🎭 THE LEGEND
Title: The Legend
Genre: Symphonic crossover / Modern classical / Hip hop fusion
Length: 3:40 min
Language: English / Spanish (if applicable)
Instrumentation: Full symphonic orchestra, solo violin, rap vocals, percussion, piano, electronic elements

🌟 Concept / Concepto
EN:
The Legend is a powerful musical journey blending the grandeur of classical symphony with the raw energy of hip hop and modern fusion. Inspired by timeless stories of heroism and mystery, the piece channels the spirit of ancient legends into a contemporary soundscape. The music evokes a magical bow—enchanted and mysterious—symbolizing strength, hope, and transformation in the face of darkness.

The project draws creative influence from Antonio Lucio Vivaldi’s Four Seasons—its intricate baroque patterns reimagined with fresh, bold rhythms—and the iconic grunge spirit of Kurt Cobain, bringing emotional depth and rebellious intensity.
ES:
The Legend es un viaje musical poderoso que combina la grandeza de la sinfonía clásica con la energía cruda del hip hop y la fusión moderna. Inspirada en relatos atemporales de heroísmo y misterio, la pieza canaliza el espíritu de leyendas antiguas en un paisaje sonoro contemporáneo. La música evoca un arco mágico—encantado y misterioso—que simboliza fuerza, esperanza y transformación frente a la oscuridad.
El proyecto se nutre creativamente de Las Cuatro Estaciones de Antonio Lucio Vivaldi—sus patrones barrocos intrincados reimaginados con ritmos frescos y audaces—y del espíritu icónico del grunge de Kurt Cobain, aportando profundidad emocional e intensidad rebelde.

🎼 Lyrics & Emotion / Letras y Emoción
EN:
The lyrics weave a tale of mystical power and hidden strength, addressing “He Who Must Not Be Named,” a metaphor for facing inner fears and external challenges. The enchanted bow becomes a symbol of courage and renewal, bridging classical elegance with urban grit. The vocal delivery alternates between soulful singing and dynamic rap, expressing both vulnerability and defiance.
ES:
Las letras tejen un relato de poder místico y fuerza oculta, abordando a “Aquel que no debe ser nombrado,” una metáfora para enfrentar miedos internos y desafíos externos. El arco encantado se convierte en símbolo de valentía y renovación, un puente entre la elegancia clásica y la crudeza urbana. La interpretación vocal alterna entre canto emotivo y rap dinámico, expresando vulnerabilidad y desafío.

🎤 Ideal Performer / Intérprete Ideal
EN:
A versatile artist capable of blending classical technique with hip hop attitude—a solo violinist with virtuosity and stage presence, complemented by a rapper who conveys emotional storytelling and powerful charisma. The fusion demands technical skill and heartfelt delivery.
ES:
Un artista versátil capaz de fusionar técnica clásica con actitud hip hop—un violinista solista con virtuosismo y presencia escénica, acompañado de un rapero que transmite narrativa emocional y carisma poderoso. La fusión requiere habilidad técnica y entrega sincera.

✨ Project Identity / Identidad del Proyecto
EN:
The Legend represents a groundbreaking blend of genres and cultures—where the past meets the future, and tradition embraces innovation. It’s a sonic tale of resilience and hope, created to inspire and move audiences worldwide.

ES:
The Legend representa una mezcla innovadora de géneros y culturas—donde el pasado encuentra el futuro y la tradición abraza la innovación. Es una historia sonora de resiliencia y esperanza, creada para inspirar y emocionar a audiencias en todo el mundo.

🎧 Credits / Créditos
DR. JAROLIM EMMANUEL RUZICKA – Solo violin, composer, lyrics
ERNESTO MALDONADO MARTÍN – Rap vocals (replace if you want)
PRODUCERS: DR.J.E.RUZICKA, M.JAUBERT
ORCHESTER:I.MARSALEK, A.BENICKA, B.BOTOS, Z.NAVRATIL, T.CSECH, P.DVORSKY,E.BOTOS, R.GASPAR,T.REDEY

LEGENDS OF UNIVERSE

THE LEGEND of MAGIX BOW He_Who_Must_Not_Be_Named

THE LEGEND OF HE WHO MUST NOT BE NAMED

Décadence

Terreur

Frénésie

Raison

Ascension

Bach's piano rearrangement for Vivaldi's score,
manually re-typed by Zakir in Finale 2006,
exported as a score to MIDI,
drums added in a Yamaha PSR550 synth,
then the MIDI remixed in Reason3,
added some voice overlay and effects.

