2 Percenters
Lyrics
[Verse]
Sun goes down
to the store for milk we go
Yodel-ay-hee-hoo yala-dala-dey-hee-haa

City lights are so bright
Gonna get some milk and hold it tight
Waka-waka-hee Yodel-hey-hee-hoo

Shelves are packed with two percent
I can tell just from the scent
Got the milk in my cart
now the par-haaaaaaar-tee can start

[Chorus]
Yodel-ay-hee-hoo hay-hee-hoo
Milk secured Yay-hay-we-hoo
Boo-bop-bee-boo-bop
Got that two percent on lock
We going hard tonight

Yodel-ey-hee-hoo Hey-ee-ooo
Milk-kee-hoo-yoo
Got that milk to fill our stock

[Bridge]
Yodelay he hoo
Lactation from cows so good
Yodeley-whoo-yeee
Milk makes me feel so hood
OOOO-hee-hoooooo- yodel-heeeyyy-hooo

[Verse 2]
Never gonna drink that skim milk
Eww-hee-yodel-ehh-hee-ewww
Cant handle that whole milk
Ouchie-oww-hee-whooo
But baby just relent
and get that jug of two percent

[Chorus]
Yodel-ay-hee-hoo hay-hee-hoo
Milk secured Yay-hay-we-hoo
Boo-bop-bee-boo-bop
Got that two percent on lock
We going hard tonight

[Outro]
Yodellay-hee-hooo OOoooo
Tweedle-dee-yoooo-hooo
Milky milk is yummy

2 Percent

Nevada Skies - PHOEBE WHITE

Phoebe White, Cowgirl's Delight CD on PoetMan Records USA

Ride Along With Me - PHOEBE WHITE

Cowgirl's Delight - PHOEBE WHITE

I'd Rather Be A Cowgirl - PHOEBE WHITE

Phoebe's Yodel (Ka Yippie Aye)

Dust On My Boots - PHOEBE WHITE

18.12.23 (hollywood yodel)

i've been around
i've been vibing along
i'm lookin' down 'cos i feel all wrong
I'M ZESTY
i know
i know i'm zesty -
i know if you let me -
i'll stay 
i won't go
oooh-oooh
i know i'm zesty

i know 
if you let me
i'll stay i won't go
oh ooh wa oh wa ooh ah woo-ooh

you pick me up when i'm falling down
you drag me all over town
in my mind
you were there the whole time
awooo awooooooo AWOOOOOO awooo

when i'm feeling blue
i know i can call on you
cause im lucky
yeah and you let me
because i'm lucky
aren't you glad that you met me?

ain't you sad?
that you're across the world
don't be sad
i'm still your girl
oh
because you let me
awooo
i'm so zesty 
because you met me
awooo
you're so silly
awooo
you're my silly
AWOOOOOOOOOOOO (screaming intensifies in my brain)

because you let me
awoooOOOO-

I've Been Around For a Long Time

My Truth (Yodel Remix)

Tyrolien Savoyard ACIDYODEL / MELOMANE CLUB, MONTPELLIER, FRANCE, 21.09.2024 \ MARTIN MATIN PROJECT

Yodel 1

Attack of the Yodeler

Coffe loves lidl and has a problem with a friend named Nickgur Karlsson which is fransk

LIDL

In these days of the insidious drive toward monocultures, and the troubling rise of imperialism and dictatorship in odd outposts around the world, it is helpful to remember that one of the things that makes our human species special is the glorious diversity of how we look, act, sing, dance, play, and love.  For those who want to trim our culture down to some artificial shadow of uniformity, they are bound to be disappointed and overwhelmed by the noisy parades of diversity and joy that will march up and down their tidy streets and lawns.  It would be better to enjoy the light, rather than curse the darkness.

So today on Routes & Branches & Beyond we feature the first of a series of shows all taken from compilation albums - those attempts to provide a snapshot of a particular genre of music.  On this show, we'll play music from various Rough Guides to Celtic, Cajun & Zydeco, Merengue, Yodel, Latin-Arabia, Blues Revival, New Orleans, Central America, Gypsy Revival, Paris, Okinawa, Native America and Scotland.  From musicians such as Vishtèn, the Pine Leaf Boys, La Mákina, Carolina Cotton, Ishtar & Los Niños de Sara, Robbin Ford, The Meters, Mr Peters and his Boom & Chime, Shantel, Les Costauds de la lune, Takashi Hirayasu & Bob Brozman, C-Weed, and the Battlefield Band.  Put aside that flag and join me.

Routes & Branches & Beyond show # 357 2025 02 06

How the fuck did I get this far
Here ends the plans on my Ca-lalendar-ar-ar-ar
New year new auto-psychoanalysis
Hear as I rot inside my jobless room as I catch you up on what's been new

I sometimes ponder whether i am fully human
I think im just attached to full neutrality
I dont invalidate me but it makes me curious
Does it explain why i lack strong identity?

