This track is a product of artists' need to go into the light from darkness and to certainty from chaos.

Lore: The wutang clan members refer to them as killabees because they characterize themselves as protectors of their kind and lyrical killers. The tongue is a weapon in the Wu world. The artist builds up on that as he explores his own place in the rap world.

None of your beezwax - ntrix prod. by V3dha

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tags:
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#rapbeats
#rapinstrumentals
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GANGSTA OLDSCHOOL x BOOM BAP x TRAP TYPE BEAT "BATTLE"

THEY REMINISCE OVER YOU - PETE ROCK & CL SMOOTH
PAID IN FULL - ERIC B & RAKIM
TO HARD FOR THE RADIO - MAC DRE
SLAM - ONYX
BRING THE PAIN - METHODMAN
93 TILL infinity - SOULS OF MISCHIEF
REBELMUSIC OUTRO - BOB MARLEY

BIG HAPPY's RAP SLAPS VOL. 1

Ghostface Killah - Mighty Healthy  (ozner remix)

Wu-Tang Clan - Triumph (Mr. P Remix)

Beats

Torment

This lecture discusses key ideas from the 20th Century American science-fiction short story writer and novelist, Philip K. Dick's novel The Man In The High Castle

It focuses specifically on one of the main characters in the novel, Frank Frink who was a Jewish American soldier who has lived and worked in the Pacific States of America for the last 15 years. The novel begins with him in a crisis due to being fired from the W-M Corporation, where he fabricates fake Americana artifacts.  Frank goes into business with his former foreman, Ed McCarthy, who convinces him to give a try at creative jewelry work.

To support my ongoing work, go to my Patreon site - www.patreon.com/sadler

If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM

You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler

You can get a copy of Man In The High Castle here - https://amzn.to/45yJ2ie

Philip Dick, Man In The High Castle - Frank Frink, Maker Of Fakes And The New - Sadler's Lectures

1. TILL DEATH DO US PART - CYPRESS HILL
2. LIVING IN THE WORLD - GZA
3. STATIK - JERU
4. ONE LOVE - NAS
5. USED TO LOVE HER - COMMON
6. CHECK THE RHYME - TRIBE CALLED QUEST
7. RUNNIN - PHARCYCDE

BIG HAPPY's RAP SLAP VOL. 2

This lecture discusses key ideas from the 20th Century American science-fiction short story writer and novelist, Philip K. Dick's novel The Man In The High Castle

It focuses specifically on he new and original American jewelry produced by the Edfrank Custom Jewelry company and placed on consignment with Robert Childan's American Artistic Handcrafts, Inc. store.

Childan gives Paul Kasoura one of the pieces, and there is a very interesting exchange between the two of them. Paul asserts that Frank Frink's jewelry is without aesthetic value, particularly wabi, but possesses a higher transcendent value of wu, placed in the artifact by its maker. Paul then proposes to Robert that the pieces can be used to mass-produce a line of copies for poor people in South America, which places Robert in a crisis that demands a decision be made.

To support my ongoing work, go to my Patreon site - www.patreon.com/sadler

If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM

You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler

You can get a copy of Man In The High Castle here - https://amzn.to/45yJ2ie

Philip Dick, Man In The High Castle - Wabi, Wu, And Frank's Jewelry - Sadler's Lectures

This lecture discusses key ideas from the 20th Century American science-fiction short story writer and novelist, Philip K. Dick's novel The Man In The High Castle

It focuses specifically on the experience that Nobusuke Tagomi has when he concentrates on a piece of jewelry produced by the Edfrank company in the park, and finds himself transported to an alternate America in a world in which the Allies won the war instead of losing it. The experience allows him to recenter himself from his trauma resulting from killing the two SD Kommandos in the Nippon Times Building.

To support my ongoing work, go to my Patreon site - www.patreon.com/sadler

If you'd like to make a direct contribution, you can do so here - www.paypal.me/ReasonIO - or at BuyMeACoffee - www.buymeacoffee.com/A4quYdWoM

You can find over 3000 philosophy videos in my main YouTube channel - www.youtube.com/user/gbisadler

You can get a copy of Man In The High Castle here - https://amzn.to/45yJ2ie

Philip Dick, Man In The High Castle - Tagomi's Experience Of Alternate America - Sadler's Lectures

Episode 40: Gear up crewmates as we're taking a trip down the rabbit hole to learn all about diverging realities. In the aftermath of World War II, the United States is divided up with Germany controlling the east coast and Japan in control of the west coast. This is the backdrop for Philip K. Dick's classic, The Man in the High Castle.

Join the discussion with Escape the Earth:
email: saplescapetheearth@gmail.com
goodreads: www.goodreads.com/group/show/10939…escape-the-earth
libguide: guides.mysapl.org/ETE

The Butterfly Effect of Eating Beans

las dalias muertas

Champion Barz Feat. The Life Giving MC Prod. Butch Brownstone

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Lyrics:

Yeah, I got ‘em laughing, they keeling over, like when Kris Jenkins shot it, for Villinova, ya spot ‘em Tar Heels, all in the despair feels, the difference is that this prank is just made to make ya laugh, I mean I seen my life is a joke, a charade, they may poke fun at the one who did done no smoke, but act like he want it, mid life crisis, did give my best, I guess this is all a test, the brain pain just to sharpen me, that gotta be a fact, and lotta of me is still intact, skill in rap not cap, I flaunted though my hat collection, upon that inspection, he’s a sports fan, the don of these sorts, it a breeze to please those in shorts, tank top, hooping, my rank grouping me wit’ the top prop, but still what ill in the head’ll be the unsolved riddle, ‘til I revolved better, mental, no cheddar, go better all ya credential, it a cold world, grab yo sweater, I’m bold, hurled absurd gab word I shouldn’t have said, but I couldn’t have read, the situation, get ya station ready, ‘cause what I does they need to hear, feed the ear all this candy, steady trying to fix my life like Handy Manny, the plan be to abort in short all the risks I takes, while style standing, on the smile for you that I be landing, just gaffing, see how ya bust out laughing, the vow I take to make it better, all this brain pain I maintain one day I’ll not be still, got the real message here? I’m serving my blurbing, the expressage clear? The nerve in ya puterbing me, play me like a harp one mo’ time, I’m done wit’ yo scheme, put the tarp on ye, field ya wield on my train of thought, rent free, no mo’ will I yield, from stopping, the gain I got is topping, ya scent be flopping, I can smell the fake, so I befriend based on the cased of how well they bake, The End.

RZA Guitar Center Freestyle (Lyrics In Description!) (Instagram: therealahype)

Mf Czar - Czarface  - Organized Chaos Drum & Bass remix

ohamiri - slime ur goat (prod drumma + wu + biesu)[esjaja exclusive]

Credits: XZARKHAN, Sadzilla, Vitamjn, qonran, KiLLa Laharl, ROMĪKURO, Vitamjn, DXMO, Diko5, Undagroundmane, Karayxn, DMP, B-Train, G.R.I.M.M, Gothboybrooks, Lilmaziijugg, PiNKII and many many more

There is no more talking. Want a feature Dm me

DJ RebelMusic510 
Thank You for Checking Out my page. 
 SPINNING- REGGAE, DUB, DEEP HOUSE, TECH HOUSE, HOUSE, DANCEHALL, GOLDEN ERA HIP HOP, ELECTRONIC, & OTHER EDM.
BLESSED WITH THE EAR FOR MUSIC. I CAME INTO THIS WORLD WHEN HIP-HOP WAS BORN. EVEN THOUGH I LISTENED TO MANY TYPES OF MUSIC, I LIVE WITH HIP-HOP EVERYDAY. I GREW UP WITH MUSIC PLAYING IN MY HOUSE ALL THE TIME. MY PARENTS PLAYED FUNK, SOUL, CLASSIC ROCK DISCO AND OLDIES. PARTYING WAS THE NORM. 
WHEN THE BREAK DANCING ERA WAS OVER, HOUSE MUSIC CAUGHT MY ATTENTION. IT HAD SOME OF THAT BEAT BOY STYLE FROM HIP-HOP AND THE PARTIES FUN. 
IN MY EARLY YEARS AS A TEENAGER. 13. I WAS FOND OF THE POT CULTURE. ONE DAY I SAW THIS CASSETTE TAPE WITH THIS DREAD-LOCK MAN IN A FIELD OF WEED. I HAD TO GET IT. NOT EVEN KNOWING WHAT KIND OF MUSIC WAS EVEN ON THE TAPE. SOMETIME LATER, ONE NIGHT, I PUT THE TAPE IN THE DECK, WHICH I DID WHEN I WOULD SLEEP AS A KID. THE SOUNDS THAT CAME OUT MY BEAT BOX WERE THE MOST BEAUTIFUL MUSIC THAT I  HAD EVER HEARD. THE BASS. THE RHYTHM. THE VOICE AND ESPECIALLY THE REALNESS IN HIS VOICE. THAT MUSIC WAS ROOTS REGGAE AND THE ARTIST WAS PETER TOSH. 'THE LEGALIZE IT' ALBUM. I WAS SPRUNG ON REGGAE EVER SINCE.  

“THE MUSIC IS THE MESSAGE AND THE MESSAGE IS IN THE MUSIC” Rocky Bailey.  
 
Believe What You Want to Believe. One Thing for Sure. Jah Love Is Real.

Much love to all artists in my mixes. Thank you for all the great vibes. PEACE, LOVE, & MUSIC! 
REBELMUSIC510

The San Antonio Public Library changes lives through information, imagination, and ideas… and podcasts!  Join the San Antonio Public Library Tuned In crew as they share and reveal some of the inner workings of the library, highlight the many features and programs on offer, and discuss topics which are important in the library world… like eReaders, public services, books, tacos, and more.
We want your feedback. Feel free to contact us at the email address below. We're always interested in what you have to say, or in any ideas you may have for the podcast. Thank you.

I'm that YouTube Philosophy Guy! Find more than 3,000 videos in my main channel.  Support my video and podcast work!  https://www.patreon.com/sadler or https://www.buymeacoffee.com/A4quYdWoM

Learn more about this podcast channel - https://youtu.be/qRvL0gqlyrw and https://gregorybsadler.substack.com/p/the-sadlers-lectures-podcast

Due to popular demand - and with the work underwritten by my Patreon supporters - I have been converting my videos into MP3 files listeners can listen to anywhere they want!

I have a second podcast, Mind & Desire, publishing original episodes on a variety of topics in philosophy, which you can find here - https://gregorybsadler.substack.com/podcast

Formerly under the name AMP3RIAL, I'm a die-hard Drum & Bass fan/DJ/Producer. I was first turned on to DnB in 1997 and had already been dabbling in music creation, so from 97 - 2002 or so I spent my weekends bouncing to and from any club (and until dawn any rave lol) that would let the sonic boom of Drum & Bass be played, which in the late 90's/early 2000's Detroit was a VERY polarized (pretty much still is) Techno/House hub... Though since about 2001/2002 I finally started building my home studio and since then I've dedicated myself to the craft of DnB production. I'll get back on the live decks soon and shock everyone in tha D ;)

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New tracks tagged #Wu