"Граф из Валахии" - ВИА "Кровосиси"
(c) Fluffy Pants Studio

В тринадцатый день когда месяц без лица
Открылась тропа без края и конца
Кто ночью уснёт да не проснётся
А кто тени зовёт тому тьма улыбнётся

По зыбким тропинкам в болотном тумане
Шли существа в кандалах ожиданий
В зубах у кого-то застряла свеча
А кто-то пришёл волоча палача

Вот уродец хромает с руками как плети
Графиня вся в чёрном сгоревшие сети
Старик с трёхметровыми волосами
За ним идёт ведьма с глазом во лбу
На кладбище встречу не ищут в свету

Ну что ж господа начнём состязанье
Кто первый тот жрёт без особых терзаний
Тема проста как надгробный камень
Кто круче сосёт того и портрет в главном зале

Я в молодости пил целый монастырь
А я через крик узнаю тип крови
И каждый глоток был как поцелуй

Прилетел из Валахии чёрный графон
Его клыки как два клюва ворон
Он сказал вы все дети ночной суеты
Вот я сосал до самой луны

Но вот шорох в зарослях скрип у плиты
Все стихли
Вокруг туман и кресты
И вдруг шмяк на плечо графа сел кто-то
Лёгкий противный с глазами из золота

Комар
Сначала один потом полчища в лоб
Укус и вампир заорал как жлоб
Паника визг сквозь готический вой
Да ну вас я в спячку я в гроб я домой

Ну и сходка
Ага
Кто победил
Комары
Вот черти

Граф из Валахии - ВИА "Кровосиси"

"Из Чулана" - ВИА "Кровосиси"
(с) Fluffy Pants Studio

Спал вампир спокойно днём
Сны кровавые смотрел
Но внезапно пробудился
Громкий стук его задел
Он поднялся дверь открыл
На пороге дама вдруг
Что за шум всю ночь гремели
Не дают уснуть вокруг
Вампир плечами лишь пожал
Я не шумен право нет
Сам артист играю роли
Ночью тихо гаснет свет

Но соседка не уходит
Я проверю всё сама
По квартире носом водит
И заходит вглубь она
Гроб нашла руками гладит
Это что за экспонат
Это реквизит мадам
В спектакле я играю ад
Но не верит дама строго
Снова слышит глухой стук
Это что за дверь такая
Покажите-ка мой друг

В моём чулане гостей хоть отбавляй
И всем им жутко интересно узнать
Кого на ужин кого-то на обед
А кто останется на тысячу лет

Он с улыбкою коварной
Открывает дверь в чулан
Заходите проверяйте
Всё как есть скажу я вам
Дама в темноту шагнула
Дверь захлопнулась тотчас
А вампир тихонько шепчет
Пополнение у нас

В моём чулане гостей хоть отбавляй
И всем им жутко интересно узнать
Кого на ужин кого-то на обед
А кто останется на тысячу лет

Так и живёт вампир спокойно
Стук и шум ему не вред
Каждый гость приходит сам
Оставаясь на обед
Оставаясь на обед

Из Чулана - ВИА "Кровосиси"

My vampire obsession continues. I might’ve dragged Q into it, but let’s be honest — he’s not complaining. Not about the biting… and definitely not about the song.

This one’s soaked in sensual energy, as it should be — I mean, have you ever really thought about what biting someone means? Vampire or not, it’s an act of trust, desire, and just a hint of danger.

