‘All the Places I’m Not’ is a reflection on the spaces left behind by choices we didn’t make. It’s about the weight of missed chances and the impact of the paths we never took. An exploration of how absence shapes our story.

All The Places I'm Not

This understated fusion of strings, sound design, and piano makes for a mysterious, emotional, musical environment.

Dark Specter-(Eb minor), tempo: Moderate-strings, sound design, piano

some minor tweaks, and some shortening edits. original full length version and description can be found here: https://soundcloud.com/david-attic/pigs-covert-mix-1

Pigs (radio fadedit)

Piano, solo violin, and synths creative a pensive, organic, emotional mood.

The Final Chapter-(G minor), Tempo:Slow- Piano, Solo Violin, Synth.

Hybrid orchestral track, building to the end, fast paced but understated. 

Too Vulnerable- (D minor), Tempo: Fast- Strings, solo violin, synth, perc.

now with less japanese language (than necessary) and definitely less distortion

first song i recorded on at my house that ended up on an album, and here it is the way it shouldve been the whole time (as authentic as possible)

dakku teisen (dark armistice mix) thanks for 300

"Retaliatory Action” is a dry, character-driven country/Americana track about a group loosely planning some kind of vague payback. Open to interpretation.

Retaliatory Action

A contemplative, delicate and deliciously noir piano composition. Melancholic and introspective, with a slight sense of melancholy and mystery, this is an elegantly flowing neo-classical composition. Great for drama, film, storytelling, and setting an introspective mood. We have this track in a 'clean piano version' as well as a 'Felt Piano' version.

For licensing, contact
https://www.LynnePublishing.com


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LUCENZ - Meet Me There

A touching, delicate and elegant 'noir' solo piano piece. Delicately flowing, with a sense of warmth and melancholy, tenderness and reflection. We have this as a normal clean piano version, and as a 'dusty old nostalgic piano sound' version. 

For licensing, contact
https://www.LynnePublishing.com


LUCENZ - An Illusion (Felt Piano version)

A soft and soothing, delicate and graceful solo piano piece. Romantic, reflective, mellow, sweet and uncomplicated. We have this as a normal clean piano version, and as a 'dusty old nostalgic piano sound' version.

For licensing, contact
https://www.LynnePublishing.com


LUCENZ - Some Time Alone

A warm, touching, comforting and mellow solo piano piece. Delicate and tender, with a touch of melancholy, a quiet and understated, unconditional love. 

For licensing, contact
https://www.LynnePublishing.com


LUCENZ - Spend Some Time

“Bold & Gentle” is about embracing contradictions. It’s a celebration of tension, change, and everything in between – chasing the rise and fall, feeling both big and small, without needing a reason. A quiet anthem for those who want to live wide open.


„Bold & Gentle“ feiert die Gegensätze des Lebens – laut und leise, wild und sanft, Anfang und Ende. Ein Lied über Bewegung, Wandel und das Gefühl, ganz da zu sein – ohne Erklärung, einfach lebendig. Für alle, die das Leben in seiner ganzen Fülle spüren wollen.

Bold and Gentle

Motivation style music piece, with emotional piano. Epic, but in a subtle/understated and graceful way. Building to a unexpected conclusion. Inspirational and spiritual music.

For licensing, contact
https://www.LynnePublishing.com


Escapism

"Rooms I Don’t Belong In" is an introspective song about the quiet disconnection felt in social or professional settings where everything feels polished but hollow. It captures the subtle ache of performing politeness while internally feeling distant, misaligned, and emotionally absent. The song is not bitter. It’s contemplative and quietly defiant, expressing a deep desire for realness, honesty, and peace away from the noise.

Rooms I Don’t Belong In

"I Fade When It’s Shallow" is a quiet anthem for anyone who feels disconnected in surface-level conversations and social performances. The song explores the internal experience of someone who thrives in depth, meaning, and authenticity, but struggles to stay present in spaces where everything feels scripted or hollow. With intimate verses and a gradually intensifying chorus, the track honors emotional honesty, deep focus, and the quiet brilliance of people who are often misunderstood in loud rooms.

