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Event ▶ : Internationales Akkordeon Festival 2024 At Vienna, Austria
Time ▶ : 2/24/2024 Live Stream Now

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*𝐉𝐮𝐬𝐭 𝐒𝐢𝐠𝐧𝐮𝐩 𝐀𝐧𝐝 𝐄𝐚𝐬𝐲 𝐭𝐨 𝐑𝐞𝐠𝐢𝐬𝐭𝐞𝐫
*𝐂𝐇𝐄𝐀𝐏 𝐋𝐈𝐕𝐄 𝐓𝐕 & 𝐔𝐍𝐋𝐈𝐌𝐈𝐓𝐄𝐃
*𝐅𝐮𝐥𝐥 𝐀𝐜𝐜𝐞𝐬𝐬.
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#Internationales Akkordeon Festival 2024 #Vienna, Austria Music And Festival

#Internationales Akkordeon Festival 2024 #Vienna, Austria Music And Festival

Internationales Akkordeon Festival 2024 Live At Vienna, Austria #Concert2024

Reproduczia - Пошана Чаошану (Feat. Thorn, Вiш, Lobsterless)

The German Man is a satire on half of the population in Germany and does not claim to be complete. A cool song for a session with the therapist or when the house blessing goes wrong again.
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Der deutsche Mann ist eine Satire auf die Hälfte der Bevölkerung in Deutschland und beansprucht nicht Vollständig zu sein. Ein fetziges Lied für die Sitzung beim Therapeuten oder wenn der Haussegen mal wieder schief hängt. 

Komm schon

Der deutsche Mann

My grandfather once worked on a pilot boat. Although I never met him, every time I see a pilot boat at the ocean, it gives me many different emotions - wanderlust, longing and some kind of a special connection. For this release I recorded my accordion for the first time which recently joined my instrument family.

Lotsenboot (Only Accordion Version)

Lotsenboot

In der Politik, in Beziehungen und auch in YouTube-Videos sagen uns Leute, wie wir was machen sollen, was wahr ist und was nicht. Was richtig und was falsch ist. Ich sage: Hört auf mich. Ich habe die Wahrheit.

Hör doch auf

Hauzenberger by Theo Degler ft Raffaele Quarta - Remix Sommer 2024

method: it‘s complicated. it is, really. in as many ways as this one came about.
narration: my poem Proxima*  served as illustration for the sensory overload some people experience during a normal reading. there is no point in replicating the poem here since it has become part of an overwhelming sensory phenomenon. 
image and everything else: copyright jo richter

* published in the cycle Das Buch der Anmutung in Die Odradek Variationen

proxima interior

Fantasy for Bandoneon and Orchestra.

Feel the sun, feel the gentle wind on your skin.
Taste the colors and the scent of summer.
Resonate with the sound of nature.
Immerse yourself in a sensual world of joy, desire and peace.

This is the final part of the neo-classical composition for Bandoneon and Orchester: "Summer Vibrations".

Summer Dreams

The Day Live Music Died By AI 3

Los Novillos  - Neon lights 
#embiscarareedorchestra #accordion
#ai #ki #music  #akkordeon 

Los Novillos

Fantasy for Bandoneon and Orchestra.

Feel the sun, feel the gentle wind on your skin.
Taste the colors and the scent of summer.
Resonate with the sound of nature.
Immerse yourself in a sensual world of joy, desire and peace.

A part of the composition "Summer Vibrations".

Summer Promenade

Fantasie No. 16

Rainer Gruber und Louis Gabler erwecken diesen Klassiker des deutschen Schlagers zu neuem Leben. Mit feinem Esprit und großer Freude am Musizieren begegnet uns hier ein Stück Lebensgefühl der Wirtschaftswunderjahre.

O Mia Bella Napoli

I am a passionate violinist and pianist.
My heart goes beyond strings and keys. 

In the quiet solitude of the Pandemic Lockdown, 
music blooming in mind, 
I started creating intricate compositions that speak the language of the heart. 

Capturing these ephemeral moments, transcribing them with devotion to notes and sound, sharing them here with you.

My music creations are a testament to the value of retreat, 
where silence gives birth to the most profound expressions, 
contrapuncting the noise of our world.

Thanks for your kind listening and honest commenting ;-),
Helmut

Hi,
my name is Joachim Heinrich and I compose my own music.
I'm constantly searching and finding my own note and it's always a great pleasure to share this process with you through my music.

Thanks a lot for listening!

