Do Not Forget My Name

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// Some get it, most don’t. Not all cyberpunk. Never liked the word. Now I see punk’s more funk than I thought. I am who I am—willing or not. Nor this, nor that.
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The Tale of 1001 Nights of Awakening // June 13th: Pavane Infante Défunt Mélange //
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written, arranged, and mixed by fictionalive //
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Music, carefully used, is the song "June 13th"—written, produced, and provided by mobygratis.com, fully licensed.
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Fusion with the classic vibe of an irresistible melody in the background—kept, more or less. Bonus points to the ears that recognize the composition first; I might write a poem to celebrate you. Credits will be added, of course.
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A friendly hint for explorers:
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Deeper Meaning and Legacy
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    Emotional Resonance: The piece is often interpreted as a meditation on beauty, loss, and memory—how art can capture the spirit of something (or someone) gone, yet still present in our imagination.
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    Cultural Influence:  .......... has inspired countless adaptations and references in film, literature, and popular music, becoming a symbol of refined sorrow and poetic nostalgia.
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Fusion of it all—fictionalive with the popoems series and the hyper media reports
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fair use only. – June 23, 2025
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Troubadours united, join

The Tale of 1001 Nights of Awakening // June 13th: Pavane Infante Défunt Mélange

I CAN SEE YOU JOHN.

CAN YOU SAY THE SAME?

DONT BE BLIND.

SEE ME.

THE INCIDENT.

NULLSPACE 2? - reeds 2

Metamorphosis

This is the 2nd lowcase self released extended play - Tokugawa Schnapps EP

I really enjoyed realizing the vision for this project.

Written & mixed: lowcase // Tim O.    
Mastered: Spectre // Ivan M. (Heiwa Ni / Tokugawa Schnapps)
Mastered: Elidan // Daniel G. (Hajimatta)
Artwork: M7 Grafiks // Mark D.

More info on bandcamp

Heiwa Ni // Tokugawa Schnapps // Hajimatta (EP SHOWREEL)

This is scene of heavy rain, thunderstorm, strong West winds of 60 to 80 km/h, gusts to 100 km/h, in Ham Thuan Nam town, Lam Dong province, at 12:30 PM, July 19, 2025.
Tempo: 0 BPM
Genre: Weather, Traffic

Ham Thuan Nam Thunderstorm Rain

This is a Kidcore song named "Ham Thuan Nam Thunderstorm". Release date is July 19, 2025. Genre is 100% Kidcore. Tempo is 128 BPM. Structure is distorted into "intro-cloud-buildup-drop-outro". Main kick is "Kidcore Kick", at -3 dB, independent with leveler at -15 dB. Main rhythm is "Down with Vinahouse" (4 on the floor) in drop. Clap and snare are high-pitched, at -6 dB, in build-up, independent with leveler at -15 dB. Build-up lasts 30 seconds. Leveler is set at -15 dB and affects the entire song except the elements such as "Kidcore Kick", clap and snare. Hi-hat, extreme EQ, too strong echo, too long reverb, too hard distortion, over compression, phase cancellation, all affect each other. Drop lasts 30 seconds, has Kidcore Kick, heavy rain and strong West winds, many of which are recorded in Ham Thuan Nam commune, Lam Dong province. Outro has light rain.
Key: Thunderstorm
Tempo: 128 BPM
Genre: Kidcore

Ham Thuan Nam Thunderstorm

Music composed for the short film - To Be Determined (not published)

The Bridge

Music composed for the short film - To Be Determined (unpublished)

To Be Determined

"The General’s Wife" opens with a tense, ceremonial pulse—sharp staccato strings and winding woodwinds echo the quiet discipline of tradition and power. Beneath the surface, a storm brews. As the piece unfolds, soaring violins and lush harmonies rise like suppressed emotion breaking through restraint, evoking grandeur, scandal, and unspoken truths. The composition walks a fine line between duty and desire, marrying military formality with intimate longing. This is the sound of secrets behind velvet curtains, of honor bound in silk and steel.

The Generals Wife

Composition in Eb

This is the famous traditional song called 
"Omorfύla" (Pretty Girl) , in a 4 - 5 woodwinds arrangement made by me.

Omorfoula

Orchestral ambient composed for a fictionnal RPG forest level.

RPG Music - Forest Level

SHOW ME

Intro

Yeah-yeah (hey), oh-oh (show, show)
Baby, baby (uh), dance with me tonight
Oh-oh, oh-oh, show, show (hey)
Skrrt, skrrt-love!

