photo :  @caitloss_ (Instagram)
retouches : moi 
Soleil : moi aussi 

mix master nul à chier : moi ^^ 

Lyrics :

Tête de soleil 
Tête de soleil 
Soleil Soleil 
Nuage Pluie
Brouillard Poème 
Poème Poème 
....  Cris 
Croix Paupières 
Froid Polaire
Issue D'Secours
Six Pieds 
Sous Terre 
Cauchemar Soleil
Réveil Soleil 
Soleil Soleil 
Soleil So-ooooooo 

Sunflower en pétrole 
Sunflowe-
Sunflower en pétrole 
Sunflower
Sunflower en pétrole 
Sunflowe-
Sunflower en pétrole 
Sunflo- 

Tête de soleil 
Tête de soleil 
Soleil Soleil 
Nuage Pluie
Brouillard Poème 
Poème Poème 
....  Cris 
Croix Paupières 
Froid Polaire
Issue D'Secours
Six Pieds 
Sous Terre 
Cauchemar Soleil
Réveil Soleil 
Soleil Soleil 
Soleil So-ooooooo 

L'âme
La mienne
Se nourrit de chaos
De magie
Bref 
Elle aime ces tournesols 
Le soleil aussi j'imagine 

Paysage halogène 
Position allongé 
À l'envers à l'envers
srevelne'l à srevne'l À
Émotion sourire
larme de soleil 
Pétales pourrissent 
Jss déjà sous terre 

Larme de fou rire 
Larme de tendresse 
Soleil Soleil 
Soleil Soleil 
Je pourrais courir 
Je pourrais hmmmmm
J'aime le soleil 
J'aime le soleil 
                   T
J'aime le soleil
                   u
                   r
                   n
                   e
                   s
                   o
                   l

S🔆LEIL [SUNFL🔆WER]   (p.6minaprès)

2  0  2  5

TRASH BEAT XPERIMENTAL #7

$360 MXN

Envíanos mensaje directo si te interesa cualquiera de nuestros instrumentales para poder comprarlo.

Visita también nuestras redes sociales.

FB - Trash Beats
IG - @trashbeatprod


XPERIMENTAL #7

AS NFT
https://rarible.com/token/0x25525151e14b4cc6eb375c5951cf38d1bfd4b88f:104697584976031928152934479338460497474886263321986045231241490217913882247177

EXPERIENCE

deep from the data box excavated // old work 2011

Octopussy 2011 - XilanT

Technope 2009 - XilanT

Dancefloor residue - Beats bubble, breaks shatter

Step Into The Unknown w/ Sarjan 09/07/25 - Voices Radio

Smoking A Cigar with Jesus

nordmorgon

TRASH BEAT XPERIMENTAL #9

$420 MXN

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Recibimos pagos nacionales y transferencias internacionales.

Visita también nuestras redes sociales Y #EligeTuRitmo

FACEBOOK @ TrashBeats


XPERIMENTAL #9

Akatissia

Artist 4s4ki, who pioneered a unique genre and continues global activities, teams up with DÉ DÉ
MOUSE, a leading figure in Japan's dance music scene. Their four-track collaborative EP, ENMEISHU, releases.
Track 1, “Eternal Resolve,” fuses a high-energy 2010s UK bass beat with DÉ DÉ MOUSE's sparkling synthesizers, crystalline piano, and classical horn section. 4s4ki lays bare his inner turmoil as he confronts and strives to overcome his struggles, delivering a performance that powerfully resonates with listeners.
For “Feeling of Unease” and “You Zeus,” trackmaker MON/KU collaborates, bringing his unique
sensibility to create experimental, avant-garde pop and dark pop tracks rooted in electronic music.
Furthermore, the unreleased track “Transparent Person,” performed during 4s4ki's 2023 Oneman Live Tour “Continue” and capturing fans' hearts, is reconstructed with DÉ DÉ MOUSE's vivid sound.
DÉ DÉ MOUSE's signature bold chord progressions and aggressive rhythms intertwine with 4s4ki's sharp word choice and overflowing emotion, completing four truly unique songs.

DL/Streaming

不安に仕上がる

お前ゼウス

透明な人

永遠の覚悟



TRASH BEAT XPERIMENTAL #10

$420 MXN 💰

Envíanos mensaje directo si te interesa cualquiera de nuestros instrumentales para poder comprarlo.

Recibimos pagos nacionales y transferencias internacionales. 🌐

Visita también nuestras redes sociales Y #EligeTuRitmo

FACEBOOK @ TrashBeats


XPERIMENTAL #10

MI BASURA EN TUS BOCINAS
SINCE 2022

#ErReyPe #TrashBeats

Contactanos vía Facebook para mas info.

