Racing through tunnels of light and danger. A journey where love hangs on every turn and the destination may not be safe but it’s worth the ride.

Lyrics :

Engines purr like silent cats.
Shinjuku lights burn neon flats.
Ginza curves bite sharp at speed.
Shibuya screams, the tires bleed (SKRRRHHH!)

Nani?! the sirens flash too late.
Kuso, we’re flying past the gate.
Akihabara’s glass explodes in glow.
Yoyogi wind cuts ice and snow (WHSSHHHH!)

Boost kicks in at Harajuku’s bend.
Kaneda’s ghost rides till the end.
Chrome snakes race through midnight air.
Kanda bridge hums, we don’t care (WUB-WUB-WUB!)

Ginza backstreets hide our trail.
Ikebukuro bends won’t fail.
Midnight Express, the city’s mine.
Tokyo roars past every sign (VRRRROOOOAAAARRR!)

Midnight_Express

Midnight Express

Some things don’t need fixing—just feeling.
Broken by EDM Fields blends hypnotic deep house beats, soulful female vocals, and atmospheric electronic layers into an emotional journey through sound. Dark, moody, and reflective—this track is made for late-night drives, intimate playlists, and deep internal moments.

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EDM Fields 𝅘𝅥𝅮 - Broken

"What You Want" is an upbeat vocal electronic dance track with festival energy, fun lyrics, and an irresistible beat. Perfect for EDM festivals, party playlists, and anyone who loves high-energy house, dance-pop, and electronic anthems.

Jay Hertz - What You Want (Alaskan Rhino Remix)

🔥 WRONG MOVE – the EDM album that turns heartbreak into a super-nova.
From the first ghostly pad to the final, sky-splitting drop, every track is a confession soaked in reverb and regret.

🎤 Power-house vocals glide over razor-edged bass, whispering secrets then roaring truths you were too scared to say out loud.

🖤 Expect tears in the rave—each chorus feels like texting your ex at 3 a.m. but having the courage to hit delete instead of send.

💥 Wrong move? Maybe. But this is the soundtrack to owning the mistake and dancing right through it.

#WrongMoveAlbum #MelodicBassFeels #CryInTheClub #EDMHeartbreak #VocalAnthem #FutureBassTherapy #BassAndTears #EmoEDM

Apple Music

Letting Go Easy

One Wrong Move

On a Wire

Enjoy this track. Its an old vocal from my collection mixed with an eve older song from the 90's. Enjoy. 

Goodbye until then Ayla

FLOORQUAKE – Original Mix (EDM / Big Room)
Un pezzo nato per il mainstage: intro cinematica, tensione che sale e un drop massivo con supersaw e bassi pompati. Se ami l’energia dei festival e i banger da palco, questo è per te.

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Floorquake

MAKE IT THUNDER – ‪@BorgoDJ‬ 
Un drop da festival e un build-up che esplode come un temporale. “Make It Thunder” è un brano EDM/Big Room pensato per palco e cuffie: kick potente, lead incisivi e atmosfere elettriche

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Info brano
Genere: EDM / Big Room
Mood: Energetico, tempestoso, cinematografico
Per fan di: festival bangers, build-up epici, drop aggressivi

Make it Thunder

“Fire Tonight” è un brano EDM/big room ad alto impatto: cassa 4/4, supersaw ampia, drop pompato e cori da stadio. Visual ispirato a luci di città, fasci di stage e scintille: perfetto per playlist festival e workout.

Fire Tonight

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Welcome to EDM Fields — your home for the finest underground EDM.

We bring you the best of EDM, including techno, trance, dance, house, and more — all carefully curated to keep you moving and inspired. Whether you’re a dedicated fan or just discovering the scene, EDM Fields offers immersive soundscapes and visuals that capture the true spirit of underground electronic music.

Dive into a wide spectrum of styles — from deep basslines and hypnotic rhythms to melodic journeys and energetic dancefloor anthems. Our goal is to create a space where music lovers can connect, vibe, and experience the pulse of underground EDM culture.

Subscribe and join a global community passionate about the future of EDM. Let’s explore the rhythm together.

Figlio della musica dance e progressive anni 90, da dj dilettante mi piace creare nuove tracce musicali o remixare brani originali di mio fratello Davide cantautore.

Tokyo_Nights is a masked trio from Tokyo, shrouded in mystery and wrapped in neon shadows. Multi-instrumentalists with roots deep in the city’s electric veins, they translate Tokyo’s sleepless nights into cinematic EDM landscapes. Their sound fuses the high-energy pulse of kawaii beats with the soulful breath of traditional Japanese instruments most notably the shakuhachi flute morphed into a futuristic, almost cybernetic voice.
Always masked, their identities remain unknown. We do not know who is the man and who is the woman—only that their chemistry is undeniable. Each performance is an open-air movie, their music unfolding like scenes lit by street lamps, billboards, and the moon. Perfection for them is found in imperfection: glitchy textures, recycled sounds from daily life, scratches and distortion, all played with absolute precision. They are the soundtrack of a generation born into a world of perfect production, now chasing the beauty of the imperfect.

Who Am I?

I grew up in Ballymun, Dublin, back in the 80s. Before I ever set foot in a rave, I was a full-on rocker, blasting 80s rock music day and night. Then came the 90s—and everything changed. My first rave was at the Mansion House, and it flipped my world upside down.

I left that night humming two tracks I’d never forget: Rozalla – Everybody’s Free and 2 Unlimited – Get Ready for This. I was hooked. So hooked, in fact, that I walked straight to Abbey Discs on Abbey Street at 4 a.m. and queued until it opened (yeah, I know—bit of a weirdo). You’d swear it was the Christmas sales or I was queuing for one of those free holidays from Budget Travel.

That morning, I bought my first vinyl records—despite not owning a turntable. All I had was a tape deck. For the next year, I kept buying vinyl with no way to play it, until I finally got my hands on a second-hand mixer and turntable setup (nothing fancy—definitely not Technics).

While in college on Cathal Brugha Street, I kept raving—mainly in Sides DC. In 1993, I moved to Jersey and got my shot as a DJ at Raffles Nightclub. The only mixing I was familiar with at the time was flour, butter, and eggs for pastry. I flopped hard on my first night—and many nights after. But I kept at it. I worked six nights a week between the lights and decks, learning every step of the way.

Eventually, I came back to Ireland and settled in Ennis, where things really took off. I landed the big nights at The Queens Hotel nightclub and then Central Park. Life became a grind: 50–60 hours a week in a restaurant and 4–5 nights behind the decks. I stayed with The Queens Hotel nightclub for 20 years until I finally decided it was time to hang up the headphones. The long hours and late nights had taken their toll—I was done.

But the music bug never really left me. Over the years, I collected studio gear, planning to start making my own tracks. I dived into YouTube tutorials and music production books, teaching myself everything I could.

Then came COVID. Like many, I had a rough time. I had a serious talk with myself—what was I doing? If something happened to me, all this studio gear gathering dust would go to waste. So I made a decision: drop some weight, get healthy, and get back into music production.

Now? I'm back. Making tunes, loving the process, and reconnecting with the passion that’s been part of me for decades.

That me.

I make electronic music that blends upbeat energy, chill vibes, and experimental sounds. From dance floors to daydreams, my tracks are made to move you and take you somewhere unexpected.

New tracks tagged #VocalEDM