Last year I learned I'm slightly oriented
And I'm still learning what to make of it
One poorly aged line on what's left of Happy It Ended
I tell ya Sidekick Syndrome is a bitch
(Had that my whole life)

Like, I compartmentalised the ways in which I'd value soulmates I'd never wanna rank
Rather I did it to avoid picking a "one true"
When more than 1 said I was their "first place"
Cuz I can't lie, I'd have an answer
But it won't be entertained
Yeah I can't lie, I know where I'd end up
But I don't wanna say
Wanna say
Wanna say

happy birthday little poser
happy birthday human being
let's start the next arc shall we?

Ameristralian Alcohol + 1

Ameristralian Alcohol

Outlaw Country music on acid and poppers! More on alaniii.com

Cream Pie

I don’t write songs in the traditional sense. I prioritize sound and theme over grammar or logical narrative. I often look between the moments we usually skip — the pauses, the loops, the unfinished thoughts.

It’s immersive, like film music — but you have to imagine the film.

I listen to myself. I write down what the song says.
Sometimes it says:
Can. Can’t. Fight. Bite.
Sometimes it says:
Text the moon, please.

You’re not supposed to “understand” it.
But you’re welcome to feel what it means.

This style — I sometimes refer to it as Beat Listened.

Conductor, orchestrator/arranger, primary soloist, and HBIC of The East Los Angeles Philharmonia, jajaja.

i make ai music / follow my ACTUAL BAND with actual non-ai music @ www.soundcloud.com/starmouth

https://open.spotify.com/artist/5ElW7tJqwj9Si23kHCHakj?si=4L0TkpWVRUmHz8g6HjvA0g

like bobby mackeys music world but it's me and i'm haunted instead and possessed to make this kind of music against my will

also yes i wrote it all myself it's all i'm good for

Get The Crowd Swaggin out now

they/them

The pla is silent

I'm the popstar and the producer behind it all

pfp and banner by @traelmyx

Released on:
@neoluminum
@thehallelujahharmonizers
@half-heart-proj
@wearesilkenwood
@crossoverforcharity
@wearesafeinsound

mina favo år hehehe:
_______

spotify: https://open.spotify.com/artist/6vXUZCBQV15gOnG1Cg04fL?si=kFLO6BylQ6qZ9O2A7xysOw

instagram: https://www.instagram.com/stoppin_by/


facebook: https://www.facebook.com/hugo.winqvist.9

"Take the inventiveness of Bob Dylan, the melodic voice of John Denver, add the showmanship of Garrison Keillor and that's Michael Johnathon." - Bob Spear , Publisher, HEARTLAND REVIEW

Michael Johnathon is a folksinger, songwriter, concert performer, author who created and hosts the worldwide broadcast of the WoodSongs Old-Time Radio Hour with a radio audience with over a million listeners each week on 500 public radio stations, PBS-TV coast-to-coast plus American Forces Radio Network in 173 nations. Michael is also a playwright ... his play Walden: The Ballad of Thoreau has over 9,000 registered performances in 42 countries and translated into four languages.

His latest CD release is "MyCOVERS" (download the one sheet PDF) and his fifth book, "WoodSongs 5 was release in 2024.

This 'Woody Guthrie in a Cyber World' grew up in upstate New York along the shores of the Hudson River. At 19 years old, he moved to the Mexican border town of Laredo, Texas and found a job working as the late night DJ on a small radio station. One night, he played 'Turn, Turn, Turn' by the 60's folk rock group The Byrds. As the song played, he recalled seeing the songs writer, his neighbor Pete Seeger, performing in his Dutchess County hometown in New York. By the time the song had ended, he decided to pursue a career as a folksinger.

Two months later, he bought a guitar and a banjo and settled into the isolated mountain hamlet of Mousie, Kentucky. For the next three years, he traveled up and down the hollers of the Appalachian mountains knocking on doors and learning the music of the mountain people. Michael experienced hundreds of front porch hootenannies where folks would pull out their banjos and fiddles, sit on their front porches with him and play the old songs that their grandparents taught them.

Soon enough, he began performing concerts at hundreds of colleges, schools and fairs. He performed two thousand Earth Concerts, plus benefits for the homeless, farm families, and shelters helping battered women and children. In all, he sang to over two million people in one four-year stretch. Billboard Magazine headlined him as an "UnSung Hero." He has been featured on CNN, TNN, CMT, AP, Headline News, NPR, Bravo and the BBC

Dans κόσμος avec Le L et Le D, 
Voyagez à travers les fenêtres des possibilités.
Mais ne vous approchez pas trop de la lumière,
Ce n'est que chimère, vous y bruleriez.

New tracks tagged #Yodel