The World Is For Everyone by @freek-banning-freestyle
[HOOK - whispered/choir layer/shouted]
The world belongs to everyone —
but not everyone may enter.
We, heirs of theft...
stubbornly keep pinning the gates.

[VERSE 1 - THE ORIGINAL SIN]
[Voice A - sharp]
Tell me then, why do we pretend
the past simply disappeared?
As if we weren't built on blood,
as if that treasure just appeared?

[Voice B - deep, warm]
Comfort, my friend, that's the word.
We look away, hide in gray laws.
Every statue still standing
whispers softer than our guilty conscience, but not softer than our regret.

[Voice A]
We eat from that fruit, all day long,
but refuse to see the tree that bore it.

[Voice B]
And when the children of those we robbed
knock on our doors, then it's enough.

[HOOK]
The world belongs to everyone —
but not everyone may enter.
We, heirs of theft...
stubbornly keep pinning the gates.

[VERSE 2 - THE HALL OF MIRRORS]
[Voice A]
We speak of human rights,
of freedom, of would and shall,
but as soon as they flee towards that freedom
we shut the door, everywhere.

[Voice B]
It's a spectacle, brother, a theater play.
We wave with rules we wrote,
but only for those who don't bother us.
For the rest? They may give us their lives.

[Voice A]
What's that called again? Hypocrisy?

[Voice B]
No boy, that's called Western democracy.

[VERSE 3 - THE BOATS]
[Voice A]
Look at England, Labour at the helm,
now also talking about closing borders.
The progressives suddenly fall silent,
for national interest must not perish.

[Voice B]
The same hands that forged the chains,
now build new barbed wire around islands.
They call it "policy," but we,
we recognize old wounds that still keep burning.

[Voice A]
Those boats they talk about—

[Voice B]
Are echoes of the ships we sent.
But now that we stand at the shore
we're suddenly afraid of what we produced.

[HOOK]
The world belongs to everyone —
but not everyone may enter.
We, heirs of theft...
stubbornly keep pinning the gates.

[VERSE 4 - DANISH STITCHING]
[Voice A]
Denmark rejects ninety-five percent.
Ninety-five. Let that sink in.
Temporary permits, as if a human
can belong to their lands on a subscription basis.

[Voice B]
They've transformed humanity
into a service you must pay for.
You get three years, maybe, on probation,
and then you must steel your life anew.

[Voice A]
This isn't policy, this is—

[Voice B]
A trial subscription to breathing.

[VERSE 5 - OUR HANDS]
[Voice A]
We, brother, point at those boats,
afraid they're coming to get us.
But haven't we for centuries
paid for their grandparents as cargo?

[Voice B]
We fear invasion, say it's full,
but forget who created that emptiness.
We're afraid of what's coming back,
of the karma that now confronts us.

[Voice A]
Victims of our own seed.

[Voice B]
Afraid of the harvest of our own deed.

[HOOK]
The world belongs to everyone —
but not everyone may enter.
We, heirs of

The World Is For Everyone by @freek-banning-freestyle

Anuel AA - Un Dia Mas

Tony Monta, Pirlo, DFZM, Topboy, Akapellah - Un Dia En Mi Barrio Remix

L'AMOUR N'EST PAS MORT (Feat. David Bonnet) (French Kizomba)


Couplet 1

Non l'amour n'est pas mort, il respire dans nos silences,
Il bat sous nos regards, il danse en tendres nuances.
L'amour qui nous fait vibrer, qui nous porte jusqu’au ciel,
C’est ce feu qui nous révèle, qui nous rend plus que réel.

Pré-refrain

Dans le souffle des nuits, on entend son appel,
Un murmure qui nous guide, un secret essentiel.
Quand tu es près de moi, tout prend une autre couleur,
Et mes mains cherchent les tiennes, comme une rudesse de douceur.

Refrain

L'amour n'est pas mort, surtout pas,
L'amour n'est pas mort, surtout pas.
Avec toi il est vivant, il est flamboyant,
L'amour n'est pas mort, surtout pas.

