La serenata in Sol maggiore K 525, universalmente nota come Eine kleine Nachtmusik ("Piccola serenata notturna"), è un notturno per archi scritto da Wolfgang Amadeus Mozart nel 1787.  Si tratta di uno dei notturni orchestrali più celebri, di struttura relativamente semplice, ma ricca di idee portate avanti con grande leggerezza e continuità, che Mozart scrisse fra il 1º e il 10 agosto 1787, poco prima di partire per Praga e subito dopo aver composto un'altra celebre pagina: Ein musikalischer Spaß 

W.A. Mozart - Eine Kleine Nachtmusik (Alessandro Capoccia Rmx 2024)

W.A. Mozart: 1. Allegro. Mvt1 of Pianotrio No.4 in E Major. K542. Transcribed for two pianos by VV Jan 29, 2025. 
- A reading into a sequence generated by H.Fesefeldt (1942-2019, a German nuclear researcher & music software developer was used as source material, but  modified on its articulations, dynamics etc by VV, before recording it on a pair of Bösendorfer 280 modeled grand pianos, revoiced & reconfigured, as wellas its rec setup done by VV.
Photo by VV.
About the work:
The Piano Trio No. 4 in E major, K. 542, was written by Wolfgang Amadeus Mozart in 1788.[1][2] It is scored for piano, violin and cello. It's the only multi-movement composition by Mozart in the key of E major.
Movements
The work is in three movement form:
1. Allegro
2. Andante grazioso
3. Allegro

W.A. Mozart: 1. Allegro - mvt1 of Pianotrio No.4 in E Major. K542. Transcribed for two pianos

Mozart Andante grazioso. Mvt2 of Pianotrio E Major K542. Transcribed for two pianos by VV Jan 30, 2024.
- A reading into a sequence by H.Fesefeldt ca.2010's was used as source material for this recording, on which a pair of Bösendorfer 280 modeled grand pianos were used for its recording, after its review, and 'slight' rewriting  of its articulations, dynamics, and some other details 'ad libitum' ...(indeed...👀) by VV. The instruments were revoiced & reconfigured, as well as the rec setup  done by VV.
Photo by VV.

Mozart: Andante grazioso -mvt2 of Pianotrio in E Major. K.542. Transcribed for two pianos

W.A Mozart: III. Allegro. mvt3 ofPianotrio  E maj. K.542. Read & Transcribed for 2 pianos by VV  Jan31 - Feb 2, 2025.2025. 
A pair of Bösendorfer modeled grand pianos, revoiced & reconfigured by VV were used on recording, as well as was done  its rec. setup. - A reading into a sequence by H.Fesefeldt (1942-2019, a German nuclear physics researcher & music software developer) ca 2010's was used a source material, but reviewed and rewritten on its articulations, dynamics, and other interpretational details before recording it in a manner depicted here.
Photo by VV 2016
Any kind of cpmmercial use of this track is prohibited.
About the work:
The Piano Trio No. 4 in E major, K. 542, was written by Wolfgang Amadeus Mozart in 1788.[1][2] It is scored for piano, violin and cello. It's the only multi-movement composition by Mozart in the key of E major.
Movements
The work is in three movement form:
1. Allegro
2. Andante grazioso
3. Allegro

W.A Mozart: III. Allegro. Mvt3 of Pianotrio in  E Major. K.542.Transcrbed for two pianos

Visionary, Author, Composer, Producer, DJ.

My warmest thanks to everyone stopping by for listening to my tracks, the most of the representing a  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and in addition to them, also to a minor but growing  LISTS of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music, & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

New tracks tagged #W.A. mozart