Realiza tu pago vía transferencia o depósito. $$$

Para ritmos personalizados paga el 50% al iniciar el proyecto y el 50% a la entrega de tu instrumental.

A new generation of artists who are bringing new alternative pop music from Tokyo to the world.
She is capable of writing lyrics, composing, and arranging music, as well as making tracks on DTM and playing the piano, all on her own,
By collaborating with various musicians and creators in all directions, she creates new musical values that are not bound by existing genres.
The lyrics, which can be described as a "record of self-love," weave together anguish, sadness, and joy in words that are sometimes raw and realistic, and have gained sympathy mainly from people in their teens and twenties. The song has attracted a great deal of attention from overseas, and has been selected for the official playlists of streaming services overseas.
Crossing genres, she is one of the hottest female artists in the world today.

Further studies in Jiddrology.
Explorations of realms outside of the Jidderverse we know. 
Experimental, ambient, sound collages, un-trance. 
unmastered, un-tampered with, unapologetically fun! 

making in-trance at: @jiddertrance

Everything and nothing


prescription


sYrduA (NiX|\|AlL) - SYANIAL 
**SYNA**

https://rarible.com/syna

Haga187= (Hagakure/ One Eight Seven*)  
One man band created by Peter Dos Santos. 
Bass Guitarist, Guitarist, Pianist and Improvised Songwriter
Compositions,Samples and Bass lines.
Open to collaboration. I can’t follow back anymore, maximum suscription on SoundCloud. 

Haga187Peter Dos Santos: Synth Drums, Bass Guitar, Guitar, Keyboards, Synths, Singing, Lyrics. 
All credits on the songs. 
All the tracks are made with Universal Audio Volt 276, Fender Jazz Bass Mexico, Squier Telecaster Butterscotch, Sherwood SH930CEQ Electro Acoustic Guitar, Korg D1BK, GarageBand except for Fantastic Mr Fish and Breakfast in Kreuzberg ( No soundcard at the recording.)
A few songs are supposed to become animated clips soon. (2024/2025)
All rights reserved (Imbd-Haga Records)
Influences (Bass): Jean Jacques Burnel-The Stranglers,Simon Gallup: The Cure (especially Three Imaginery Boys), Larry Graham ( Graham Central Station/Sly and The Family Stone,Betty Davis)Bobby Vega ( Sly Stone- Sly and The Family Stone,Tower of Power), Peter Hook (Joy Division/New Order), Tina Weymouth (Talking Heads), Paul Simonon (The Clash), Noel Redding (Jimi Hendrix), James Jamerson (Marvin Gaye, The Four Tops,The Temptations), Jaco Pastorius (Weather Report, himself),Glenn Cornick (Jehtro Tull),Les Claypool ( Primus), John Cale ( Solo, Velvet Underground)

The point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against. 

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 -I focus on-
oldschool Tekno, Hardtek, Tribe, sometimes drum&bass, little bit acid 303, melancholic / melodic Techno eaven UndergroundTechno. all that with industrial touch

..

..

I started enjoy freepartys 2005. 
Since then I hardly want anything else. its the Tekno family.
The first Tekno artists/systems/labels my brain picked up: 
wako, sp23, ifp, lego, nw23, circus alien, teknambul, 69db, wakuum, mem pamal, heretik, dsp, crystal distortion, metek, teamtrash, matu, fky, msd, okupe, 9mm, banditos, micropoint, turbotek, ben tetrips, x-tech, adam vandal, suburbass, utopeak, desert storm, co2, capsule corp, asystematik, lsdf, infrabass, arobass, foxtanz, aristocrad, hocus-pocus, zone33, alchymist, triphaze, uniko, Acid Anonymous,  jeff23, vinka, hujer maslo, R4G3, labo14....
________________________________________________________________

.....https://www.youtube.com/watch?v=HWSEIwoSeLI.....
.........short lucky successful scratch demo..........
________________________________________________________________

....................../´¯/)
....................,/¯../
.................../..../
............./´¯/'...'/´¯¯`·¸
........../'/.../..../......./¨¯\
........('(...´...´.... ¯~/'...')
.........\.................'...../
..........''...\.......... _.·´
............\..............(
..............\.............\... SysteM
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genre: 	Tekno, Free Tekno, Teknival
scene: 	Techno  (born in Detroit)
Tekno - 	early 90s

Hardtechno is the official music genre of rave culture. about raves - real raves 

The raves in the UK in the early 90s were free, renegade, seasonal, and run by ontological anarchists armed with the philosophical weapons of Hakim Bey and Robert Anton Wilson. In the winter months they broke into empty warehouses and occupied them for the night (rave culture loves recessions -- it means more unused urban spaces). In the summer they organized roaming flash mobs to crash police barricades and set up in farmer's fields. They rarely asked permission. What they were doing was illegal so they had to keep moving, and what developed from this radical hedonism was the concept of the mobile soundsystem.