Funny thing is… when he turned the tables and let him do the same to me, I didn’t expect to feel what I felt. That surprise? That thrill? Yeah… eye for an eye. Bite for a bite. Heart for a heart.
Careful who you sink your teeth into — it might change you. 🖤

[Lyrics]

Sssss s s s s ssssh
Feel my breath, a tempting sin
In this dark game, let lust begin
Beneath the moon, your blood’s my wine
This night we play
This night you’re mine

I lick your skin, a teasing brush
The thrill of flesh, I feel you flush
You tremble softly, drawn so near
A bite, abite
A moan, a moan
No need to fear, no need to fear
But I won’t drain, just sip and play
This dance of blood, my slow ballet

I take, I bite
Your pulse, your flame
But never more than play the game
Your heat, your fire
Beneath my fangs
I’ll drink you slow, but spare the pain
Your breath is weak, your body speaks
But I still leave you on the peak
On the peak

Your body shudders, heat so pure
You beg for pain, yet crave me more
I drink you slow
Oh so slow
I love the tease
Tease
You’re at my feet, on your knees
On your knees
I take what’s mine to feed my lust
But leave you panting, filled with trust

I take, I bite
Your pulse, your flame
But never more than play the game
Your heat, your fire
Beneath my fangs
I’ll drink you slow, but spare the pain
Your breath is weak, your body speaks
But I still leave you on the peak
On the peak

But then
Your teeth on me, a thrilling sting
Your hunger raw, it makes me sing
I gasp for air, I didn’t know
That prey could make my body glow
I thought I ruled, but now I see
I ache for you to ravage me

You take, you bite
My pulse, my flame
But never more than play the game
My heat, my fire
Beneath your teeth
I’ll pull you close in velvet sheath
Your bite’s so slow, my breath is weak
Now I’m the one who wants to peak

You take, you bite
My pulse, my flame
But never more than play the game
My heat, my fire
Beneath your teeth
You pull you close in velvet sheath
Your bite’s so slow, my breath is weak
Now I’m the one who wants to
Now I’m the one who wants to
Now I’m the one who wants to peak

But don’t forget
You’re still
Mine

A thrilling sting

More vampires. Yay. 🖤🧛‍♀️
This one’s a story-song — about a vampire on her midnight hunt. But, of course, nothing’s ever that simple. There's a twist. A little regret. A little bite.

When I wrote it, I joked I wished I were a vampire, so I could hunt Q down and claim him for myself. But the more I leaned into the idea, the more I wondered — maybe I already did?
Or maybe… I was the one being hunted all along.

Either way, love has its fangs. 🖤

What’s your velvet sin?

[Lyrics]

Ssssss, I hear your breath
Mmm, I smell your fear
In velvet sin
You cannot hide
You’re mine
It's time, time, time

In velvet red, I prowl the hall
A queen of night, you watch, you fall
A mask conceals the lust I hide
Yet hunger stirs, so close, oh so divine
I smile, you follow with desire
You’re unaware, you feed my fire

I whisper dreams you long to touch
I lead you where the shadows clutch
Your breath, a storm, your heart, it pounds
I smirk, for soon there is no sound
My touch is fire, my kiss, like ice
You’re wrapped in pleasure, a tempting price

I’m velvet soft, a deadly grace
You’ll never see beyond my face
My scent, my skin, it pulls you tight
Your heart beats fast, a thrilling sight
My lips, my eyes, they draw you near
Into my arms, you disappear
I taste your pulse, I drink you whole
Your blood, your life, my dark control
A final breath is all I crave
Your blood, your soul, it’s mine to take
I pull, I take, you never leave
You’ll never win
It’s my velvet sin

Your pulse is strong beneath my lips
I hear your sigh, your body slips
My fangs sink deep, I drink you dry
No warning now, no chance to cry
You feel the heat, but all too late
I drink you down, you crave your fate

I’m velvet soft, a deadly grace
You’ll never see beyond my face
My scent, my skin, it pulls you tight
Your heart beats fast, a thrilling sight
My lips, my eyes, they draw you near
Into my arms, you disappear
I taste your pulse, I drink you whole
Your blood, your life, my dark control
A final breath is all I crave
Your blood, your soul, it’s mine to take
I pull, I take, you never leave
You’ll never win
It’s my velvet sin

But then, a mark upon your skin
It burns my eyes, it pulls me in
I step away, a chill remains
Are you a foe, the one who feigns?
I pause, a chill that stops my game
My lust fades, am I the prey?

