loved, lost, even denied — when the crowds came, intimacy was shattered and Skrillex arrived. But today, dubstep is reborn. Strong and proud. Carried by new voices, by women and queer people that reinvent the sound.    Dubstep comes back to embrace us like a giant teddy bear. It offers us a space to expel our rage. It feeds our hungry hearts.    This mix is a celebration: of the past that still vibrates, of the present that pulses, of all the bodies dancing in the dark. And of this music that helps us fight. Welcome to the drift.   . L'automne enveloppe Bruxelles de son voile gris. Les écouteurs deviennent nos refuges.   Shnadar et emsy vous invitent à une dérive sonore — une architecture tissée de field recordings, de créations sonores et de dubstep hypnotique.  Marcher dans la ville. Laisser les basses devenir chaleur contre le froid mordant, refuge contre l'anxiété qui rôde. Les woobbles viennent réveiller nos âmes, le tempo ralentit, se désolidarise du rythme de nos villes agitées.  Mémoire d'adolescence : les premières sorties, le corps qui découvre les sub, les trajets interminables vers des salles secrètes. L'instant sacré du premier drop.   Cette musique qu'on a aimée, perdue, reniée même — quand les foules sont venues, que l'intimité s'est brisée et que Skrillex est arrivé. Mais aujourd'hui, la dubstep renaît. Forte et fière. Portée par des voix nouvelles, par des corps sexisés qui réinventent le son.  Elle revient nous étreindre comme un nounours géant. Elle nous offre un espace pour expédier nos rages. Elle nourrit nos cœurs affamés.  Ce mix est une célébration : du passé qui vibre encore, du présent qui pulse, de tous les corps qui dansent dans le noir. et de cette musique qui nous aide à nous battre. Bienvenue dans la dérive.

Ego Death - Aho Ssan & Resina - Egress 2
emsy bibiš - marché de molenbeek 2025
Trust Inc - Ago 
Consequence - Injonction 
Distance - My Demons
Mala - Anti War Dub
La collective Fléchir le vide - Un terrain d'où
Lotte Nijsten & Gillis Van Der Wee - Obscuur
mona sv - Motto
emsy bibiš - viens l'orage
Pinch - False Flag
Sha Ru - Vibrasum
Kahn - Abattoir
Coki - Beep
Raymond Clamart - Radiant irradiant
MARIEK - zizek dreams so do I
Burial - Bird
Danny Daze & Johnny From Space (Nick León Dub) - Sweet Spot Radio
Ila Burgal - Moths
Mia Koden - Wait A Minute
Beatrice M. - Safe
Nocturnal Sunshine ft. Catnapp - Wildfire
illustration: Nina Closson / photo: emsy

even if the sky is dark, dubstep purrs #2 w/ Shnadar

Dear Peoples

My name is Alvi 
and i‘m a freaking passionated Producer/Musician/Composer since i was Child.

Its a big passion and i love to bring unique fantasy and emotions in the Track

House
Deep House
Tribal / Afro
Ambient



I‘m also interested making a Track or Remixes

If you are interested just send me a Message.
Please only serious requests ;))

If you like my sound. Join me and enjoy it.


Have a wounderfull time!

Cheers 
Alvi L

Red Hawk Intl. AKA Red Hawk sound machine was originally started in Jamaica as Turbo King sound and later migrated to the USA and started Red Hawk Intl. 1988. We started as a clash sound that defeated most of our opponents and quickly gained popularity and became an area favorite. We then changed our music style to juggling party vibes to match the majority of our fans. We often had to fulfill booked dates out of state and out of the country.  Due to reasons beyond my control, I removed the service/sound system from operation 1996 through 1999. When we returned I decided to push the sound system instead of cutting more dub plates and continue on the road as before. 
Up to date, my son CJ Shellazz took on the DJ service and is doing excellent. Red Hawk sound machine continues to be one of the leading sound systems in New York that power a lot of the most popular events and is constantly evolving and stay booked. 

Thanks for your continued support.
Major D (Red Hawk)

Praying With The Eyes is a ministry of Family of Christ Lutheran Church in Colorado Springs which combines the beauty of God's Word with the beauty of his creation.

Tholly lives in the spaces between genres and shadows. His sound fuses hip‑hop, dark pop, R&B and pulsing electronic energy—cinematic drops and neon‑lit rhythms built for both headphones and midnight dance floors. Tholly flips effortlessly between rapid‑fire raps and soulful hooks, weaving sharp verses into melodies that linger. His past is a little rough around the edges, a story with chapters better left untold… but those scars fuel the music. Every track carries that history, not just to confess, but to inspire—proof that you can rise from your own chaos and build something unforgettable.