Often situated on the back of flatbed trucks (what the Brits would call lorries) and caravans, the mobile soundsystem became the key to the rave experience. If the rave got busted or shut down by the cops or an angry farmer with a gun, the soundsystem packed up, moved over to the next field, and unloaded the party again. Repeat all night (or week) as necessary or until the drugs wear off. ^^  There were no cell phones or Internet back then so people were kept in the know via pirate radio stations and secret info-lines (ie: recorded messages on telephone answering machines).

These soundsystems had names like the rave promoters of yore -- Spiral Tribe, Bedlam, DiY, Circus Warp, Adrenaline, Rough Crew -- and it was these soundsystems that became famous in their own right. The people would locate where their favorite soundsystem was playing on a given weekend and then track it down like rock groupies. It's probably a weird concept to fanboys of certain DJs or producers (or even labels or promoters, you corporate whore), but the point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against.

The organizers and owners of the soundsystems aimed to reclaim public space and occupy them as Pirate Utopias. Being more political-minded and radicalized, they looked nothing like their friendly Acid House forebears: Skinheads wearing jackboots, camo pants and combat fatigues. They had to look scary -- they were the promoters, owners, drug dealers, DJs, and security of their own parties. Just because these are free parties doesn't mean you are free to do anything.

And the music? The music was mostly produced live on the fly, like jam bands at Grateful Dead festivals. It was cheap, simple, disposable, looping thumping Techno music that went on for hours with no break; (today its different cause many analogue homestudios existing) blistering fast with an abrasive industrial edge, squealing 303s, a sample or two, and terrible sound mixing/mastering. This lo-fi grungy filthy Techno was the punk rock of electronic music. It was never called Hard Techno until years later, before Hardcore got its act together.

The free rave scene finally reached critical mass at the infamous Castlemorton festival from May 22-29, 1992. A rave that lasted seven days with an estimated 100,000 people in attendance. All aforementioned soundsystems were there. It was the rave to end all raves, a worse-organized, more anarchic catastrophic Woodstock. And like Woodstock many old Brit DJs and producers today will tell you that they were there when they probably weren't (and if they were, they're not supposed to remember anything anyway). Even still, everyone who went insists that it was wicked.


Castlemorton (allegedly)
The Authorities had had enough. Thirteen members of Spiral Tribe were arrested and after a long show trial the UK government passed the Criminal Justice Act of 1994, outlawing all raves (or what it called "any party that plays music with repetitive beats") and beefing up law enforcement to take the problem seriously.

Essentially the bill singled out and outlawed certain lifestyles -- specifically the "techno traveler" kind. The leftover members of Spiral Tribe and other soundsystems fled the country in voluntary exile, and they are still around today as the Free Tekno scene, a traveling circus that backpacks around Europe throwing free parties or Teknivals.


What a Teknival might look like. That smoke in the distance might possibly be tear gas. Teknivals get raided a lot. You're not a real participant in this scene until your party gets busted by the Police and you have to outrun the dogs.
Back in the UK the rave scene decided if it wanted to survive it had to go legit and comply with the laws. 1994 is a pivotal year: Everything after this year is safe, boring, and club-friendly, making shitty Eurotrance music for grandmothers and 8-year-olds, the edges completely smoothed out of what was not just a vibrant and revolutionary form of music but a lifestyle and culture.

Finding music of the very early free party scene is actually quite tricky because not a lot of it was recorded or pressed to wax (or, that is, not a lot compared to how much was made live in dozens of raves every weekend for years). And what music I do have was released well after the rave scene was crushed. And it's kind of hard to catalogue music that has no name, no label, no artist, no identification. It is Temporary Autonomous Zone music -- it exists only where it is needed, which is at a free rave. Not a music guide.
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____________________________
TEK TODAY MAYDAY
____________________________
know how it works
but don't understand it
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origin unknown
not recognized
____________________________
stand for something
don't know for whom
____________________________
the genuine underground
never recorded as a copy
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Your Favourite DJ's Mom's Favourite Station.

Broadcasting live from Coal Drops Yard, London Tues-Sun 11-11

Desde los años 90 buceando en las ondas sonoras y divulgando la electrónica de baile más rudimentaria.

Los sonidos son lo último de la música, y hasta llegar a comprender ese concepto, mezclar para un futuro en danza, no para escuchar cualquier alabanza. 
La imaginación rompe las reglas.

"El techno ha sido la última gran revolución en la historia de la música" Garnier,... pero no basta con oírlo, hay que escucharlo, la longitud de onda se debe sentir potente, haciendo vibrar al Cuerpo, dejando volar la Mente y sacando al Alma a bailar".

Salud y buena Danza.

New tracks tagged #Xperimental