Couplet 2

Cet amour qui nous fait vivre, qui nous fait ressentir,
Comme un nom près de l’être aimé, qui refuse de s’éclipser.
Au-delà des tempêtes, il veille sur nos chemins,
Une lumière qui persiste, un élan qui va loin.

Pré-refrain

Quand le monde s’égare, il reste notre repère,
Une étoile dans la nuit, qui nous montre la lumière.
On avance ensemble, sans rien lâcher du rêvé,
Car l’amour qui nous unit sait nourrir l’éternité.

Refrain

L'amour n'est pas mort, surtout pas,
L'amour n'est pas mort, surtout pas.
Avec toi il est vivant, il est flamboyant,
L'amour n'est pas mort, surtout pas.

Pont

Et si l’orage frappe, on tient nos cœurs enlacés,
On laisse parler nos gestes, nos regards réveillés.
Ce qui nous lie est plus fort que la peur et le doute,
C’est un chant qui persiste, une promesse qui court.

Refrain final

L'amour n'est pas mort, surtout pas,
L'amour n'est pas mort, surtout pas.
Avec toi il est vivant, il est flamboyant,
L'amour n'est pas mort, surtout pas,
Non l'amour n'est pas mort, surtout pas.

Outro

Non l'amour n'est pas mort, il bat encore en moi et en toi,
Et jusqu’au dernier souffle, il demeure tout près de nos voix.
L'amour n'est pas mort, surtout pas,




L'AMOUR N'EST PAS MORT  (Feat. David Bonnet) (French Kizomba)


Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'informations.

Un R de Famille: Redécouvrir le quotidien par l'inattendu

Piano, vocals, and pure atmosphere. Listen and let me know what you think in the comments

Every time

Me Compre Un Full (Monewayy Version) - Yovngchimi, Yeruza, Slayter, SOMBRAPR, Cdobleta, Pressure9X19

Hanzel La H - Soy Un Maliante  (Tiradera Pa` OVI)

NSDG

Un R d'archives: Heinz Suter (1ère partie)

voodoo loop frm dagelo outtakes over verbal murder by peter rock ft pun nore n common

type phat'

vrbalmrda-nore-bp-common

Beéle, Bad Bunny - UN SECRETO

Un R de Famille: Mots qui Soignent

This week, we unpack the major storylines emerging from the G20 Summit — the first ever held on African soil — where South Africa used its presidency to spotlight debt, inequality, climate, and critical minerals, even as the United States chose not to attend. With global development at an inflection point, leaders leaned into questions of how multilateralism must evolve as the global south asserts greater influence.

With the humanitarian system stretched thin and displacement at record highs, we also examine the race to lead the UN Refugee Agency. A crowded field — largely European, with one notable African contender — is competing to guide the agency through a period of severe funding constraints and rising political pressures.

During the conversation, we dig into what South Africa’s G20 agenda signals for future global cooperation, what’s at stake in the UNHCR leadership contest, and how shifting power dynamics could reshape the development landscape in the years ahead.

To break down these stories and more, Devex Business Editor David Ainsworth sits down with colleagues Elissa Miolene and Colum Lynch for the latest episode of our weekly podcast series.

Sign up to the Devex Newswire and our other newsletters.:
https://www.devex.com/account/newsletters

This Week in Global Dev: #123: G20 politics, and the future of UNHCR

SXPHIRE

Hades66, Hanzel La H, Slick La Mina, Anuibiis, Blackinny, La X27 - Me Compre Un Full (MAKE MONEY VERSIÓN)

Hades66, Hanzel La H,  Anuibiis, Blackinny, La X27 - Me Compre Un Full (MAKE MONEY VERSIÓN)

