🕐 VERSE  1 :
Drunk hoe trippin', spillin' drinks on her coat,
Drunk hoe laughin', tryna tell a bad joke,
Drunk hoe dancin', like she steppin' on some toes,
Drunk hoe flexin', like she owns the whole show.

Drunk hoe singin', but she don't know the words,
Drunk hoe slidin', like she tryna chase birds,
Drunk hoe cryin', 'bout her high school love,
Drunk hoe lost it, now she huggin' a shrub.

Drunk hoe textin', with her phone upside down,
Drunk hoe wavin', like she won the whole town,
Drunk hoe chattin', with a stranger named Joe,
Drunk hoe braggin', 'bout a trip to Mexico.   

Drunk hoe snorin', in the middle of the club,
Drunk hoe thinkin', she's the queen of the hub,
Drunk hoe spillin', all her secrets tonight,
Drunk hoe swayin', under the neon light.

🪝 HOOK :

Drunk hoe , wavin' every move on the scene
Drunk hoe , livin' like she's always 18
Drunk hoe , shouting like a crazy wife
Drunk hoe , laughin' with her friends by her side x2

🕑 VERSE 2 :

Drunk hoe , searching for her keys on the floor
Drunk hoe , yelling , where's the bathroom door
Drunk hoe , stumblin' on the way to the bar
Drunk hoe , aimin' , tryin' , to be a big star

Drunk hoe ,  twitting , yeah , all of her streams
Drunk hoe , yeah , laugin' at her own memes  
Drunk hoe , dancing on the table so high
Drunk hoe , screaming  , hopin' , touching the sky

Drunk hoe , flirting with a bouncer named Stan
Drunk hoe , posin' with her weekend plans
Drunk  hoe  , swayin' to a song from the 90's
Drunk  hoe , strugglin' with her old ID

Drunk hoe , wandering , just lost through the night
Drunk hoe , shut up , with no cash in sight
Drunk hoe , callin' up her ex on the phone
Drunk hoe , callin' up , I'm always so alone

🪝 HOOK :

Drunk hoe , wavin' every move on the scene
Drunk hoe , livin' like she's always 18
Drunk hoe , shouting like a crazy wife
Drunk hoe , laughin' with her friends by her side x2

"DRUNK HOE" Demo1 ( Prod. by PREZI13 )

A powerful futuristic afro-fusion to dancehall banger with baritones infused with samba energy, designed to animate the speakers and electrify the floor. Heavy 808 kicks punch through the low end, hitting the stomach and making the heart race. Congolese seben solo guitar riffs dance on top of deep, wobbling basslines, adding melodic fire. Syncopated percussion locks in the groove, layered with fast-paced drums, crisp claps, and energetic synth stabs. Sharp brass accents lift every transition with explosive flair. A fierce, commanding female lead vocal cuts clean through the mix, intensifying the heat and setting the dancefloor ablaze.

Philosophy
“Yellow Hat (Falla on da Dancefloor)” is a celebration of liberation through rhythm, a joyful rebellion wrapped in sound. At its core, the song is about showing up fully—alive, unapologetic, and loud—in a world that often tries to shrink us. The yellow hat itself becomes a metaphor: it’s not just an accessory but a radiant symbol of visibility, optimism, and individuality. It signals that the wearer has chosen to dance instead of despair, to shine instead of shrink.

The dancefloor, in this context, is more than a place—it’s a sanctuary. It’s where speech gives way to motion, where people reconnect with their bodies, and where emotion translates directly into movement. The repeated instruction to “Falla on da dancefloor” is both literal and spiritual; it’s an invitation to release control, to stop intellectualizing everything, and simply surrender to the beat. In a world where over-talking and performative confidence are often currency, the song strips all that away, asking the listener to talk with their body instead, to communicate through basslines and sweat.
Even the term “postcode,” used to reference the body, is intentional and philosophical. It suggests that the body is its own geography, its own space worth mapping and celebrating. To “dutty wine my postcode” is to revel in one’s physical identity, to declare with movement that “I exist, I take up space, I belong here.”

