This episode is hosted by Fountain Court senior junior Nik Yeo. It looks at algorithms and, in particular, the distinction between deterministic and non-deterministic algorithms. 

Nik is joined by three other specialists in this area, who all bring a different perspective to the discussion. They are:

•	Julia Smithers Excell who is a partner in the financial services regulatory team of White & Case. She has extensive experience across a number of areas including fintech and artificial intelligence, topics on which she is regularly invited to speak at conferences and seminars. Julia is a working group member of the Financial Markets Law Committee and contributes to various publications covering topics including the withdrawal of the UK from the EU, fintech and financial market infrastructure. 

•	Minesh Tanna who is a solicitor at Simmons & Simmons where he specialises in technology disputes and is also the firm’s global AI Lead. He regularly advises clients on AI-related legal and ethical issues and is frequently invited to speak at seminars and workshops on the subject. Minesh has recently been appointed Chair of the newly established AI Group of the Society for Computers and Law. 

•	Jacob Turner who is a junior barrister at Fountain Court. He is a former solicitor-advocate, having previously worked for Cleary Gottlieb, and has a particular specialism in technology disputes and more specifically, artificial intelligence. Jacob is the author of Robot Rules, published by Macmillan, and a contributing author to The Law of Artificial Intelligence, published by Sweet & Maxwell. He has worked on a number of cases in this area and has advised governments, regulators and businesses on their AI governance. 

Nik himself was previously a solicitor with Slaughter and May and has a long-standing interest and specialism in fintech and technology, having acted in a market-leading cryptocurrency and algorithmic trading case before the Singapore International Court of Appeal, while currently acting in a range of other cryptocurrency disputes, as well as advising on “smart contracts”, technology disputes and financial regulation. He has published articles on various aspects of cryptocurrency and algorithmic trading. 

Topics discussed in this episode include the distinction between deterministic and non-deterministic algorithms, and issues arising for both types of algorithms in doctrinal law (that is, causes of action) and regulatory law, both from a UK perspective and EU perspective. 

For more information about Fountain Court, including our technology practice, please visit www.fountaincourt.co.uk.

Season 1: Episode 10 – Algorithms: The Legal and Regulatory Landscape

12 28 2023 Questions And Answers On A Variety Of Topics

Separate Ways Ft. Koi

Tech Taught 04-22-15. A podcast about algorithmic visibility on social media. If your social media content is not receiving enough reception, it may be because an algorithm is in play...

"Did You 'Like' My Post on Facebook?" Algorithms Control Post Visibility on Social Media.

SYSTEM ERROR// DO NOT LISTEN TO THESE UNRELEASED ALGORITHMS - THESE ARE PROPERTY OF ORPHIC INDUSTRIES//IF YOU KNOW ANY INFORMATION IN REGARDS TO THIS LEAK, OR THE LOCATION OF THE CRYPTEX ALGORITHM MODEL v9.7, PLEASE FORWARD US AN EMAIL TO CRYPTEX@CRYPTEXOFFICIAL.COM 

Algorithms Vol. 1

Glitch it now

//Kaisu

This is a my mutated version of yellow calx I made using my own algorithms. Its experimental Intelligent Dance Music so its not for everyone, but I made it because I like making IDM. Appreciate anyone who gives it a listen.   

This Song Is Yellow

Path To Nowhere

this is my "cover" of the track  "All of you" by Ken Nordine, please don't sue me 

:)))))))

the process of the production is as follows: slice an orginal song into many little pieces and apply effects on them, scramble them, repeat them... whatever you like. Thus, the result is like taking a perfectly prepared meal and putting it in the blender: you created a new meal, that is essentialy the old one but the experience of the taste might be very different

Toxic Love

Ride

Fallen Angel [Cover]

Audio pieces for "Tech Taught", your news source for educational technology.
http://techtaught.com490.com/

LAMBDASHIFT or lambdashift. If I delete anything, I post it on bandcamp as full albums. You can find the whole SAW II album here https://lambdashift.bandcamp.com/album/selected-ambient-works-2

Blacked Out https://fanlink.to/naviwdgt-blacked-out

naviwdgtmanagement@gmail.com

PAIN.ANXIETY.AGONY!



Send opens🖤 lacoj1339@gmail.com

Instinctive, Proficient, Creative… in three words, you can summarize the immense work of Los Angeles-based Producer/Actor, Cryptex. 

Born Tyler Chase in Boston, MA, raised the smoky mountains of North Carolina, crafted in the halls of London, and cultured by the streets of Los Angeles - Cryptex has had an artistic edge since his youth. Growing up in public schooling, and eventually deciding to home school and graduate early to jump-start his acting path, Tyler’s childhood was blessed with myriad musical and creative influences. The son of two radio professionals, they would listen to everything from Sting, Nora Jones, Michael Jackson, to more recent acts like Missy Elliot, even a broken Nelly CD that he and his mother found in a parking lot. 

With a passion for the acting, Tyler didn’t start out as most of his fellow producer peers. His first acting role was at the age of 11. Tyler went on to be featured in dozens of film and television appearances —  most notably a recurring role on AMC’s, “The Walking Dead” and guest star role on FOX’s, “Sleepy Hollow”. It wasn’t until 2008 when he heard edIT’s track “Crunk De Gaulle,” that Tyler first heard the ticking of BPMs inside of his head, that would eventually become Cryptex. The tune was unlike  anything he’d ever heard--  it went so deep into his bones that he spent the next few days going through every track of edIT’s, Glitch Mob, and dozens of others just to keep this feeling alive. This moment is when 
Tyler knew he was destined to make music, to create what he feels within and to bring out the world inside his soul. 

His first big break came in 2014, when MTV hired Cryptex to assist Patrick Claire and his team at Elastic.tv to create remixes for every nomination category for the 2014 MTV VMAs. 

Most recently, Cryptex released his debut album, “End Silence” capturing the ears of glitch enthusiasts the world over. With a glitchy precision, Cryptex is set to debut his sophomore EP, “ Nightwatch” releasing  this November on Friday the 13th, via his own label, Orphic Recordings. 

Be ready to have your head twisted with glitched and cut melodies and vocals, along with ultra-heavy beats and rhythms. . Up first is the single, “The Fall,”  releasing October 27th. Till then, stay connected on Facebook, Twitter and Instagram

http://www.cryptexofficial.com

Orphic Recordings: orphicrecordings.com


The Fountain Court Podcast provides legal analysis, horizon scanning and insight into one of the UK’s leading commercial chambers. 

In this series, we’ll be exploring key legal issues and updates, industry developments and possible future trends relating to the sectors and practice areas in which our barristers specialise. Our members will be joined by industry experts to discuss each topic. 

If you have ever wanted to hear directly from experienced silks on specific legal topics, or if you have ever wondered what life is like at a commercial chambers; the Fountain Court Podcast will be of interest to you.

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