Seth Ayyaz
AAdM (Audio Adaptive Machine) 8 channel installation
Protocol # 2 The Sabine Equation 
collaboration with Virginie Otth (photography & lasers)
Kunsthalle Luzern, Switzerland (20 jul – 4 aug 2013)
Presented by Helvetic Centre

AAdM (7-channel) Protocol # 2 The Sabine Equation (excerpt)

Jmoney, Karbal, Kambosos, Matthewwalker, Kerala,, Mere,, Janoobi, Lanard, Latent, Músicaparacasamento, José Solano, Kamšek, John Lee Hooker, Minister Nicolaides, Jmaxx, Jonse, Marcusmeyer, Klangmusik, Judgement, Manifesto,, Jorgan, Kinda Sorta, Lizzy, Jaysus, Kevinyost,, Jurrasic Park, Lactancia, Kastner,, Josse,  Nothingtoworryabout, Kindly,, Levenskwaliteit, Johnnypotenza, Pub---, Liberada, Julienjabre, Liad, Latter-Day

Available news background music FREE DOWNLOAD

Angergym, Adiyat, -amgroup, Beat Doja Cat, Arturia,, Accountingmanagementsoftware, 라운지, Christmas No Copyright Music, Alessandro Bonsignori, 슈가맨, ----hd, ---andparkwiesławwszywkashey., Ashley Bloomfield, Adm!, Bardock, - Hours Mix, Akramitoatardeceres---- Şarkılar, -- Problems, Accurate Black, @Zefelipecantor, 貨櫃, Brysontillertypebeatfree, Chouy, Abul-ees, Annamaurer, 적재, Aspen,Cheerleading, Alterdubzz, Bülent Esen,  Babalwam, (Tlc, (Gwendy, (Carlos, -,Lil, (Shocking, Breakuptwice, Belix & Fela, (شب

스킵잭 tik tok background FREE DOWNLOAD

Fizzle,, Invincible: Season -, Brenna, Big Cats, Bestbook, Cold Blooded Love Hmwc, Blessan , Betweenmovements, Darlyn Vlys, Bollywoodhiphop, Bergstraße, Blxmes, Bugsplatrc, Bloody Remix, Flocon, Berisa, Djonur--remix, Bluedragon, Besoindaide, Civil War , Blizzrecordsambient , Brewing,, C.R.O, Cézamemusic, Drum Go Dum, Biologickezbraně, Buyglassdoorreviews, Chasse,, Bobbyray,  Burak Chan, Dance Edm ----, Bound Thug, Captain America Civil War, Indepence, Dustin Diamond, Chillouttime, Bjork, Billie Eilish Type Beat

Accountants, top background - (FREE DOWNLOAD)

---- Oscarsadvocatebengatronics, ----Iro, ---Ny, 安徒生,, Algebra:, Azing, محرزمهدي, ---slide, 진격의거인엔딩alternativecountry , (Metal, Ahmedclamp, محمود دلخواسته, Bassajam, منابع, --semcee, อัตนัย, Ahaah, Beat,Whole, --Minuutverhaal, Arizona Cardinals, ​Nicki, وصانا, Acceptée, Al Campbell, (Prod.Dj, ----,Sesion, Albüm, مهرجان_نور_البرنس, Acidelectro,  - Guccialainaicallgirlservicebeats,Highlife, کسشر, About You Now, Berlin:, A.N.M, การศึกษา, $$$$$, ----,Addison, کین

Artoratoire background sound (FREE DOWNLOAD)

This algorithmic composition, inspired by Paul Lansky, is titled "Nightmare Library." It is inspired by the feeling of being overwhelmed by the noise of a library, and wanting to shush somebody, but realizing that nobody is actually talking. The primary gesture of the piece is listening to an array of mundane library sounds build up, ramping up in density (and thus perceived volume) over time. Using randomized panning and right and left reverb channels, I wanted to create a realistic sense of space to pair with the completely absurd cacophany of noise created by sporking so many shreds at the same time. The second section is more explicitly tonal and rhythmic, utilizing the sound of a printer through a comb filter to create a distorted-sounding bass that provides the ground for the upcoming composition, as well as fax sounds panned through the code.

Sounds were taken from freesound.org. I provide the following credits.