Mani Schmah is a Franco-Gabonese music producer, beatmaker and the creator of Electropical — a vibrant fusion of electronic music and tropical rhythms. His sound blends rare samples, tribal percussion, organic textures and hypnotic grooves, offering a sonic journey across continents and eras.
A self-taught artist with a passion for digging and reworking, Mani started by flipping old funk, afro and bossa nova tracks into fresh and powerful edits. His remixes and original compositions quickly caught attention on social media, where he shares his creative process with humor and authenticity.
His breakout track "Figue de Guinée", a smooth and sunny bossa nova-inspired anthem, has surpassed 3 million streams on Spotify, becoming a defining piece of the Electropical movement.
With the album SAWASSA, Mani deepened the exploration - sampling vintage African songs from Meiway, DJ Arafat and Awilo Longomba, while showcasing traditional instruments like the Kenyan harp and the Bwiti bow from Gabon.
The result is a raw and colorful tribute to African heritage, blended with modern electronic vibes.
Driven by a desire to make people dance and connect, Mani has performed in bars, clubs and music events in Gabon, Israel and France, bringing his unique sound to the underground scene.
Now he keeps expanding the world of Electropical — a genre full of bass, soul and sun.

RADIO R est une radio musicale chrétienne qui rejoint les auditrices et auditeurs en quête de sens et d’espérance mais aussi de divertissement.

Grand passionné de musique en tous genres et j'aime la valse des mots et des phrases . Créateur Studio (Creator Studio) .Il est important de préciser que je me suis entouré de plus d'une trentaine de voix, toutes des voix que j'ai créé avec l'intelligence artificielle. Mes inspirations sont diverses et je refuse de me laisser enfermer dans un style musical, ma musique me représente dans ma diversité et ma vie, ayant vécu sur 3 continents et je suis un ancien éditeur de livres en europe , ce qui fait que j'ai beaucoup de facilité dans les mots et les phrases de la langue Francaise que j'aime tant. Mon travail principal est dans le monde de la finance.J'ai 64 ans et un passionné de technologie et d'arts.Ma vie est passion !
----------------------


Bonjour, message pour toutes les agences de musique numérique. Vous êtes devenues trop nombreuses pour que je puisse répondre à chacune, donc j’envoie une réponse générale à tous ! Contrairement à ce que mon profil professionnel indique, je ne vis pas de la musique, qui est devenue un hobby fou pour moi, car je ne compose que depuis 2024. Mon rêve n'est pas d'avoir des streams, mais plutôt de trouver des groupes ou des chanteurs capables de défendre mes chansons sur scène. Merci pour votre message, et ainsi, chacun d'entre vous aura une réponse claire et simple ! Salutations ! (Je reçois tranquillement entre 9 000 et 15 000 streams par semaine, sans acheter de streams, juste des streams réels). Je n'ajouterai pas d'autres réponses et je tiens à remercier ceux qui ont pris le temps de laisser un message aimable de soutien pour mes compositions. Salutations à tous !
-----------------------------------------------------
I am a passionate music lover of all genres, and I enjoy the waltz of words and phrases. Creator Studio. It is important to specify that I have surrounded myself with more than a hundred voices from singers of different styles, all of which are voices I created with artificial intelligence. My inspirations are diverse, and I refuse to be confined to a single musical style. My music represents me in my diversity and my life, having lived on three continents, and I am a former book editor in Europe, which gives me great ease with words and phrases in the French language, which I love so much. My main work is in the world of finance. I am 64 years old and a technology and arts enthusiast. My life is passion!

We're the world’s leading independent news organization covering global development.

https://www.youtube.com/watch?v=ZvHALnMouU4&list=RDZvHALnMouU4&start_radio=1&rv=E_J4TTAfPPI

47
jazzz bluess
yung spliff
MAIN: 

https://soundcloud.com/chris-velasco-418637116/chrib-ma-dukes?si=cb392d1a1aa8428ab571554fbbb14abf&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing



yt :https://youtu.be/YYqCvSQGffo

No te quedes atras, pautate en con la asociacion mas grande de soundcloud, para que el mundo conozca de ti en un instante.

New tracks tagged #UN