Billy Fowo and Meghana Karnik discuss Adama Delphine Fawundu’s textile installation, "When the Spirits Dance, an ode to the Africans that built this place" (2024).

Adama Delphine Fawundu is a photographer and visual artist of Mende, Krim, Bamileke and Bubi descent. Her distinct visual language centered around themes of indigenization, and ancestral memory, enriches and expands the visual art canon. Fawundu co-published the critically acclaimed book MFON: Women Photographers of the African Diaspora. She is an Assistant Professor of Visual Art at Columbia University. (https://www.delphinefawundu.com)

Adama Delphine Fawundu | Billy Fowo & Meghana Karnik

Meghana Karnik introduces the exhibition, Hope is a discipline, co-curated with Eugene Hannah Park, Marina Christodoulidou, and Billy Fowo.

Meghana Karnik explores paradoxes between art and social change, spirituality and economy, lived experience and institutional process. Her research plays out across modalities as a curator, arts administrator, artist, and writer. She is based between New York City and Brussels. (www.storefrontpsychic.com)


Eugene Hannah Park explores the possibility of learning by collective minds. She curates and produces tools and platforms as an ingredient to share questions and translate worlds. She is currently based between Seoul, New York, and Europe.


Marina Christodoulidou is a researcher and curator. Traversing curatorial formats, her work emerges from socially engaged practice and self-organized initiatives, often taking the form of discursive exhibitions, writing, film and architecture. She is currently based between Amsterdam and Limassol.

Billy Fowo is a curator and writer. With points of interest in various fields and disciplines such as the sonic, linguistics and literature, Fowo questions what is considered to be knowledge and endeavours to rethink the spaces in which it is disseminated. He is currently based between Berlin and Yaoundé.

Intro to Hope is a discipline | Meghana Karnik

A traveling curatorial project asking: Can friendship create structural change? How do we find, remember, and share in the struggles of ancestors? 


2023 — Amsterdam
2024 — New York

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