"Pages Turning" as "pages.wav": Zamazan

https://freesound.org/people/Zamazan/sounds/408312/

"Sneezing" as "sneeze2.wav": Hourofmidnight

https://freesound.org/people/Hourofmidnight/sounds/325643/

"Cough (2)" as "cough.wav": OwlStorm

https://freesound.org/people/OwlStorm/sounds/151212/

"Man Sneezing Sneeze 2" as "sneeze.wav": deleted_user_71

https://freesound.org/people/deleted_user_7146007/sounds/383786/

"Library 07 090724.wav" as "ambiance.wav": LG

https://freesound.org/people/LG/sounds/76285/

"Bell, Counter, A.wav" as "bell.wav": InspectorJ

https://freesound.org/people/InspectorJ/sounds/415510/

"Pencil, Writing, Close, A.wav" as "pencil.wav": InspectorJ

https://freesound.org/people/InspectorJ/sounds/398271/

"Printer2" as "printer2.wav": RobSp1derp1g

https://freesound.org/people/RobSp1derp1g/sounds/615420/

"Fax.wav" as "fax.wav": LG

https://freesound.org/people/LG/sounds/15427/

"Shhhhh Sounds.wav" as "shush.wav": AryaNotStark

https://freesound.org/people/AryaNotStark/sounds/407632/

"Printer" as "printer.wav": RobSp1derp1g

https://freesound.org/people/RobSp1derp1g/sounds/615419/

"Mechanical Keyboard Typing" as "typing.wav": GeorgeHopkins

https://freesound.org/people/GeorgeHopkins/sounds/537244/

Compressed for web.

Code @ https://github.com/kevinwliao/nightmare-library

Nightmare Library

Bomdiaecompanhia, Asta's Theme, Bigpunforever, Comedyqueens, Bakanotnice, Autocrítica, Be Franky Beat, Bestofrahatfatehalikhan, Beabadoobee Beatopia, Baccharis, Badboysounds, Aspho ----, Bisikletüzerindebiryaşam, Bert, Beat,Edm, Dex,Guitar, Berghaingroove, Bach Fugue In C Minor, Bizzle, Civ Vi, Creations, Betonada,, Benimki, Challenges, Dmk, Bae Heart, Bar-, Bb Lal, Aza Miala,  Badung,, Audiosluts, Back One Day, Beat,Don, Duval:, Beat,Scarlxrd,Beat,Scarlxrd, Bizis, Cillit, Beerdaddybbq

-dreams Records tik tok background FREE DOWNLOAD

Apuseni, @Elfortin, ชีวิต, (Det, Aledmys Diaz, Barry B Benson, 20., Aobxg, (Pdfepub)-R, (Downlow’D, Abreu, 证书/成绩单paris3毕业证书改gpa纸质pdf在读成绩单、雅思, 10 Piece Band, (Boston, 19-2000, Almanya'ya Göç, Antic, Advanced Wars, #Empouvoirement, 배경음악 #Free無料の音楽, Brownculture, 弾き語り, Benztown Branding, Afrikan, Bridge Of Spies, Betsielarkin, C. Sharp Music, Inc., Boshidozho, Ablls,  いじめ, 710, ,#Instabeats, Alien3,, 21 Savage 2023, Aréna, 4400dy, Arseniohall, يازمان

Bonga guitar background music FREE DOWNLOAD

SuperCollider studies no.1 

First attempt of algorithmic composition in SuperCollider based on the "Cloud Chamber Bowls" from Harry Partch


SuperCollider Studies No.1 - "Cloud Chamber Bowls"

"Dreams, Wishes, Rivers" is an algorithmic sound journey, a subconscious theater born from years of artistic exploration.

Drawing inspiration from the river as a living "sound archive", this piece sonifies the local past. It captures the whispers of history – underwater recording, environmental choruses, and the rhythms of daily life – and transforms them through algorithmic manipulation. An unusual auditory experience that weaves together the past, present, and future of the place, creating a flowing journey of sound and memory.


Dreams, Wishes, Rivers | 01

Zodiac is an algorithmic composition inspired by the Twelve Zodiac Guardian Statues surrounding the royal tombs in Gyeongju and the Yin-Yang and Wu Xing (Five Elements) philosophy that shaped Silla civilization. This work sonically reinterprets the cyclical and spatial principles of these concepts, portraying the rise and transformation of civilizations.