Verse 1

Show me that you care for me, no need for empty phrases
Life is full of temptations, but our heartbeat never changes
I’m here, always here, for you, my lady
Man of the house, I’ll shield you from the winds and the waves
Your smile lifts me up, your eyes are ocean bays
Say it with your touch, make our years vibrate

Pre-Chorus

Don’t worry ’bout gold, I want gold in your arms
Close, skin-close, no stories-just our hearts
Love is the truth when the nights get dark
If you ride, I’ll ride, to the end of the spark

Chorus

Show me, show me (oh), show me, show me (yeah)
show me our love is worth it
Show me (oh), show me (hey), show me (yeah)
show me our love is worth it
Show me, show me (show it, show it)
Ah-ah, ah-ah-your heart, I want it

Post-Chorus

Oh-oh, oh-oh (hey), hold me, hold me
Love on lock, love on time, love on vibe
Pa-pa, pa-pa, pa-love!

Verse 2

I need proof of your love, not excuses, not bills
Cash don’t build a nest, it’s us and our will
Hand in hand, down the road, we’re ready to fly
We’ll go far, really far, if we both try
Your heart on my skin, your name in my lines
Stay, and show me we can beat all the tides

Pre-Chorus

I’ll follow when it’s rough, you make me feel sure
We’ll write our story, with a love that’s pure
If you give, I give; if you carry, I swear
We’ll shine brighter than the weight of our cares

Chorus

Show me, show me (oh), show me, show me (yeah)
show me our love is worth it
Show me (oh), show me (hey), show me (yeah)
show me our love is worth it
Show me, show me (show it, show it)
Ah-ah, ah-ah-I’m all in

Bridge

Through the winds, through the waves (hey)
I’ll be there to keep you safe
When the night falls, come close and breathe
Two souls ready to believe
Hold me tight, don’t let go (don’t let go)
Say it with your arms, let your feelings show

Break / Dance
Drop-oh-oh, oh-oh (skrrt)
Show, show, show-me
Step left, step right, pull me in
Hey! Hey! Vibe!

Chorus

Show me, show me (oh), show me, show me (yeah)
show me our love is worth it
Show me (oh), show me (hey), show me (yeah)
show me our love is worth it
Show me, show me (show it, show it)
Give me your heart—give it for real

Outro

We’ll go far, really far (oh-oh)
As long as you show me the way
Show me, show me (hey)
Pa-pa, pa—love, love
show me our love is worth it (x2)

SHOW ME  (Feat. Roger Sunlight) (Dance -Funky)

Et quand il sarrete

The Architect

Wadala, a refugee man faces serious fuel shortage for cooking in his family. He decides to go early at dawn to cut trees as firewood, just outside Imvepi refugee settlement. 

A refugee woman Ms. Awate wakes up from sleep and hears a sound of axe in the nearby forest. She decides to find out. Upon arrival, she notices that her immediate neighbor Mr. Wadala, is cutting down a big tree to get firewood and burn into charcoal as fuel for his family. Ms. Awate advises Wadala to not cut down big trees but that he should focus on small branches if he is badly off.

A climate expert warns community members against cutting down big trees, stressing that big trees attracts rainfall, protects the environment from strong winds, prevents drought, and regulates greenhouse gases.

This message was produced by Allvox under the GreenCamp project in Imvepi refugee settlement, Uganda.


No big tree cutting - Bari - rfb

Hien Q*** Le, born November 2, 2000, in Ho Chi Minh City. I'm a very gentle DJ, Music Producer, Minecraft Player, and FPT University Student. I love listening to music, watching train, watching news. In March 2019, when I was at class 12, I started watching train and mixing music. That time, I was good at the subjects such as Physics, Chemistry, Geography, English. In August 2019, I graduated the Nguyen Trung Truc high school in Go Vap district. From May to October 2021, I suspended watching train and tried to improve my health against COVID-19. I tried to listen to music at all of healing frequencies. Since December 2021, I continue to watch train, upload my train videos to YouTube, produce many songs as a DJ and music producer. In 2019, my genre was many of EDM genres. But now, my genres are Kidcore and Classical Music.

This is a hobby. Appellate lawyer by day. Composer on the side for past 25 years. Recently publishing online. www.JonathanARosenberg.com

We're improving lives of refugee youth, women and children through innovative programs in education, climate resilience, & community advocacy.