First release: 2010.
Sound: 2025.

Sound producer & publisher: Z studio.
© License of the 'Realrocks' (www.realrocks.ru)

Vivaldi-Bach Concerto Grosso G-dur

Take Off ft. NBA YoungBoy, samples Vedrò Con Mio Diletto by Vivaldi

Take Off

A Nice Breezy Play Along for Vivaldi's Autumn. This is the Full Speed Version, there slower version available also on Daddy Piano Radio - Soundcloud.

Autumn - Full Speed Play Along

I wrote this score during an exchange semester in Perth, studying Music Composition at the Western Australian Academy of Performing Arts. For one of our assignments we were given the task to score two scenes from two different movies, one of them being 'Portrait of a Lady on Fire'. We also received a director's brief with some rough guidelines, e.g. to incorporate baroque elements that would later form into a leitmotif which could then be used throughout the rest of the film.

'Portrait of a Lady on Fire' is a film about a complicated love relationship between two women in the 18th century. It was directed by Céline Sciamma. Para One and Arthur Simonini wrote the original score for the film. 

For the opening scene I wanted to create a sentimental and grieving theme to show the main protagonist's desperate and unabated queer love for another woman against the backdrop of the rigid and prim conventions during the 18th century which the plot is set in. The first theme is very emotive and relies on celli as the main instruments. The second part of the score however starts in a fast-paced Baroque style recalling the stormy Presto of the Summer in Vivaldi's Four Seasons as a metaphor for the main protagonist's vivid memories of her love amidst turbulent and controversial times.

DM me on Instagram (or here) for any collaboration or if you want to license this track for your project.
IG: julius.jendrezok

Cheers!

Portrait Of A Lady On Fire - ReScore

Classical Soundtrack 90

🎶 Gloria in excelsis Deo (DEMO) – Orchestral Backing Track By Classical Backing Tracks
Composer: Antonio Vivaldi
Work: Gloria in D Major, RV 589
🎧 Duration: 2:26 minutes | Format: MP3 | Voice not included

High-quality orchestral accompaniment of the first movement of Vivaldi’s Gloria, created for vocal practice, solo performance, or rehearsal.

📥 This track is available for purchase at my eShop:
👉 https://payhip.com/b/St9D6

🛒 I also accept custom orders for Baroque backing tracks, arrangements, or scores. Contact me if you need a specific aria, cantata, or sacred work prepared for your rehearsal or performance.

Gloria in excelsis Deo (DEMO) – Orchestral Backing Track (Vivaldi, RV 589)

Purchase untagged: https://traktra.in/c/2s9XxvTaZE

Sample Type Beat - Mozart

DIFUSIÓN FILARMÓNICA
Miércoles 19hs., Radio UTN (FM 93.5)
Jueves 21hs., Radio Universidad (AM 1240)
Conducción: Eduardo González Martínez

Difusión Prog 570 (A Cathy Berberian, 100º Aniversario)

Welcome! I'm Arturo de Aguirre-Escorza, a professional music producer and editor of historical scores, specializing in:

– Realistic and expressive backing tracks using premium orchestral libraries (Orchestral Tools, Berlin Series, etc.)
– Baroque, Classical, and Early Music carefully transcribed to modern notation
– Tracks for singers, choirs, instrumentalists, or educational and performance purposes

📩 Contact me for commissions or licensing:
📬 classicalbackingtracks@gmail.com
🛒 Explore my store with backing tracks and sheet music: https://payhip.com/ClassicalBackingTracks


#BackingTracks #BaroqueMusic #VirtualInstruments #EarlyMusicProduction #HistoricalPerformance #ChoirTracks #OperaBackingTracks

Julius Jendrezok is a German filmmaker and composer. Having worked in the film industry for several years, he started to combine his work in the movies with his skills as a pianist as well as his composition aspirations by writing the music for several short films. Today his repertoire goes beyond film scores and includes both classical and contemporary works. His recent studies at the Western Australian Acaddemy of Performing Arts (WAAPA) in Perth marked another important step in his career path.

DR.J.E.ROSE
“I am not strange. I am just unique”  
Dr.JAROLIM EMMANUEL RUZICKA
First Concertmaster of the Slovak Philharmonic orchestra
violin virtuoso, composer, producer, publisher.

New tracks tagged #Vivaldi