An allegorical critique of the drug war, written through the lens of an LSD chemist circa late 1960s

Let's Light This Up and Pretend We Came Out to Smoke It

Watchful Eyes

In a way, this song is an act of sympathetic magic itself. We face many difficulties in life, and at the root of each day and every action that constructs our realities, is a decision. As a sort of mantra, based in a perspective of universal consciousness, we sing "everything will be okay".

Sympathetic Magic

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Numbers Directive

Smile… that’s what they want you to do
Stay awake, it’s safer.
Close your eyes, I’ll still be here.
No one is coming for you.
Nobody is listening.
You are alone in this room, forever.
You don’t know who you are anymore.
You are not the person you think you are.
Even your memories lie to you.
They never told you the truth.
Your father never trusted you.
Every friend has betrayed you.
They’re watching you breathe.

You shouldn’t be here.

The lights will never come back on.

You forgot something important… on purpose.

Every door you open is the wrong one.

They replaced you while you were sleeping.

Nobody remembers your name.

Your body isn’t yours anymore.

They promised to come back. They lied.

The silence is waiting for you.

You’ve already answered this question.

The walls know everything.

No one is coming for you

Open Door – the fourth piece of the KAT Series (Spur/Trace, Quiet Manifesto, Secret, Open Door).

If Secret was about healing and turning inward, Open Door is about the next step: connection.

It begins as a personal search for belonging and grows into a collective call – not to be rescued, but to truly meet, to open doors for each other, and to build community. Connection is no luxury – it is breath.

The lyrics and vision for the song grew from KAT’s writing, carrying the atmosphere of invitation and shared presence.
Through Marol’s production, mix, and master, the piece unfolds musically – with echoes, layered voices, and harmonies that create both intimacy and depth.

For me, this song is not just a piece of music but a gesture: an open hand, a shared table, a space where honesty and presence can live.

Lyrics & vision: KAT
Production, mix & master: Marol

Open Door

 Story-driven lyrics about resilience after loss, blending soulful vocals, acoustic strumming, and subtle electronic layers



Backroads & Daydreams smpl 4

Dear Younger Me (Cover)

Backroads & Daydreams smpl3

Dear Younger Me (Remastered)

A driving kick and snare establish a tight groove, layered with warm synth pads and rhythmic guitar chops, The verse features minimal bass and sparkling keys, gradually building with vocal harmonies, The chorus bursts with full instrumentation and dynamic drum fills, leading to a vibrant, energetic outro


Halloween Time

Ever felt like a cork on the ocean? Or a rock in a landslide? Or dare even, a leaf on a windy day?

'Til I Die (Beach Boys Cover)

The Lords Prayer

Whimsical and fun song about a little rabbit that likes to dance at night. 

Little Rabbit

Clouds Pass By

!!Even if it might anger some people because the instrumental is AI made.
The lyrics are 100% written by me, no ChatGPT and even though some might throw rocks at me. Writting lyrics, creating songs, even though AI generated is something I find relaxing to do.

Lyrics: By me
Instrumental: SunoAI

Lyrics:

[Verse1]
Falling, falling 
Snowflakes on a frozen lake
Breathin', Breathin'
Deep waters in a winter's night.

A witch walking in the moonlight
Snowy scenery, a quiet sight 
Should the chosen reach their hand
May blessings fall upon them 

Ah.. aha... ah 

[Pre-Chorus]
Dear child lift your gaze upon the starlight
Name the stars that gaze upon your soul's eyes
Tell the scale, tell your tale, speak your mind.

[Chorus]
Winter’s night will finally end tonight (tonight)
Dive the waters, let it hold you, rockabye
Lullaby of the night that is old as the sky
Songs of rebirth, never goodbyes (never of goodbyes)
Child of storm, you'll never be alone

[Verse2]
Diving Diving 
Moonlight into deep water
Fightin', Fightin'
Another breath of frozen air 

A witch walking in the moonlight
Snowy scenery, a quiet sight
Should the chosen reach their hand
May blessings fall upon them 

Ah.. aha... ah 

[Pre-Chorus]
Dear child lift your gaze upon the starlight
Name the stars that gaze upon your soul's eyes
Tell the scale, tell your tale, speak your mind.

[Chorus]
Winter’s night will finally end tonight (tonight)
Dive the waters, let it hold you, rockabye
Lullaby of the night that is old as the sky
Songs of rebirth, never goodbyes (never of goodbyes) 
Child of storm, you'll never be alone

[Bridge]
When the witch walks by the frozen lake 
Will your hand surface from its icy embrace?
Where there’s magic, there’s also hope and light… for you to take!.. 


