Proudly presenting ‘Transe’ the first single taken from Zé Ibarra's forthcoming second album. You may be familiar with the hypnotic entrancing tones of Zé’s vocals, through his work in the four-piece, Latin Grammy award-winning Brazilian powerhouse, Bala Desejo and the band Dônica. Zé has also toured with Brazilian legend Milton Nascimento on vocals and guitar, a real honour but also a reflection of Zé's craft to be selected in the band by such a musical titan.

A classic singer-songwriter, 'Transe' sees Zé starting as the song would have been written, simply an acoustic guitar and his voice flowing in an intimate dance. It’s an instantly comforting tone reminiscent of classic Brazilian songs from the past (think Caetano Veloso), before the song builds with ghosty string arrangements, vocal overdubs, and percussion. The energy in Zé's voice intensifies to a climax, as the dial swings in a more contemporary direction powered by a grooving bassline. 

Speaking about the song, Zé mentions, “This song represents, at this moment, a side of me that is still little explored and more intimate. It moves between pop and conceptual, creating an experience closer to a film than a traditional song. This effect is reinforced by the guitar and bass of Frederico Heliodoro, who is also part of Milton Nascimento's band."

‘Transe’ therefore shows a more experimental side to Zé beyond the scared partnership of voice and guitar. Mixing elements of jazz, MPB, and progressive rock, it’s rich and dynamic with a cinematic feel that is full of suspense. A stunning single and a taste of what is to come from one of the finest modern-classic musicians in Brazil’s blooming contemporary scene.


Transe

Mr Bongo proudly presents, ‘AFIM’, the second solo album by one of Brazil’s most exciting new talents, Zé Ibarra. You may be familiar with the hypnotic, entrancing tones of Ibarra’s vocals through his work with the Latin Grammy award-winning, four-piece, Bala Desejo and the band Dônica. He has also toured with the musical titan, Milton Nascimento, performing guitar and vocals, which is quite the honour and a testament to Ibarra's craft. As a solo artist, he has performed headline solo shows in Japan, Portugal and the US, as well as recently completing a support tour with the great, Seu Jorge. 

‘AFIM’ is comprised of eight tracks, featuring his own compositions as well as cover versions of tracks by contemporaries and friends, Sophia Chablau, Tom Veloso, and Dora Morelenbaum. It combines elements of MPB, jazz, pop and progressive rock in a bold, authoritative style. The album represents the intersection between different facets of the artist, from the stripped-down, intimate, guitar singer-songwriter, to dense arrangements with sweeping strings sections. Writing this album allowed Ibarra "to explore sides of myself that had not yet been organized in an album: a certain darkness, a more cinematic musicality, a desire for new soundscapes.”

The album features the single, 'Transe', a song with an instantly comforting tone reminiscent of classic Brazilian songs of the past (think Caetano Veloso). It is built on a rhythmic guitar that supports dynamic sound layers, opening space for Ibarra's intense interpretation. Cinematic atmospheres that lend an air of mystery come courtesy of string arrangements by Jaques Morelenbaum.

His unique cover version of Sophia Chablau's 'Segredo' is equally compelling, taking Sophia's punky-indie original in a different direction and making it feel like his own. 'Essa Confusão', a song celebrating the intensity of love and co-written by Dora Morelenbaum, is steered into epic, 70's AOR, singer-songwriter territory with wind arrangements by Ibarra, Jorge Continentino and strings by Jaques Morelenbaum.

The album is the result of the collaboration of experienced musicians and long-time partners of Ibarra. Fellow Bala Desejo and Dônica member Lucas Nunes co-produced the album. The core band featured on the record consists of Lucas Nunes on organs, Alberto Continentino on bass, Daniel Conceição and Thomas Harres on drums and percussion, Rodrigo Pacato on additional percussion, Chico Lira on Fender Rhodes and Guilherme Lírio on guitar.

The overall feel of the record is archetypically quintessential without slipping into retro mode. It is a stunning album from one of the finest musicians of his generation. A true star of Brazil’s blooming contemporary scene.

Released on Mr. Bongo (ROW) and Coala Music(Brazil).


Essa confusão

Morena

Da Menor Importância

Retrato de Maria Lúcia

Segredo

Hexagrama 28

Infinito em nós

This is an archive of the Horizon Broadening Hour. More music added to Libretime means more music for y'all to expand your horizons! 

Yulia – Isaiah 40:31
Ze Ibarra – Da Menor Importancia 
Mauve Grove – Temper, Temper 
Maeesha B – Undercover
BAYLA – Anxious
Allegories – DREAMCRUSHER
Jay Williams – Empty
Eric Hilton – Burkina Faso 
CON THE ARTIST – PEACH
Peter and Kerry – All I’ve Got Are My Dreams 
Liona Boyd – Bye Bye Love (feat. Mark Masri) 
Bain Marie – Away With You
Mela Bee – Dance & Cry
Two Nails in a Coffin – Cold (feat. Dawn Melanie)
Roseanne Baker-Thornley – Her Mother’s Eyes
Pony Gold – Big in the City
Tonu Timm – Win With The Wind 
Johnny Beachit – A Dolphin In The Sea 
Cassidy-Rae – Dopamine 
Bree Taylor – Wake Up! 
Kicksie – MY CAR 
Lizard the Bird – Something in the Water 
Aaron Hill – Dressed Up, Gagged and Bound 
KSAR – Column #9 
Sean Bienhaus – Blue
Daz Lynch – Give a Little Love (feat. John Barrow & John O’Reilly)
Trivan – Dance of Death
Cruzer – (I Need) Thrash 
Precious Little Life – Kirby Cola 
The Fixations – Money for Nothin 
Matt Krusky – Pictures 
Jacquie Daniels – Spirit of the West
Raz Olsher – Pacific Dreaming 
Splitsville – I Hate Going to Hutzler’s

The Horizon Broadening Hour #85

Record label. Record shop. Film label. Since 1989.

Archives of The Clean-Up Hour, every Friday at 12:00 AM, hosted by your boy Mophead on CKMS 102.7 Listen here: https://radiowaterloo.ca/listen/

Also doing slowed + reverb music now lol

To those of you looking for the slowed + reverb version of "Benji the Dog" by Mac Miller (RIP), it was copyright claimed after 15,000 plays. If you're desperate for the mp3, dm me here and we can work something out.

New tracks tagged #Ze Ibarra