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Tempo de Amor, de Bade Powell.
Angelina Gaúna, voz
Davi Avansini, violao
gravado em São Paulo, em abril de 2016.

Tempo de Amor, de Baden Powell

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Chickens

Chickens (13)

Chickens - Vol.15 (Afro-Fusion/Seben)

A NuVox Workout fuelled by Coco Spherg.

O' Where Out Thou:
Lyrics by Aime Pandi Bapaga

Happy were the days I loved my mother like the heavens
Happy were the days I fell in love with Becky Evans 
Happy were the days I rounded numbers to the sevens
Happy were the days I smoked all night in studio sessions
Happy were the days I had faith in first impressions
Happy were the days I joined C4 and pledged my legions.
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days

Happy were the days that mum was paid on monthly basis
Happy were the days she’d come home to bright and smiley faces
Happy were the days she could pay dental fees for braces 
Happy were the days we’d read commandments set by Moses
Happy were the days my rabbi taught me to love the masses 
Happy were the days social class was impertinent.	
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days

Happy were the days the mind turned darkness into light 
Happy were the days the prophet had the will to fight 
Happy were the days no one would glee at someone’s plight 
Happy were the days outliers were taken off the data 
Happy were the days Bob Marley vowed to Jamaica
Happy were the days stood a man, I called father 
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days
Happy were the days, Happy were the days

O’ Where out thou?
Happy, happiness
Happy, happiness
Happy, happiness
Happy…

O’ Where out thou?
Happy, happiness
Happy, happiness
Happy, happiness
Happy…


Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 
Feeling too grown up here without you 

2025 YYMG

Velocity

O' Where Out Thou

A powerful futuristic afro-fusion to dancehall banger with baritones infused with samba energy, designed to animate the speakers and electrify the floor. Heavy 808 kicks punch through the low end, hitting the stomach and making the heart race. Congolese seben solo guitar riffs dance on top of deep, wobbling basslines, adding melodic fire. Syncopated percussion locks in the groove, layered with fast-paced drums, crisp claps, and energetic synth stabs. Sharp brass accents lift every transition with explosive flair. A fierce, commanding female lead vocal cuts clean through the mix, intensifying the heat and setting the dancefloor ablaze.

Philosophy
“Yellow Hat (Falla on da Dancefloor)” is a celebration of liberation through rhythm, a joyful rebellion wrapped in sound. At its core, the song is about showing up fully—alive, unapologetic, and loud—in a world that often tries to shrink us. The yellow hat itself becomes a metaphor: it’s not just an accessory but a radiant symbol of visibility, optimism, and individuality. It signals that the wearer has chosen to dance instead of despair, to shine instead of shrink.

The dancefloor, in this context, is more than a place—it’s a sanctuary. It’s where speech gives way to motion, where people reconnect with their bodies, and where emotion translates directly into movement. The repeated instruction to “Falla on da dancefloor” is both literal and spiritual; it’s an invitation to release control, to stop intellectualizing everything, and simply surrender to the beat. In a world where over-talking and performative confidence are often currency, the song strips all that away, asking the listener to talk with their body instead, to communicate through basslines and sweat.
Even the term “postcode,” used to reference the body, is intentional and philosophical. It suggests that the body is its own geography, its own space worth mapping and celebrating. To “dutty wine my postcode” is to revel in one’s physical identity, to declare with movement that “I exist, I take up space, I belong here.”

Every percussive hit, every kick and boom, mimics the pulse of a body in ecstasy—not just the ecstasy of dancing, but the ecstasy of survival, of resilience, of feeling joy despite the weight of the world. The staccato rhythm and Congolese seben guitar evoke not just musical tradition but ancestral memory, threading together the sacred and the everyday.

In the end, the philosophy of “Yellow Hat” is simple but profound: we dance not because we have nothing to say, but because some truths can only be spoken with the body. It is a manifesto for those who choose to recalibrate through rhythm, who reclaim joy as their resistance, and who wear their yellow hat like a crown in motion.


Falla on da Dancefloor (Afro-Fusion/Dancehall)

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


When the frequencies connect with the Soul
Your feedback tapping  ♥️

New tracks tagged #afrosamba