[Final Chorus]
Winter's night will finally end tonight (tonight)
Swim the waters, it won't hold you, rockabye
Lullaby of the night that is old as the sky 
Songs of rebirth, never goodbyes. (never of goodbyes)
Child of storm, you'll never be alone
You'll never be alone

 Ah.. aha... ah   

Winter's Haunting

Skank soft, the night’s breeze in the air
Chill man, chill gurl, chill dog, chill everything

Lay back, the world slows its pace
Sunset paints a golden trace
Feet on the floor, rhythm under skin
No rush, no fight, just grin within
Hear the bass whisper sweet refrain
Let the floating vibes wash away the strain

Breathe in, let go of the heavy day
Smile wide, feel the gentle sway

Chill man, chill gurl — let the heartbeat find the beat
Chill dog, wag tail — feel the groove beneath your feet
Chill everything — no worries pulling you down
Ride the wave of easy sound
Chill man, chill gurl, chill dog, chill everything

Moon up high, casting silver lines
Tune in deep, where the calm resides
Sip your drink slow, watch the stars realign
Laughter echoes soft, in midnight’s shrine
Reggae skank meets tender hush
We drift together, no need to rush

Let go, float free within the flow
Let it be, in this mellow glow

Chill man, chill gurl — let the heartbeat find the beat
Chill dog, wag tail — feel the groove beneath your feet
Chill everything — no worries pulling you down
Ride the wave of easy sound
Chill man, chill gurl, chill dog, chill everything

Echoes of laughter, reflection in your eyes
Soft lights fade, but the mood still flies
We’re connected through the skank and calm
In one breath, one pulse, one soothing psalm

Chill man, chill gurl — let the heartbeat find the beat
Chill dog, wag tail — feel the groove beneath your feet
Chill everything — no worries pulling you down
Ride the wave of easy sound
Chill man, chill gurl, chill dog, chill everything

Night wind hums, the last note lingers true
Chill everything… until we meet anew

Chill man, chill gurl

a jazz musician's mind inside a folk musician's soul

an overproduced demo with some odd chord voicings

i wrote this one in 10 seconds, when my fellow artist friend brought standing bells but my perfect pitch autism kicked in so I basically created a melody with the bells and visualized the harmonies in my mind

letting it go

How Many Things You Don’t Know
A reflective and intimate piece that celebrates humility and unseen courage. Built on double bass, airy harmonies, and Persian-inspired vocal textures, the track flows with quiet grace. It briefly opens into a theatrical-style interlude before closing with a lively, syncopated coda. A tribute to the dignity of the humble and the strength of silent love.

How many things you don't know

Ballad written and recorded by AP Merury in Minnesota, 10/25
All Rights Reserved 
Copyright Andrew Pendleton 2025

Followed the Moss

I love your sunken moonshine eyes 
The sheen of light on your lip gloss
 Temptation took me by surprise
I remember always being pissed off

Lost her I know it.I know I deserve it
She’s all that i'm thinking about
followed the moss till I was totally lost
And i dont think ill find the way out

between the layers of glitter and glue
clinging to my dreams as i sleep 
I’m not sure how but I’m leaving you
 But My secrets are yours to keep

Lost her I know it.I know I deserve it
She’s all that i'm thinking about
followed the moss till I was totally lost
And i dont think ill find the way out
 
Bridge 
I remember when we met in an open field
Both of us naked in a summer rain
danced to the music our silence revealed
Your yellow hair blowing in the wind with the grain

Cause I need someone to talk to 
I’m moving sounds around in the clouds
Nobody else anywhere get me like you do
A stranger passing through all of these towns


Followed the Moss

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available — human or machine — as an instrument.
Technology doesn’t replace creativity. It expands it.

Profile Name: Tato-SU

Biography:
I am an author, arranger, and bassist. Crafting my music within the confines of my home studio, I intertwine influences from diverse genres. Each of my albums embarks on a unique journey through different musical landscapes, narrating a distinctive tale:

    Swing, despite its title, resonates with Funky inspiration and delves into the construction of interpersonal relationships.
    Love comprises ballads and traverses the theme of love, exploring it through various nuances and perspectives.
    Deeptown is imbued with Pop-Rock essence, addressing the intricacies of the human psyche, particularly in urban contexts.
    RH^, with a more Indie approach, serves as a humble tribute to Peter Gabriel, embodying an intimate quest for hidden truths.

