Aeolus II: Piano piece in С minor. 

The first 'Aeolus' can be heard here: https://soundcloud.com/anthonypaulcomposer/aeolus

Aeolus II

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SugarBeats - Jazz Twist

One year ago, the Hunga Tonga-Hunga Ha’apai volcano erupted, causing widespread destruction to the Pacific Island Nation of Tonga. It spewed volcanic material up to 58 km into the atmosphere, brought a nearly 15 m tsunami that crashed ashore, destroying villages, and created a sonic boom that rippled around the world – twice. 

Even one year on, interest in the extraordinary explosive eruption remains. A sound artist has recently recreated the sonification of the underwater volcanic eruption using rayleigh signal intensity data provided by the Aeolus Virtual Research Environment platform.

Using wind data obtained on one of its overpasses over the ash cloud of the Hunga Tonga explosion, Jamie Perera used an audio sample of one of the shock waves, time-stretched it into a ghostly tone, and assigned it to harmonic values transcribed from 90 Aeolus readings taken over a duration of approximately 15 minutes. 
The listener hears one reading every two seconds, in a harmonic range that spans six piano octaves, the highest of which can be heard at around 01:18 minutes when the readings show the eruption’s dust plume at its highest peak (over 20.5 km). The artistic intention behind the sonification was to evoke the otherworldly landscape of Hunga Tonga and other volcanoes. 

Sonification credit/copyright: @jamieperera (2023). Used by permission. Data and guidance provided by Daniel Santillan. Thanks to Peter Bickerton and Jemma Foster. Originally created as part of Wild Alchemy Journal - Air Edition - Aeolus

Sound of the Hunga Tonga Volcanic Eruption

ESA’s Earth Explorer Aeolus satellite was launched in August 2018 on a trailblazing mission to show how profiling Earth’s winds from space can improve weather forecasts and climate models. Marking the end of Aeolus’ remarkable mission, ESA worked with composer Jamie Perera to create a woodwind piece from data that spanned the lifetime of the satellite’s life in orbit around Earth.

In the resulting orchestral piece, every second is a day in the life of Aeolus, with data represented by the following instruments: 
Piccolo: Rayleigh Top Altitude (the tops of clouds)  
Flute: Rayleigh Observation Type (density of clouds)
Oboe: Rayleigh Reference Temperature (wind temperature)
Clarinet 1: Rayleigh Wind Velocity (wind velocity)
Clarinet 2: Rayleigh Wind Reference Pressure (air pressure)  
Bassoon/Bass Clarinet: Rayleigh Bottom Altitude (Earth’s surface)
Ambient Synth: Validity Flag 0 (Aeolus downtime)
You can also hear landmark events such as volcanic eruptions represented by drums, hurricanes represented by wind sound effects, and the Coronavirus pandemic represented by a pulsing synth. 

Read the full story:
https://www.esa.int/Applications/Observing_the_Earth/FutureEO/Aeolus/The_sound_of_Aeolus_will_blow_you_away

Download the full performance guide:
https://esamultimedia.esa.int/docs/EarthObservation/Life-of-Aeolus-Performance-Guide.pdf

Credits: @jamieperera (2023). Used by permission. Data and guidance provided by Daniel Santillan; sonification programming by Adrian Lewis

The sound of the wind from space

BOY do we have a heater for you!  AEOLUS and Versace James team up for one of the hottest tracks of 2024 'Right Thurr'!

Early Support: Biscits, Freak On, Shiba San, Casmalia, Max Low, Subset and more

Right Thurr

Right Thurr (Extended Mix)

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AEOLUS & Versace James - Right Thurr (Extended Mix)

Sample pack from our new SACD release "Sigfrid Karg-Elert: Ultimate Organ Works Vol.8" with Elke Voelker playing the famous G.F.Steinmeyer organ at Mannheim, Christ Church, containg Karg-Elerts "Impressions" and "Pastels".

Valse mignonne

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[Future Bass] Lunicuss - Aeolus

Sample pack of our CD AE-10361 "Jesús Guridi - Complete Organ Works" Vol.1; Esteban Elizondo Iriarte plays the completely unaltered 1889 Jean-Baptiste Stoltz & frères organ (3 manuals + pedal, 36 stops)of the church San Pedro at Bergara (Basque Country).
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Preludio

Ute Gremmel-Geuchen plays the Johann Andreas Silbermann organ of Strasbourg Saint-Thomas (1741), Alsace, France;
excerpt from Aeolus' SACD edition "Johann Sebastian Bach - Complete Organ Works played on Silbermann organs in the alsace"

Praeludium C-Dur BWV 566

Bernhard Klapprott plays the Johann Andreas Silbermann organ of Arlesheim (1761), Switzerland;
excerpt from Aeolus' SACD edition "Johann Sebastian Bach - Complete Organ Works played on Silbermann organs in the alsace"

Toccata F-Dur BWV 540

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