MIDI version of INTERMEZZO for violin & piano, Op. 18, by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

INTERMEZZO for violin & piano, Op. 18 (MIDI)

Get your copy here > https://www.sheetmusicplus.com/title/canzone-dolce-violin-solo-digital-sheet-music/22314998

Canzone Dolce (Violin & Piano)

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https://www.sheetmusicplus.com/title/lacrimosa-violin-solo-digital-sheet-music/22360474

Lacrimosa (Violin & Piano)

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https://www.sheetmusicplus.com/title/dream-waltz-violin-solo-digital-sheet-music/22416282

Dream Waltz (Violin Solo)

@TINY11968 
#violin 
#piano 

המנון התקווה, כפי שמעולם לא ראיתם ושמעתם.
The hymn of hope, as you have never seen or heard.

התקווה
----------------
כָּל עוֹד בַּלֵּבָב פְּנִימָה
נֶפֶשׁ יְהוּדִי הוֹמִיָּה
וּלְפַאֲתֵי מִזְרָח קָדִימָה
עַיִן לְצִיּוֹן צוֹפִיָּה

עוֹד לֹא אָבְדָה תִּקְוָתֵנוּ
הַתִּקְוָה בַּת שְׁנוֹת אַלְפַּיִם
לִהְיוֹת עַם חָפְשִׁי בְּאַרְצֵנוּ
אֶרֶץ צִיּוֹן וִירוּשָׁלַיִם

the hope
----------------
As long inside our hearts
A Jewish soul still yearns
And onward toward the East
Looking towards Zion

Our hope is not lost yet
The hope is two thousand years old
To be a Hafchi people in our country
The land of Zion and Jerusalem

מוסיקה: טייני
עריכה: טייני
מילים: נפתלי הרץ אימבר

MUSIC: TINY
EDITING: TINY
Words: Naftali Hertz Imber

להצעות עבודה בתחום המוסיקה וליצירת קשר:
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For job offers in the field of music and contact:
Email: guy0544576561@gmail.com
Mobile: 0584420001

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The Hope - התקווה

동방비상천 - 유정천변 ~ Wonderful Heaven
東方緋想天 - 有頂天変 ~ Wonderful Heaven
Touhou 10.5 : Catastrophe in Bhava-agra ~ Wonderful Heaven
Arranged song title : Ephemeral Sky

Composed by ZUN
Arranged by DVMUSIC

Image : AI

동방비상천 - 유정천변(有頂天変) ~ Wonderful Heaven

Once considered a pleasant daydream, but now polluted by modern-day problems, Reverie evokes a sense of longing and despair through the “weeping” or drastic intervallic leap and cantabile style of the violin above a simple yet consistent piano line.

Premiered by Leanna Oliver and Jae Ahn-Benton

Reverie (Live)

Sophie Moorea is an Argentinian-American composer, arranger, and trombonist from São Paulo, Brazil. With over 10 years of experience in music and dance across three continents, she seeks to highlight shared human experiences and raise awareness of social justice issues through her work.

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

להצעות עסקיות ולשיתופי פעולה:
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פלאפון: 0584420001


For business proposals and collaborations: 
mail: guy0544576561@gmail.com
phone: 0584420001


New tracks tagged #VIOLIN &amp; PIANO

New tracks tagged #VIOLIN & PIANO