⚡ R4VY // APOCALYPTIC RHYTHMS ⚡

Born from chaos. Forged in distortion.

WINT3R H4RD [Vivaldi]

Antonio Vivaldi — “Winter” (I. Allegro non molto)
Performed live on accordion by Yevgenii Musiiets, Lithuanian-based concert artist.
This recording presents the opening movement of The Four Seasons, reimagined through the expressive sound of the accordion.

🎶 Part of the full concert cycle “Vivaldi’s Four Seasons — Live on accordion.”

Yevhenii Musiiets — Vivaldi: Winter I (Allegro non molto)

44336655

S/o Vivaldi

En arrivant sur terre, c’était la galère
J’sentais la gêne dans l’air et la peur dans la voix de ma mère
On marche dans l’belvédère pour éviter la guerre
Ici les erreurs coutent cher, j’ferais mieux d’me taire

Maman, c’est bizarre à l’école, le nord je perds 
Mais j’peux pas t’le dire, y’a trop d’problèmes, t’a déjà trop à faire
J’ai grave du mal à m’intégrer, franchement c’est l’enfer
On m’a demandé 2/3 fois pourquoi j’avais pas d’père
Au début j’répondais juste que j’savais pas pourquoi
Des fois j’disais « il est mort » pour pas porter tout ce poids
J’me suis approché d’ceux qu’on vécu pareil que moi
On avait mal, pour nous la vie c’était du cinéma

Genre, tu fais juste comme eux et puis après ils t’aiment bien
Tu fais tout ce qu’on t’dit et puis après on t’aime bien
Fond toi dans la masse si tu veux qu’on t’aime bien
J’avoue, j’aimais bien qu’on m’aime bien

Tu fais juste comme eux et puis après ils t’aiment bien
Tu fais tout ce qu’on t’dit et puis après on t’aime bien
Fond toi dans la masse si tu veux qu’on t’aime bien
J’avoue, j’aimais bien qu’on m’aime bien

C’était bien au début mais au bout d’un moment c’était relou
Trop de personnages, trop de mensonges à porter pour mes genoux
Quand j’me retrouvais seul j’savais pas j’étais qui, j’étais quoi
Je fais ci ou je…
Bref, c’était relou
Bien-sûr j’faisais déjà du son, c’est peut-être ça qui m’a sauvé
Ça m’a aidé à voir la lumière sans ouvrir les volets
Mais comme j’avais pris l’habitude de masquer, j’étais dévasté d’apprendre que ma vie serait un casse-tête
Catastrophe
Chaque moment de vie devient un calcul incalculable
Et c’est mon âme qui paye la facture
C’est grave dur, qu’on me sauve, qu’on me capture, j’ai des fractures dans la tête, j’imagine pas le tur-fu 

« T’es tellement précoce my nigga, quelle vie
⁃ je sais, j’suis né dans les ordis moi, j’suis dla gen z »
Après ça j’savais pas trop quoi faire pour m’sentir bien
Mais en vrai j’voulais juste qu’on m’aime bien

Genre, tu fais juste comme eux et puis après ils t’aiment bien
Tu fais tout ce qu’on t’dit et puis après on t’aime bien
Fond toi dans la masse si tu veux qu’on t’aime bien
J’avoue, j’aimais bien qu’on m’aime bien

Tu fais juste comme eux et puis après ils t’aiment bien
Tu fais tout ce qu’on t’dit et puis après on t’aime bien
Fond toi dans la masse si tu veux qu’on t’aime bien
J’avoue, j’aimais bien qu’on m’aime bien

(J’aimais bien qu’on m’aime bien)
(J’aimais bien qu’on m’aime bien)
(Qu’on m’aime bien)
(Mais c’était pas moi qu’ils aimaient bien)
(C’était ce que je leurs vendais de moi)
(Ce que je leurs montrais de moi)

j'aimais bien qu'on m'aime bien

This is the interpretation from MWAF of "Summer" by A. Vivaldi, which features a totally innovative approach of this immortal classical. Enjoy.
Written in G (Sol) minor scale, 135.5BPM, with A(Lá) note tuned at 432Hz (more human), instead of the usual A(Lá) = 440Hz Western music standard. 

Antonio Vivaldi: Concerto No. 2 in G minor, Op. 8, RV 315, "Summer" (L'estate)

"Sublatio Records proudly presents this magnificent release from MWAF called "Summer". The classic vibe of the track with it's uplifting melodies is sure to create impact! Available in all major stores. Be sure to check it out!"

Label: Sublatio Records. Catalog: SR002 (tuning system A=440Hz) Release Date: 08/05/2023.

Summer 432Hz mix

MWAF - Summer 432Hz (Special Mix)

LA AMENAZA DEL CHUGG

Perfect Love Song 15.11.2025  Alexandria

🎶WAV Quality: https://kosmich108studio.bandcamp.com/track/antonio-vivaldi-storm-kosmich108-space-version
🎥Youtube: https://www.youtube.com/watch?v=Abe_YuFv9wM

✨This compilation is a journey through outer space, where great classical works are reborn in space synth format. Familiar melodies are transformed into shining electronic constellations, intertwining orchestral depth with aerostatic synths and a dreamy cosmic atmosphere.
Each track is a new galaxy where classics meet future worlds, and music becomes a portal to infinity.
Orchestral compositions are reimagined through analog synthesizers, cosmic arpeggios, atmospheric pads, retro-futuristic textures, cosmic moods, and the new electronic breath of eternal music.