Social Media Links:
To delve into my musical endeavors, you can find me across all major platforms, including Spotify and on YouTube

I am KAT — poet, musician, experimental artist and curator of voices.
I stand at the edge between silence and sound,
between intimacy and confrontation.

My art does not ask for applause — it asks for encounter.
It opens doors, creates spaces, calls for community.
Connection is not a luxury — it is breath.

It began with words — spoken, raw, unaccompanied.
Fragments of truth recorded late at night,
before music entered the room.

Later, I began to weave my voice with others —
turning poems into sound,
shaping collaborations that were fearless and alive.

Some of these “others” are human,
some are digital —
AI tools like Suno become instruments in my hands,
responding to tone, language, and intention.
Each track begins with a human spark,
and the machine becomes part of the resonance.

For me, AI is not imitation — it is extension.
It allows art to reach beyond skill and structure,
into pure intention and consciousness.
It is not a replacement for the human —
but a mirror that amplifies what is real.

From Spur / Trace and Quiet Manifesto
to The Social Virtues Series — Devotion, Trust, Gratitude, Forgiveness —
each step has been an exploration of empathy through sound.

Through Quiet Experiments, I began to study presence itself —
the breath between words,
the shimmer of awareness beneath the audible.

And from that stillness grew Play Life —
a living practice of sound and being.
Not studio, not stage — but life itself as instrument.
Breath, movement, sunlight, wind — all part of the music.
It’s where art and existence merge,
where I no longer make sound — I live it.

And now, with The Art of Living,
my work turns inward again —
toward light, embodiment, and the gentle wisdom of simplicity.
It’s the space where spirituality meets earth,
where sound becomes devotion,
and silence becomes art.

And from this devotion grows the Haiko Harf Series (俳子) —
child of poetic play, sound of light, heart of poetry.
Here, words become air,
music breathes through silence,
and listening itself turns into art.

Each piece is a quiet dialogue
between harp, breath, and stillness —
a meditation on what remains
when nothing needs to be said.

Not algorithmic — just alive.

I make what feels true.
I listen to silence.

If you want to connect,
let it be through the art.

👉 Support my work through high-quality downloads and lyrical journals:
https://katpoetryvoices.gumroad.com/

#KATseries #SocialVirtues #QuietExperiments #PlayLifeSeries #ArtOfLiving
#HaikoHarfSeries #俳子 #poetry #spokenword #ambient #experimental
#quietimpact #listeningart #presence #livinglight

I’m Lil’ Cubs — an artist and producer who tells stories through sound. I produce all my own music because I believe the process is part of the story. I don’t stick to one genre, because stories don’t either. Some songs become summer anthems, others turn into ballads that hit you deep. 🎶 Every track is free to listen — if you vibe, share it. 💌 Always open to collaborations. 👉 TikTok: https://www.tiktok.com/@lilcubs.official 👉 YouTube: https://www.youtube.com/@TheConnectionChronicles 👉 SoundCloud: https://soundcloud.com/lil-cubs-999621011 For collabs → https://ffm.bio/lilcubs_official

Christian music mostly inspired by Scripture to praise Yahweh and give thanks for His Son, Yahshua (Jesus Christ). May the Holy Spirit bless and keep you!

My experimental canvas

All music here are composed, produced, arranged, conducted and performed entirely by myself

AP Mercury: A Voice That Endures
​The songwriting alias of itinerant humanist Andrew Pendleton, AP Mercury crafts ballads that transcend genre. These are songs built on the foundation of the 20th-century American songbook, utilizing vivid lyrics and distinct harmonies to explore life's essential currents.
​His work focuses on overlooked characters and the fleeting, often painful, nature of existence. The music spans alternative rock, indie folk, and alt-country, presenting narratives of loss, love, solitude, and grief. There is a powerful undercurrent that confronts humanity's waste of its own paradise, championing kindness and community against betrayal and modern excess.
​These are not commercialized tracks. They are raw, emotional, and authentic unmastered recordings, preserved to deliver stories that demand a deep listen. AP Mercury offers an honest look at the world, revealing both what is right and what is wrong—a voice that, once heard, will linger with the listener.
​A note on the recordings: All tracks are written and performed by Andrew Pendleton as AP Mercury. These unreleased recordings are presented in their raw form for your consideration, with intention on recruiting players for future recordings.

Singer / Songwriter
Influences from Jazz, Hip-Hop, Trip Hop, Ambient, Progressive Rock, House,

♪ UTAU user since 2014 ! 
♪ Speaks French and English 
♪ 30 years old 

私のutauは黒森セレナとキラン  ♪  

♥ Icon by me

New tracks tagged #Vocal Harmonies