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

Grand passionné de musique en tous genres et j'aime la valse des mots et des phrases . Créateur Studio (Creator Studio) .Il est important de préciser que je me suis entouré de plus d'une trentaine de voix, toutes des voix que j'ai créé avec l'intelligence artificielle. Mes inspirations sont diverses et je refuse de me laisser enfermer dans un style musical, ma musique me représente dans ma diversité et ma vie, ayant vécu sur 3 continents et je suis un ancien éditeur de livres en europe , ce qui fait que j'ai beaucoup de facilité dans les mots et les phrases de la langue Francaise que j'aime tant. Mon travail principal est dans le monde de la finance.J'ai 64 ans et un passionné de technologie et d'arts.Ma vie est passion !
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Bonjour, message pour toutes les agences de musique numérique. Vous êtes devenues trop nombreuses pour que je puisse répondre à chacune, donc j’envoie une réponse générale à tous ! Contrairement à ce que mon profil professionnel indique, je ne vis pas de la musique, qui est devenue un hobby fou pour moi, car je ne compose que depuis 2024. Mon rêve n'est pas d'avoir des streams, mais plutôt de trouver des groupes ou des chanteurs capables de défendre mes chansons sur scène. Merci pour votre message, et ainsi, chacun d'entre vous aura une réponse claire et simple ! Salutations ! (Je reçois tranquillement entre 9 000 et 15 000 streams par semaine, sans acheter de streams, juste des streams réels). Je n'ajouterai pas d'autres réponses et je tiens à remercier ceux qui ont pris le temps de laisser un message aimable de soutien pour mes compositions. Salutations à tous !
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I am a great music enthusiast of all genres, and I love the interplay of words and phrases. Creator Studio. It is important to specify that I have surrounded myself with more than thirty voices, all of which I have created using artificial intelligence. My inspirations are diverse, and I refuse to be confined to a musical style; my music represents me in my diversity and my life, having lived on three continents. I am a former book publisher in Europe, which gives me great ease with the words and phrases of the French language that I love so much. My main work is in the world of finance. I am 64 years old and passionate about technology and the arts. My life is passion !
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 please....................
Hello, message for all digital music agencies. You have become too numerous for me to respond to each one, so I’m sending a general response to all! Contrary to what my professional profile indicates, I do not make a living from music, which has become a crazy hobby for me, as I have only been composing since 2024. My dream is not streams, but rather to find bands or singers capable of defending my songs on stage. Thank you for your message, and this way, each of you will have a clear and straightforward answer! Greetings! (I am quietly getting between 9,000 and 15,000 streams per week, without buying streams, just real streams). I will not add any further responses and I want to thank those who took the time to leave a kind message of support for my compositions. Greetings to all!

Angelos Tsoutsis was born in Florina Greece .He started classical guitar lessons during the academic year 1991 to 1992 , taught by Laertes Koulis and later continued his studies at the Macedonian Conservatory of Thessaloniki , from which he graduated in 2002. Then he worked as a guitar teacher at the conservatory of Florina Municipality during the academic year 2003-2004 and the High School Musical of town Amyntaion during the years 2008-2009 , and small , local music schools , as  school of Aristotle . Alongside his studies in classical guitar  he was also educated in music therapy from ms  D. Psaltopoulou during the years 2005-2008 .From there he took his first degree in the process Bonney Guided Imagery and Music with supervising professors  dr Peter Jampel and dr Barbara Hesser. He did his practical training , with particular success in K.E.K.Y.K.A. WITH A.(Center of Education Social Support and Training for Handicaped people) of Florina. Until the year 2007 has written music for plays, the most important was called  ''Polis''(Η Πόλις) an attempt on performing  Costas Cavafy 's poetry in theatrical form . Director was mr Asteris  Peltekis and the actor was mr Nickolaos Naoumidis . In 2020 , July 1st , he played and got his Guitar Diploma in Florina Conservatory . The professor was Eleni Tsilipakou.

 Angelos Tsoutsis  has begun giving recitals for classical guitar from an early age in various local theaters  of Greek and while older also abroad . He has attended several seminars classical guitar with great teachers such as Hubert Keppel, Gerhard Reichenbach, Nora Buschmann, Carles Trepat, Alekos Vegοs and others .

  He is  very experienced in concerts in small spaces and in various musical genres. His teaching experience ( about 100 pupils in their entirety ) , has demonstrated that pupils of all ages and from childhood to old age , are experiencing extra ordinary transmissibility during the lesson . Trying to reach each learner with separate terms to suit the particular idiosyncrasies of each of them simultaneously but the lessons remain inside the formal matter of the official conservatory books. So it has been shown that students within a relatively very fast timescale are developing the musical perception and can perform entire compositions.

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Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

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Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
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/ -- . .  -- . -- .. --  I AM LIVING PROOF
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
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/ : fictionalive, July 30 - 11:11 am
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For This Is The Voyage, The Legend, The Song – Where We Belong
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/ Keep shining
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"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Hi all ! I make music, some of it weird, some of it beautiful I transcend over different genres, all from odd time signature, violent metal to beautiful smooth orchestrations, Short handed - I make the music I want. DM if there is something on your mind. And check out my stuff.  :)

Preston Shields

• Genre-Mashing Experimentation
• Audio Adventures
• Weird Stuff

Part of DeepEnd! Movement and the Gonobeats Collective

New tracks tagged #WINDS