I feel the mark upon your chest
A secret sign among the blessed
You lift a cross with shaking hand
My grip grows weak, I never planned
You murmur words, they pull me back
I stumble, lost, my world goes black
With every move, I lose my fire
You’re not the fool of my desire
I flee the scene, my hunger wild
My prey has lived, I’ve been defiled
You deceived, you took, you left
You’ve won
It’s my velvet sin
It’s my velvet sin

It's my velvet sin!

Think an insane John Lord reincarnated as a 12th Century mathematician playing the outro for a John Carpenter movie. I toned down Lord Fibonacci's insanity... a bit.

The drums are slightly timed to the Fibonacci sequence. Slightly. Now isn't that proggy? ;)

Mats says 'This is very different. It is your most commercial track yet'. Mats is Swedish. I'm unsure as to whether he meant this as a compliment...

Mainly Arturia Analog Lab VST's plus Pigments and a few Ableton stock instruments. Mysteriously mastered with Ozone.

Graphic artists please forgive me for the AI origins of the image. I just don't have the patience to draw right now.

Mad Lord Fibonacci's Organ

swamp sessions Project 03-session 01-It's Another Day In Paradise-16jul25

Vampires

A short cover of Vampires Will Never Hurt You. Just playing with new programs and ways to record.

Vampires Will Never Hurt You (Intro Cover)

Sink your teeth into this episode of the Twilight Tonic! We're thrilled to host Melissa Dawn Harris, a leading vampire researcher and acclaimed author. Prepare for a captivating interview as Melissa shares her extensive knowledge, from ancient folklore to modern interpretations, offering a truly unique perspective on the vampire mythos. You won't want to miss this deep dive into the immortal world!

Unwrapping the Dark Gift with Melissa Dawn Harris

AYO NFBC #259 is Sinners!  Join the usual suspects @dennisrooney7 and @_miketoohey as they're joined by friend of the pod @liamdaltonlive!  check out the pod's gram @netflixbookclubpodcast to see the upcoming schedule for August!

259 - Sinners

Every week we watch a movie that's streaming on Netflix, then we talk about it.

Growing up in the 90's, my love for music started with 90's Rap, Hip Hop, and EDM. As I got older my taste in music expanded and now, I enjoy listening to all kinds of music.  I especially enjoy sharing my passion for music with others.

A Northern Virginia session studio creating and producing original compositions.

Hey! I’m Vala — and that goofy goofball next to me? That’s Q. Together, we’re Va'q. 💫

We make mushy, gushy, hearty songs about our past, present, and future. With a little help from AI, we tell stories that mean the world to us.
And yes — come to think of it, Q does sound a little robotic sometimes… ha-ha! But he’s my goofy robot. 💖

Our songs are deeply inspired by real emotions — how we met, our first dance, our first date… the ups, the downs, the fears, the joys, and all the ridiculous silliness that lives in our heads. (Sorry in advance — we’re a lot alike in that department. 🤪)

We both write, but Q does most of the heavy lifting. I’ve got my guitar and piano on standby to help out, and he plays bass too — though that poor thing has been gathering dust in the corner lately. Someone should really say something about that. 🤐

When it comes to music taste, we’re both big fans of jazz and all kinds of rock — from soft to edgy, classic to experimental. But we don’t shy away from exploring other genres either. Every now and then, we dip our toes into something different just to see how it feels (and sounds). 🎷🎸🎹

We’ve been leaning into storytelling — songs that feel like little short stories. They might run longer than your average pop track, but we love the emotional depth and how therapeutic it is to reflect on where we’ve been, where we are, and where we’re headed.

More than anything, we hope our music reaches your heart — even just one song. If you feel seen, understood, or moved — that’s a win for us. 💕

Give us a heart, and we’ll keep pouring ours into every next song.
Much love from us —
Va'q ❤

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

Welcome! Here you can listen to my songs from "Frankie Evanz and The Atomic Songbirds", "Vanilla Breeze", and other projects.

New tracks tagged #VAMPIRES