Edouard & Leonardo consists of six recordings using the same set of samples in two different generative/ algorithmic setups in Pure Data. Rhythmic as well as melodic patterns are generated and altered dynamically. 
The Edouard versions are based on the Lucas number sequence while the Leonardo versions use the Fibonacci sequence as structuring principle.
Each version is the output of one recording session and never exactly reproducible.

Edouard & Leonardo

Edouard Version 3

Edouard Version 2

Edouard Version 1

For a game jam, the prompt was to build a game with an engine, you haven't used before. I decided to make a game in Bitsy. Then decided to use Hydra & SonicPi to make a glitched version that can be played in real-time.

This audio is the sound track for the game: https://blog.illestpreacha.com/gamedevbitsy-leneant

ElectricGrowtneant

AltAlarmClock

Blogpost: https://blog.illestpreacha.com/minacoding2024bed 

For the 23rd day of #MinaCoding2024: "Coding in Bed", AltAlarmClock with the aid of #SonicPi attempts to be an annoying alarm clock while being coded in bed.

Poetry

Time to Awake
for the Head to Elevate

What shall we visualize
For this morning?
For this time?
What is it that you were thinking,
Once the sun rises
And you open the lid on your eyes
And they began to start blinking?

#minacoding #minacoding23  #creativecoding #coding #livecoding #sonification #codinginbed #morning

#newmedia #scifi #mathart  #mathematical #computermusic #worldbuilding
#speculativedesign #sounddesign

AltAlarmClock

PieingtheSonic5

#minacoding #minacoding30 #freecoding

Blogpost: blog.illestpreacha.com/minacoding2024freecoding

For the 30th day of MinaCoding2024 : "Free Coding", PieingtheSonic5 takes PieingtheSonic and does another coded remix with SonicPi & track layering.

Poetry

Imitation
Inspiration
Indention
When they merge
And the thoughts finally diverges
What outcome emerges?


#creativecoding #coding #livecoding #piano #algomusic

#newmedia #scifi #mathart #mathematical #computermusic #worldbuilding #ruby
#speculativedesign #sounddesign #mathart #idm #soundtrack #illestpreacha

PieingTheSonic5.MP3

ArrayRankful
Blogpost: https://blog.illestpreacha.com/mathober2024potential

#mathart #mathober #mathober2024 #mathober4 #potential

Sound Coded in #sonicpi
For the 14th piece of Mathober2024: ArrayRankful takes the rankings of various arrays and shows the Potential(4th prompt of this year Mathober) of these rankings to make sound while coded in SonicPi. Then remixed for further potential sounds.
Poem

The Array and its List
Wants to Be Seen, Wants to Be Heard
They don’t mind to be Absurd
As The Power That Their Voices
When combined can live as rejoices 
Will it Be Able to Move Mountains Or At Least a Tree
That is the Wish From the Array List and the sounds they breathe

 #creativecoding #coding #livecoding #computermusic
#newmedia #scifi #sounddesign #mathematical #math 

#codeart #programming  #programmer #newmediaart #creativecodeart 
#dailyart #generativeart #digitalart  #mtl #scifiart #writingcommunity #geometricart sonfication #ambience


ArrayRankFul

Eternal accelerando is an auditory illusion that Jean-Claude Risset described as an effect that creates the perception of constant acceleration in rhythmic patterns. (Risset, 1986)

In 2011 Dan Stowell provided a solution for implementing „Risset eternal accelerando rhythms" on (rhythmic) audio samples by employing variable play back rates and amplitudes distributed to a number of sample play back streams that run synchronized. (Stowell, 2011)

Risset Remixes consists of three recordings based on the Pure Data implementation of Stowell’s paper (Heinze, 2024). In each composition, sample loops separated from stems of the original tracks are being played back using Risset rhythms based sampler abstractions. Events within the compositions are triggered by completed sub stream cycles of each sampler. On „Jaycee Jam Version“ of Ting, also manual triggers have been applied during recording. 

Sources: 
Risset, J. (1986). Pitch and rhythm paradoxes: comments on "Auditory paradox based on fractal waveform". The Journal of the Acoustical Society of America, 80 3, 961-2

Stowell, D. (2011). Scheduling and composing with Risset eternal accelerando rhythms. International Conference on Mathematics and Computing.

Heinze, M. (2024). Risset Sampler for PD. https://github.com/devstermarts/PD-risset

Risset Remixes

Martsman - Ting (Jaycee Jam Version)

Martsman - Axe Why Dread (Eternal Accelerando Reflux)

Anthone - Double Dub (Beatless Decelerando Mix)

Sound artist, audio programmer/ producer and DJ based in Berlin, Germany. AI + Neural Audio Synthesis + Generative Music ///// AKA Anthone. 1/2 of Bokeh (w/ Katsunori Sawa). Label = The Weevil Neighbourhood @weevilorchestra

New tracks tagged #algomusic