We are not on hold

Expression musicale (Electro et instrumentale), à proximité d'une planète mystérieuse.

MyriaMoon

MyriaMoon (Electro, Bamboo Sax, Harp)

Sun blazes down on sand so bright and bare,</text>
Flesh mountains rise where limbs should simply be,</text>
Brazil's soul found in forms so stark and rare.</text>
  
  From forest deep where shadows creep and sway,</text>
A hero born without a scorn for sin,</text>
  Brazilian soul whose stories never gray.</text>

Macunaima Abapuru .exe

Palavras sintetizadas desarmonizadas descoladas no amago o som do mini sax é tao estar

O som do mini sax

Vercicle Rude

Le sondier est au café. 
Electro, Derbouka, guimbarde voix, xaphoon....
Oeuvre sans refrain

Le caféinomane (Electro Derbouka)

Mysterious ringing

Here's an original track called 'A Message for Zawinul' played on Xaphoon.



A Message for Zawinul

Imagination

Music is life

FinnishLotusFolk doing some ElectroIntrospect

Psychotic Surge: An Anti-Musical Cartography

Between Rio de Janeiro's humid nights and the Bay Area's electric fog emerges a sonic territory that refuses naming. Psychotic Surge inhabits the threshold where structured rhythm dissolves into controlled chaos, where the predictable becomes uncanny. Here, experimental improvisations capture fleeting auras—each recording a unique fingerprint of temporal collapse, where early acid techno memories bleed into orchestral synthetic dreams, noise becomes prayer, and minimal compass constraints birth maximal expression.|

This is not music seeking approval but sound demanding participation. Like thought before language, these compositions exist in the space between intention and accident, where repetition becomes difference and structure emerges from its own undoing. The project traces a geography of becoming—each track a deterritorialized moment where voices merge with synthesizers not to communicate but to invoke presence itself. Concrete-musique fragments scatter across avant-garde landscapes, creating soundscapes that remember futures and anticipate pasts.

Listen not to understand but to inhabit. Each track opens a clearing where being precedes meaning, where the ear becomes an organ of ontological investigation. Enter these sound-worlds as you would enter memory—sideways, vulnerable, ready to be transformed. The psychotic surge event is not performance but ritual participation in the moment's aura, an invitation to dissolve the boundary between listener and listened. Here, in the grey area where music questions its own existence, you're called to witness sound's capacity to reveal what language conceals—the raw pulse of existence before it learns to speak. Engage these recordings as maps to territories that exist only in their crossing, where each listen births a new geography of sensation.

Improvisation libre et Fantaisies multi instrumentales...

(Créativité libre et imprévisible.
Façon d'agir en dehors des clichés musicaux.
Amusement musical et lyrique.
Œuvre due à l'imagination.).

Merci pour votre passage.
Musicalement
Stephan'f
Instruments utilisés : guimbardes traditionnelles, percussions, piano, xaphoon, ukulélé ténor, hulusi, synthé, didgeridoo, voix et divers objets de notre environnement.
 N'hésitez pas à me contacter pour un libre échange musical improvisé.

New tracks tagged #Xaphoon