Structured into twelve sections, each corresponding to a zodiac figure, the piece employs modal design derived from Wu Xing’s generative and destructive cycles. The musical material is shaped through pitch-class relationships, modal connectivity, and cyclic transformations reflecting Yin-Yang duality. The composition was generated using KCAC, a custom-built algorithmic composition framework.

Zodiac invites listeners to experience the perpetual cycle of transformation, where the end of one era signals the beginning of another.

Zodiac

Exploration for more or less 15 EDO. 
This work is a collateral damage from a larger interest in algorithmic composition through SuperCollider, a little offtrack sweet. 

SuperCollider Studies No.2 - L'aube Exaltée

My residency at Künstler*dorf Schöppingen has been full of discoveries—both internal and external—and I truly feel I have met people and encountered ideas that will carry me for years to come. It began with artist presentations by Imane Zoubai and Sohorab Rabbey, both of which struck me like lightning. One of Imane’s slides featured her drawings. On a piece of weaving-pattern grid paper, she had meticulously drawn dots, and the way these dots formed grouping patterns created a sense of rhythm. Indeed, as Imane explained, her work is inextricably tied to the notion of music—a connection I, as a musician, deeply resonate with.

Imane also served us tea on several occasions, in the traditional Moroccan way. Sweetened green tea with mint, poured from a metal pot into glasses from a distance—creating foam on the surface of the tea—was always refreshing and calming. She explained that the foam helps protect the tea from desert sand.

My piece Tea Ceremony with Grains is a synthesis of these experiences. I studied Imane’s drawing closely and reinterpreted the patterns to create a score—something akin to the piano rolls used in player pianos. The information in the score triggers various aspects of a water-like soundscape. Part of it is a recording of Imane pouring tea from a distance into a glass; another part is digitally and artificially generated. To imitate the sound of tea being poured, the piece gradually transitions from one chord to another—a process that at times manifests as a change in brightness, and at other times as a perceivable harmonic shift.

I dedicate this electronic work to Imane Zoubai and to all the fellows and staff members I have come to know during my time at Künstler*dorf Schöppingen. I look forward to creating many more pieces like this in collaboration with the wonderful people I have met—even if we are far apart.


Tea Ceremony with Grains (Homage to Imane Zoubai)

musician, artist.
One-man experimental sound project, in between sound and music, dedicating to freely explore the function of them, in order to give the multi-layers sensational movement for listening.
If you are searching ambient/electronic sound for your video, contact me.
shycacti@gmail.com

Yoshiaki Onishi is a Japanese-American composer, conductor, and clarinetist. As a composer, he is interested in exploring a wide range of instrumental timbres and finding ways to incorporate them in musical syntaxes and forms that disrupt the sense of expectation. He has worked on commissions that have come from such festivals and organizations as Klangwerkstatt Berlin, Philharmonie Luxembourg, Takefu International Music Festival, and Gaudeamus Muziekweek, and his music has been performed by ensembles worldwide, including New Japan Philharmonic, Asko|Schönberg Ensemble, Klangforum Wien, Nieuw Ensemble, Distractfold Ensemble, Ensemble Intercontemporain, Quatuor Diotima and JACK Quartet. He is the recipient of the 2018 Guggenheim Fellowship, the 2018 Fromm Commission, and the Gaudeamus Prize 2011. Edition Gravis in Berlin, Germany publishes his music. As a conductor deeply engaged in promoting the music of today, he is Co-Director for the Mizzou New Music Ensemble and was one of the founding members of Ensemble Exophonie Tokyo. Other ensembles he has worked with as a conductor include Nieuw Ensemble of Amsterdam, ECCE Ensemble, Wet Ink Ensemble, Columbia University Orchestra and the University Philharmonic Orchestra of the University of Missouri. Increasingly active as a clarinetist and improviser, he has collaborated with composers George Lewis, Carolina Heredia, Oswald Huỳnh, Bret Bohman, and Andrew Crossley. Together with Santiago Beis, he plays in the Onishi-Beis Duo, an electroacoustic improvisation duo. Onishi received his doctorate in music composition from Columbia University in 2015. He is currently Assistant Professor of Music Composition at the University of Delaware School of Music. 

Profile Photo © 2015 by Stefaren.

New tracks tagged #algorithmic composition