Every percussive hit, every kick and boom, mimics the pulse of a body in ecstasy—not just the ecstasy of dancing, but the ecstasy of survival, of resilience, of feeling joy despite the weight of the world. The staccato rhythm and Congolese seben guitar evoke not just musical tradition but ancestral memory, threading together the sacred and the everyday.

In the end, the philosophy of “Yellow Hat” is simple but profound: we dance not because we have nothing to say, but because some truths can only be spoken with the body. It is a manifesto for those who choose to recalibrate through rhythm, who reclaim joy as their resistance, and who wear their yellow hat like a crown in motion.


Velocity

Falla on da Dancefloor

Falla on da Dancefloor (High Energy)

“Can’t Go Broke. I Drip Too Hard.” is a full-throttle, bass-heavy trap mumble rap club banger that embodies the unapologetic rise from the struggle to the spotlight. Written and performed by Jessica, this track tells a confident come-up story drenched in attitude, luxury, and resilience. It’s not just about money — it’s about surviving, stacking, and staying untouchable.

The song blends hard-hitting 808s, rhythmic humming, and raspy emotional vocals to deliver a vibe that’s as catchy as it is raw. From the opening hums to the no-fucks-given verses, Jessica flexes not just her lyrical dexterity, but also her unique voice control and signature flow. She’s smooth, she's savage, and she's got receipts for every bar she spits.

The hook repeats like a mantra — “Can’t go broke, I drip too hard” — driving the point home: this isn’t flexing without foundation. This is survivor talk. Jessica taps into her own journey from pain to power, letting the world know that luxury didn’t fall into her lap — she ran that shit down.

Throughout the song, Jessica weaves in mumbling breakdowns, vocal slides, and heavy melodic humming, making this track not just a banger in the club — but a statement on the streets. There’s a humming-only verse, a no-words, just-feel-it moment, reminding listeners that sometimes emotion speaks louder than words.

“Can’t Go Broke. I Drip Too Hard.” isn’t about being flashy — it’s about being unbreakable. It’s for the ones who got laughed at and now laugh from the penthouse. It’s for the ones who remember hunger, so they never waste a crumb. And it’s definitely for the ones who know how to ride a beat like a weapon.

Whether you’re grinding, riding, or just needing a reminder that your glow can’t be dimmed, this song is your anthem. It’s vibrant, venomous, and 100% victory.

Play it loud. Feel the hum. Drown ‘em in your drip.

Can’t go broke, I Drip to hard

Produced by NuVox, Tikiti is a huge hit from Ambush Parade.

 Ambush Parade's "Tikiti" is a high-voltage Afropop anthem that pulsates with unbridled energy and a spirit of rebellion.  This piece, which combines electric guitar chords, intense vocal sparring, and punk-inspired rhythms, hits hard and doesn't let up.  Magnetic hooks, hypnotic chants, and explosive basslines drag you right onto the dance floor.  It is untamed, unrepentant, and extremely addictive.

Tikiti (Vol. 1)

Tikiti (Vol. 2)

Tikiti (Vol. 3)

GET BUCK—new drop from Davy Jones  
Produced by the man himself.
No gimmicks. No filters. Just raw heat for the streets.
Stream it, share it, and let it knock. 💥  
#GetBuck #DavyJones #RapDrop #StreetAnthem #SoundCloudExclusive

Get Buck

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


Expressing Myself through, Lyrics and Music is my way of cooping in this world <3

#PREZI13

www.prezi13official.com ( under construction )

Collaborators:

HARUTO  , ZODIACRECORDS , FABIANSKY , BadmonthingJoshy , vaNludO , Kobraa , E2K , Stihia , IAMSOLOCASE


PREZI13 
( Government Name : Kohonicz Dominique Alex )

A rising artist from Timisoara, Romania, has a unique style and engaging flow. His talent has attracted industry attention, hinting at a promising future. With a bright future ahead, PREZI13 is an independent artist to watch.

Languages: #Romanian, #English, #German


*no specifical order , love y'all

Seeking connections in Europe and interested in the USA. Connect with us below to help us grow:

“I'M A NASTY PIECE OF WORK, CHIEF. ASK ANYBODY.”

New tracks tagged #TurnUpTrack