All the best,
Joachim Heinrich

official soundcloud of Raffaele Quarta - from folklore to heavy metal, from funk to latin

https://www.instagram.com/vovachtun/
https://www.youtube.com/@Vovachtun
Mail: vovachtun@gmail.com

Hello,
why am I making music? Because it's fun and frees me. I play piano, ukulele, cajon and with these means - and the electronic possibilities - I write songs to name the complexity of this life. Likewise the absurdity of the whole existence. Everything influences me, whether consciously or unconsciously. So I listen to The Smiths, Morrissey, TalkTalk, Sting, Chris Stapelton, Johnny Cash, Classical, Bob Dylan, Yusuf Islam and more. Enjoy listening. 
----------------------------------------------------G-E-R-M-A-N-------------------------------------------
Warum mache ich Musik? Weil es Spaß macht und mich befreit. Ich spiele Klavier, Ukulele, Cajon und mit diesen Mitteln - und den elektronischen Möglichkeiten - schreibe ich Songs, um die Komplexität dieses Lebens zu bändigen. Ebenso das Absurde an dem ganze  Dasein. Alles beeinflusst mich, ob bewußt oder unbewusst. Also höre ich The Smiths, Morrissey, TalkTalk, Sting, Chris Stapelton, Johnny Cash, Klassik, Bob Dylan, Yusuf Islam und vieles mehr. Viel Spaß beim Hören.

POETRY IS VITAL

This threshold space exists for those who feel like listening to some of my quite professional poetry embedded in rather amateurishly recorded but judiciously arranged sound, a modicum of purely acoustic work notwithstanding.  Fortunately, some other artists have also transformed the symbolic expression of my words into the tangible beauty of real songs and soundscapes - just listen to Sympoetic Ultrasounds: https://soundcloud.com/sonic-textures/sets/sympoetic-ultrasounds !

SOUND, SPACE AND TIME

Tend your listening senses gently. Even though my general approach welcomes and embraces lo-fi concepts like the precision of spontaneously occuring imprecisions, headphones worth their membranes are recommended - unless you like your sounds flat, mangled, battered and helpless. You don't, do you? Be kind to these soundscapes.

STRUCTURING IMPULSE

Due to the nature of "poetry soundscapes", your listening expectations regarding traditionally structured "songs", sonically purified "raw wildlife soundscapes", keyboard-laden "ambient recordings" or voice-centered "readings" might not be met. You will find some of those in my list of /likes/. "Noise" is a recurring structural element like any other. This is what this sounds like - within its own rights, limitations, tangents and interconnections. Sonic structures. Silent stretches. Poetry emerges from the gaps between the ruts, seeps in from the undergrowth, sweeps down.

CARVING, CHISELLING, KNEADING, MORPHING

A quick glance into my toolshed rests on Zoom recorders, Samplitude software and a dizzying array of diverse sonic machinery. After all, sound is one way my poems know to materialize - insolently shapeshifting, indelibly greening into the cultural real.

LARGE AND SMALL GIFTS

-----------------------------
Small Gifts

the less to remember, the more to listen
gifts from the ice age reverberate
a simple story, a forest, a coastline
entangled in silence, one starts to relate
---------------------------------------------

In case you have read up to this point, you might be a sonic creator yourself. May I ask you for a helping ear? Above, there is a tiny poem of mine that I do not understand how to translate into sound. If you do - please act on it. It is a matter of common decency, of course, to keep the title (Small Gifts) and to credit the lyrics to me (jo richter). And please do notify me of your version via a soundcloud message. One bewilderingly beautiful version crafted by mono-lux has already gone public, as well as an amazing version by cthonicist.  You'll find both in my playlist Sympoetic Ultrasounds. This is just a small gift, not a challenge - life already has more than enough of those on offer, doesn't it? Treat it this way.

POETRY IS VITAL
sound, space and time
structuring impulse
carving, chiselling, kneading, morphing
large and small gifts
poetry is vital

GENERAL POLICY regarding the use of LIKES, REPOSTS and FOLLOWS:
I like what I like and want to hear again.
I only repost what I've had a hand in creating.
I follow when I see directions or arrivals I like, not when followed (though I might peek in to get an idea of what your sounds are about). I have set myself a limit of accounts I follow not to be all too overwhelmed. Not following does therefore not mean I do not appreciate what you contribute to the enjoyments of soundcloud.
Do not expect other behaviour from me.
(jo richter)

New tracks tagged #akkordeon