I Fade When It’s Shallow

Dying Sun is an evolving journey. This is where our take on alternative rock, post-rock, ambient rock, shoegaze, and experimental music converges to create something raw, real, and unfiltered. This is a space to discover immersive, atmospheric soundscapes that push boundaries and explore the edges of emotion. We’re not about playing it safe. This is about exploring the edge—where light fades into shadow, hope clashes with power, and the music pulls you into something deeper.

Every track we share is a piece of a bigger story—a moving, ever-changing cycle of endings and beginnings. It’s not about polished perfection; it’s about capturing the moment as it unfolds. Heavy textures, haunting melodies, cinematic soundscapes, and unexpected turns define our sound. It’s where destruction and beauty collide, creating music that resonates deeply and stays with you.

We use SoundCloud as a space for authenticity. This is our workshop, our testing ground, where raw demos and ideas take shape. Every track here offers a glimpse behind the scenes—rough cuts, early takes, and unpolished material that may never make it to an album but still tells an essential part of the story. It’s music at its most honest.

Your plays, your comments, your love—and even your critique—drive this journey forward. You’re not just a listener; you’re part of the process. Together, we’re shaping the sound and vision of Dying Sun’s future.

So hit play. Discover atmospheric rock, cinematic post-rock, and raw, shoegaze-inspired sounds. Let the music take you somewhere new, challenge you, and inspire you. Every ending is just the start of something greater, and this? This is where it all begins.

CONTACT: bradsmithstudios@gmail.com.  I’m an experienced composer, living in the Los Angeles area.  I’m comfortable composing in a number of styles.  I have extensive experience with both live studio recording and music produced through exclusively electronic means. 
     I’ve had the good fortune of composing for T.V., promos, and independent film. Clients include FOX, ABC, NBC, A&E, PBS, Discovery Channel, History Channel, Travel Channel, and others.
     Over the years I've also composed award winning music for dozens of national advertisers, including: Coke, Carnation, Mattel, McDonald's, Ford, Chevy, Target Stores, Hyundai, Pepsi, Sprint, Hilton, Showtime, Paramount, and a long list of others.

Versatile songwriter with an active imagination, always working on something new.

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

Solive Raye is the sound of solitude given form, quiet thoughts turned into raw, melodic truths. An engineer and lifelong observer, Solive Raye writes for those who feel alone in crowded rooms, where silence speaks louder than words.


Blending dark, atmospheric tones with flickers of hope, his music lives in the in-between: not quite despair, not quite light, but something honest.


Raised in movement, from football fields to refereeing lines, he now wanders more internal landscapes, shaping every lyric with the precision of an outsider looking in.


Solive Raye doesn’t shout. He resonates.

love the dark, sad, experimental and hazy side of things, hypnotic loops and damaged sounds. massive horror geek. not without a sense of humour. partner in crime with Shelley and Loren.

if you're questioning why or how i'm able to upload on a frequent basis, simply put - i have A LOT of time on my hands at this point in my existence, a wealth of music/sounds to draw upon, and a decent collection of software to make things (e.g. both the synth and fx arturia vst collections). i'm not just auto-generating ai pieces ad nauseum, at the same time i have nothing against using ai in the creative process, but not as an outright replacement for creation. i really think the witch hunt over it all is a bit ridiculous, fueled by the greed pig corporate media companies mostly. 

one thing i've learned about making at least a little bit of money from streaming my music beyond measley penny scraps, i have to upload frequently and i've been experimenting with reuploading/reposting my tracks for better play counts (for now), if even it only results in cutting costs.

starting over, transitioning to a new account, @gyaosugoji, I'll be checking in sometimes tho

@iiiypad @sexytoadsandfrogsfriendcircle

email is crazygoji@gmail.com
discord is, you guessed it, crazygoji

im too chiptune to be electronic music, too electronic music to be chiptune. but just rocky enough to be rock

There once was a sound, Crazy Goji's delight, a rhythm so wild, it danced through the night. With beats that would soar, and melodies to adore, His music was pure, a true sonic light! - @themnotyou's chatgpt

old account @crazygoji

New tracks tagged #Understated