Histoire : Arènes de lutèce histoire paris vestiges ruines gallo romaines bancs parc

My take on "You fuckers were asking for this one" by Rav, the song that broke the camels back and pushed me into wanting to start music production and rapping. Production, lyrics, and flow heavily inspired by his song.

First vocals I've ever put out to the public. Fun.

[LYRICS]
Tender soul splintered folded in the inner
another lonely night, veggie-dinners for beginners
nah

Lonely nights of dying lights,
rainy bliss, and blinding brights
pierce my mind and shock my soul,
give it cracks, 'fore ripping it up in whole

Too long have I been subjected to my decisions
Fuck the guy who made 'em, gone from editing back to revisions

And nearly miss busses and trucks I duck as pain comes crashing in
Staining everything around me, wearing thin

Real world rippin through the canvas, paint sprawled across the walls
I'll never understand it, but who's me? If I recall... no one really matters
So what's the point? For a sec I really thought I had this

Controller slipping through my hand, slipping through the floor
particles dissipating as atoms rip apart, happened before

Brain starts to leave my skull as bone shatters around it,
Mind over body until the body cannot stand it

And paints been ripping through the canvas
Staining my hands till all I see is empty madness

Shitty Rorschach blots surrounded by the vastness
of everything, can't believe I ever thought I had this

Yeah

And I know, that we could be together
But not now, no, not at all na-na-na-na-na

[Instrumental]
Ljones - Soul Below

I've been asking for this one

Sous le parvis de Notre Dame, à quelques mètres sous terre, il existe une cachette. Une cachette si bien dissimulée… Qu’en n’y prenant pas garde, on pourrait même passer à côté !

Il s’agit de la crypte archéologique de l’ile de la cité. Un lieu mystérieux qui recèle de trésors insoupçonnés, sous la forme des plus anciens vestiges de la capitale, quand Paris s’appelait encore Lutèce. On y trouve les restes des premières enceintes de la cité, les traces d’un port de commerce, les décombres de thermes très fréquentés ! 

Dans la pénombre de la crypte, au contact des vestiges et grâce aux magnifiques reconstitutions en 3D, Lutèce reprend vie ! On y attend les clameurs de la ville, le clapotis de l’eau et le bruit des bateaux s’amarrant aux quais pour décharger le blé et les amphores remplies du vin provenant de la colline de Montmartre, les conversations des soldats romains venus se délasser aux bains. 

Suivons Sylvie Robin, conservatrice en chef du patrimoine et Sami Bouaouni, Doctorant en archéologie. Ils vont actionner la machine à remonter le temps pour nous dévoiler, au travers de l’histoire des fouilles, les différentes strates archéologiques qui ont fait Notre Paris.


Chefs-d'œuvre en Réserves est une création originale LACMÉ Production, développée en collaboration avec Paris Musées, d’après une idée originale de François Giannesini.

LACME Production

Rédaction en chef et direction de production : Victoria Le Boloc'h-Salama, production exécutive et éditorialisation : Marie Laurence-Chérie, réalisation son : Nicolas Mollet, prise de son : Yannis Do Couto et Ismaël Camara, mixage : Ben Auriel.

Paris Musées

Production : Camille Autran et Kristel Fauconnet, Illustrations : Alexandra Alzieu, Curation : Sylvie Robin, Sami Bouaouni, Noémie Giard, Roxane Dagannaud-Brouard.

Les vestiges de la Crypte archéologique

Bass music alchimist RAVL delivers 4 intense tracks for his premiere EP on Blue Night Jungle. Both tribal and electric, Vestiges easily blends up dark atmospheres with brilliant pads and synths, combining forces to create a powerful near DnB style with a hard sense of groove. He also invites the Welsh master producer Aloka for an hybridstep track that will clearly shake all the dancefloors it will be put on.

https://soundcloud.com/ravlsncld
https://soundcloud.com/bluenightjungle


PREMIERE⚡️RAVL - Vestiges [Blue Night Jungle]

Just like last tribute, I didn’t really stick beat for beat to the original scene, I just made something that I thought could encompass the moment in a more general way. 

-For the beginning, I started with combining the ostinato of “Heroic Fighting Battle Song” with the very first part of the song “Quintuple” with a small guitar tease of “You say run”.

-The ostinato repeats but this time with some classic rock drums and the horn melody of the song “Battle of Deku”. It is followed by a calmer segment, again from “Battle of Deku” and then it overlaps with a small fragment of “You say run”.

-Then I used the villains main melody from “Paranormal Liberation Front” while adding a small ostinato melody from “Symbol of Fear” with some bells. This as a small way to represent Shigaraki.

-Then I did some small improv with the strings slowly getting a more hopeful sound while having the “Hero A” guitar ostinato melody but with a pluck instrument playing in the background. It then transitions to the theme for the vestiges I made in “Deku’s rage” and used again in “Hired gun”.

-After that we’re back to  “Heroic Fighting Battle Song” again, making a pretty close cover but adding another tease of “You say run”, then switching to the theme I made first for the heroes in “U.A. students vs Gigantomachia” and then used for when the pros and Deku team up in “I'll come home to you”.

-Then once more doing a close cover of  “Heroic Fighting Battle Song” while adding some guitar solos.

-We do a full switch to another close cover of “Quintuple” while adding small solos and melodies with the guitar flute. First adding a tease to the first melody of “Trinity”, then of the ostinato in the song “One For All vs. All For One” (since it played when Deku fought Muscular and that moment was just that iconic) and then a repeat of the “Trinity” theme but with a different ending note.

-Then I also did the second half of “Quintuple” with the key switch (I loved the drums in this part). Another close cover, I only added the “Hero A” guitar ostinato melody in the background. For the second half of this part though there is a small reference to “Katsuki and Izuku”. There is a very cool melody halfway through that song that I used in here with the guitar, just changing the ending notes a bit.

-Then I did another close cover to the main melody of “The last wielder”. I added a small pluck ostinato from “Battle of Deku” and also the vocals of the song that played when Deku had his first vision with the vestiges…honestly don’t remember which is that song’s name, I think it was “Plus Ultra” but I’m not so sure, please let me know if any of you know! For the second half I just added the “Heroic Fighting Battle Song” drums and some guitars to serve as buildup.

-Then the big part!! The one I’ve been wanting to do since the last tribute, a full epic / rock drums cover of “Heroic Fighting Battle Song”. It was another close cover just varying the drums and instruments, using guitars instead of the flute and adding extra horn melodies. From there we also cover the end of the song but with very hype rock drums and using again the flute melodies but with the guitar. 

-Finally, still on that hype vibe and using the same drums, I covered the main ostinato of “You say run”, that plus the horns and then….the end!

GEARSHIFT OVERDRIVE (FINAL WAR ARC TRIBUTE #2) Fan-made Soundtrack - Aige 09

Just an amateur who loves music and anime. Always trying to get better!

Paris Musées Établissement public Paris Musées, le réseau des 14 musées de la Ville de Paris.

Music is the cure

Premiere requests - shapes.electric@gmail.com

I’m Not Good In Description. But I Like you already Thank You For Being Here Sorry

New tracks tagged #VESTIGES