Throughout every situation Tholly has ever faced, there was one constant that carried him through: music. Different songs, different styles—each one helped him survive, heal, and grow. Now he takes the best pieces of all those sounds that shaped him, fusing them into something entirely his own—a new kind of music meant to inspire and uplift listeners around the world.

Eric Dahl is a songwriter with ties to the state of Washington on both sides of the Cascade mountains. He was born in Colville in the northeastern corner of the state. His father was a teacher from Spokane who soon moved with his family to western Washington. Dahl’s mother is a native of Leavenworth with relatives in the Wenatchee Valley. Eric grew up in Kent and south Seattle, but thanks to his maternal grandfather and uncles, he worked in the Leavenworth fruit orchards and hiked from an early age in the Cascade Mountains to the high lakes. Later he studied and published poetry at Whitman College in Walla Walla, the University of Washington in Seattle, and at Oxford University where he was awarded the Isis Poetry Prize.

Actus, ressources, décryptages sur le handicap en France.

Most of my music centers on Jesus Christ and God’s amazing grace. I primarily write in the Country Christian style, but every now and then I like to branch out when the mood strikes. You might hear touches of alternative Christian rock (I did grow up in the ’60s and ’70s), contemporary gospel, or even a hint of bluegrass gospel along the way. From time to time, I also step outside faith-based music into modern bluegrass or country.

One of my current projects is an album inspired by poems I wrote to my wife while she was deployed during Desert Storm in 1991. After all these years, I’m finally adapting them into songs — a project that’s been close to my heart for decades.

I was fortunate to play bass and sometimes piano in my late teens and early twenties for a country gospel group known as The Gospel Crusaders. We performed primarily at churches across Illinois, Indiana, Ohio, North Carolina, and Tennessee. Then life happened, and I stepped away from performing for almost 50 years. During this time, I started focusing more on writing lyrics and music. In 2017, I picked up my mandolin and joined God’s Country in Largo, Florida. The group disbanded in 2023 when several members moved out of state, but we’re planning a reunion performance in 2026.

Even when I venture beyond my main focus of sharing the gospel through song, I strive to keep my lyrics honest, heartfelt, and sometimes just plain fun. Believe it or not, I’m not in this to make money — I write as an outlet to share the stories and experiences of life over the past 70 years. I write the lyrics for most of my songs, though I’ve been blessed to collaborate with a few talented friends along the way.

I use Studio One to produce my music and have built a large library of loops over the years. Some vocals are mine; others are performed by friends. And yes, I also use AI-generated voices or enhancements to vocals when needed.  I am in my 7th decade on earth and my voice doesn’t have the range it once had, plus I don’t have immediate access to female vocalists.  There’s a lot of debate about AI in music, but for me, the goal has never changed — to spread God’s love and joy. Technology is simply a tool, much like the studio innovations that have shaped music for the past fifty years.

In today’s music, many well-known and touring artists now use pre-recorded tracks and digital stems during live concerts to fill out harmonies, recreate orchestral parts, or trigger sound effects — it’s all part of modern performance. Whether it’s a backing track on stage or an AI vocal line in the studio, the heart behind the music still matters most.

I don’t believe AI will ever replace real musicians, but those who learn to embrace it and use it to enhance their craft will continue to flourish in the music industry.

I play bass, trumpet, guitar, piano, mandolin, and I’m currently working to get up to speed on the fiddle. You may not agree with my take on AI, and that’s okay. My purpose isn’t profit — it’s to share the message of God’s love through whatever tools I have, whether that’s a guitar, a loop, or an algorithm that helps me clean up a mix.

As W. Edwards Deming once said,
“It is not necessary to change. Survival is not mandatory.”

Technology will keep evolving, and so will we. My greatest hope is that one of these songs touches someone’s heart or makes a difference in their life. If God can use even one of them to do that, then I’ve accomplished what I set out to do.

God bless you all.

Composer/ Producer working hard to submit some music for Artists, Sports, Movies and TV Placements.

WEB RADIO - ATELIERS - EVENT

Station Station est une web radio associative basée à La Station — Gare des Mines
www.stationstation.fr

I'm that YouTube Philosophy Guy! Find more than 3,000 videos in my main channel.  Support my video and podcast work!  https://www.patreon.com/sadler or https://www.buymeacoffee.com/A4quYdWoM

Learn more about this podcast channel - https://youtu.be/qRvL0gqlyrw and https://gregorybsadler.substack.com/p/the-sadlers-lectures-podcast

Due to popular demand - and with the work underwritten by my Patreon supporters - I have been converting my videos into MP3 files listeners can listen to anywhere they want!

I have a second podcast, Mind & Desire, publishing original episodes on a variety of topics in philosophy, which you can find here - https://gregorybsadler.substack.com/podcast

New tracks tagged #Troubles