Bandcamp

Antonio Vivaldi - Storm (Kosmich108 Space Version)

🎶WAV Quality: https://kosmich108studio.bandcamp.com/track/vivaldi-four-seasons-winter-kosmich108-space-synth-version
🎥Youtube: https://www.youtube.com/watch?v=iL-8r7c4EuU

✨This compilation is a journey through outer space, where great classical works are reborn in space synth format. Familiar melodies are transformed into shining electronic constellations, intertwining orchestral depth with aerostatic synths and a dreamy cosmic atmosphere.
Each track is a new galaxy where classics meet future worlds, and music becomes a portal to infinity.
Orchestral compositions are reimagined through analog synthesizers, cosmic arpeggios, atmospheric pads, retro-futuristic textures, cosmic moods, and the new electronic breath of eternal music.

Vivaldi - Four Seasons - Winter (Kosmich108 space synth version)

🎶WAV Quality: https://kosmich108studio.bandcamp.com/track/vivaldi-spring-drum-bass-version
🎥Youtube: 
🎧The mini-album is a bold reinterpretation of Vivaldi's music in the genres of psytrance, psy-techno, drum & bass and synthwave. Baroque melodies are transformed into pulsating streams of synthesis, where rapid violin passages intertwine with deep bass, acid arpeggios, and hypnotic rhythms.

Vivaldi - Spring (Drum & Bass Version)

Le canon de Pachelbel est dépassé. Voici une alternative.

la folia - part 2

la folia  - part 7

la folia - part 5

la folia  - part 6

Peacefully (definitely not a Beatles song).

The finale is a high-energy collision of worlds. We start with the driving strings and distinct textures of Vivaldi, building momentum until the piece transforms into the jazz-inflected harmonies and rhythms of Gershwin. It features big orchestration and technical piano work, bringing the concerto to a fitting, exuberant close. Read more about the story behind this music in my memoir, "The Keeper," at michaeljcriss.com.

Vivaldi and Gershwin

A playful, lilting melody that serves as the "joke" of the concerto. This movement alternates between a pleasant, hummable theme and rapid, technical piano passages that challenge the performer. It captures the joy and humor inherent in a friendship that has lasted half a century. Read more about the story behind this music in my memoir, "The Keeper," at michaeljcriss.com.

Scherzo

This opening movement explores the evolution of musical order into rhythmic complexity. It begins with a dedicated nod to the Baroque era, introducing a theme heavily inspired by Bach (with a brief quote from the 4th Brandenburg Concerto). As the piece develops, the motive morphs, shifting time and texture until it arrives at a driving, Stravinsky-esque passage. It is a journey from the mathematically divine to the rhythmically primal. Read more about the story behind this music in my memoir, "The Keeper," at michaeljcriss.com

Bach and Stravinsky

This movement is the spiritual center of the concerto. It reflects my deep connection to the Tallgrass Prairie National Preserve in the Kansas Flint Hills—a place I consider a "Sacred Space". The music attempts to capture the feeling of standing on the Scenic Overlook, viewing the "ocean" of grass. It is a meditation on peace, vastness, and the quiet beauty of the American landscape.  Read more about the story behind this music in my memoir, "The Keeper," at michaeljcriss.com


Chorale

✉️contact: maxkosmich108@gmail.com
 My name is Max Kosmich🙌 I Mantra Dj, Sound Producer, Musician from Zhytomyr, Ukraine, I am engaged in sound production, music, art and yoga. Since 2007, he started playing trance and chillout music as a DJ at various thematic events throughout Ukraine. Since 2009, he started practicing yoga and practicing mantra - meditation. Under the influence of yogic practices, I began to combine mantras with electronic music and live ethnic music. I also make spiritual audiobooks and experiment with sound healing. My side music projects: Paracosmich, Yamudra🌿

Pedro Vilas Boas aka D.Peter.J, is a Portuguese trance/house producer and DJ, with more than 25 years on production, remixes and live-acts. One of the pioneers of electronic dance music in Portugal in the early 90's. As part of trance band called "The Ozone", he released several of their own themes and remixes of other artists. Later he released several trancey house themes of his own and as part of house project "Old Skool Split". He became owner of a trance label Time2Trance, in 2006. He is one of founders of the Portuguese club/disco tour called Jump4Trance, specialised in spreading uplifting trance around here. His DJing appearances restarted in September 2007. In 2018 he entered a new project "Music With A Feeling", focused on choosing the appropriate musical scale, at the start of his new productions, to induce the right feeling in the audience... He is also member of 2 bands: Loud2High and MWAF.

Composer, writer, and conceptual artist. I'm sober and a sexual abuse survivor. My music is my journal—a testament to art as a powerful tool for recovery. Thanks for listening.

All the songs are royalty free. 

All the songs in this playlist are royalty free. You can use them on your own clips and videos, as long as you include a link to at least one of the following websites:

http://villenouvelle.ch
http://villenouvelle.myshopify.com
https://soundcloud.com/lavillenouvelle
https://www.youtube.com/@lavillenouvelle
https://open.spotify.com/intl-fr/artist/0GhyzhwYXsJUQA39PW2VJ7

⚡ R4VY // APOCALYPTIC BEATS⚡

Born from chaos. Forged in distortion.

All music and visuals are original works,
vocals crafted through AI technology and sounds created by human obsession.
© R4VY

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