almost human

Video: https://www.youtube.com/watch?v=h1rhcn7wQWk
More Indie from HQ: https://soundcloud.com/filter-hq/sets/an-indie-thing
Lyrics
Verse 1
Can't reach you here
Through this cold air
Rushing past me
Moving so fast
While I'm standing still
Pre-chorus
The light's so bright
But I'm so cold
Can't feel a thing
Though you're so close
Chorus
Heart beat
Burns right through me
But I'm still cold
It's me you hold
(So cold, so cold)
Verse 2
Empty faces pass
None of them last
In my head now
Static and noise
While I'm breaking down
Pre-chorus
The light's so bright
But I'm so cold
Can't feel a thing
Though you're so close
Chorus
Heart beat
Burns right through me
But I'm still cold
It's me you hold
(So cold, so cold)
Bridge
You move like them now
Just like the rest
Can't recognize
What's in your eyes
(What's in your eyes)
Instrumental Break
Guitar layers build
Chorus - intensified
Heart beat
Burns right through me
But I'm still cold
It's me you hold
(So cold, so cold)
Outro
Standing alone
In waves of sound
Dissolving now
Into the crowd
Into the crowd
Into the crowd
(Fade out with layered guitars)

Almost

Original soundtrack for the performance "The many-headed body"
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Concept & dramaturgy: Yasen Vasilev
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Visuals, photography & design: Martin Atanasov
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Sound & composition: Lyubomir Brashnenkov / possibility of island
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Dance & performance: Ana Petkova, Vasilia Drebova, Dany Kirilov, Emiliya Toncheva, Zahari Nankov, Isabel Mitkova, Nikolay Nikolaev
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Light design: Ralitsa Rangelova
Outside eye: Tsveta Doycheva
Video documentation: Yana Melamed 
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HE MANY-HEADED BODY starts from the understanding that movement is a form of thought and proposes a dramaturgy in which a group of individual performers form a collective more-than-human body and research its possibilities for movement. Informed by the many-headed slime, a unicellular organism without a central nervous system or a brain, which can take decisions and remember, this movement doesn‘t belong to the individual will of any separate performer but emerges from the space of touch between the bodies that has its own internal dramaturgy. The team invites the audiences to look at this new body the same way they look at the seashore.
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Executive producer: ATOM theater
Co-production: Toplocentrala
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Financial support: CORPoREAL research group at Royal Conservatoire Antwerp, Toplocentrala, Goethe Institut Bulgarien, Akademie Schloss Solitude, The Singer-Zahariev Foundation
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Residences: PLAST (SK), ATOM studio (BG), HOD movement laboratory (BG)
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Workshops: Swimming Pool (Sofia), Danseteatret (Trondheim), ReBonkers (Varna), ITAC 6 (Oslo), PLAST (Bratislava), Akademie Schloss Solitude (Stuttgart), divadlo PONEC (Prague), NEXT DOORS festival at De Singel (Antwerpen)
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Special thanks to: Bob Selderslaghs, Maja Hriešik, Rodia Vomvolou, Milø Slayers , Viktoria Draganova, Maria Nalbantova, Karstein Solli, Miroslav Christov, ATOM, CORPoREAL, HOD, Ehsan Hemat

bodies almost like natural picture

Tightropes

dylan droll - almost (produced by adre2x) - 
mixed & mastered by dylan droll 
dylandroll.com

You Almost Persuade Me - Acts 26 19-32

avoid what?

Almost Dead (feat. Különc)

Late September Heart is a quiet story of almosts — the words not said, the looks held a second too long, the song left hanging in the air. Set against a backdrop of worn leather booths and late-night jukebox hum, this track leans into a slow-burning country-blues feel. It’s the kind of song that doesn’t raise its voice, but lingers like smoke — steady, honest, and full of the things we don’t say. For nights when something stirs, even in silence. For what almost was.

Late September Heart erzählt leise von allem, was fast passiert wäre – Worte, die in der Kehle stecken bleiben, Blicke, die zu lange halten, ein Song, der in der Luft hängen bleibt. Der Sound: rau und warm, wie eine Jukebox in einem Diner kurz vor Feierabend. Country-Blues in seiner stillsten Form – ehrlich, zurückgenommen, und voller unausgesprochener Dinge. Für Nächte, in denen etwas bleibt. Auch wenn nichts geschieht.

Late September Heart

A voice like autumn light and late-night tea.

In Late September Heart, Mary Jane Dawson captures the quiet moments that echo the loudest — a stolen glance, a lingering silence, a love that might be, but isn’t yet. With poetic lyrics and a warm, melancholic sound, this song feels like walking home alone under streetlights after an almost-romance.

For fans of intimacy, stillness, and the kind of songs that stay with you long after the last note fades.


Eine Stimme wie Herbstlicht und nächtlicher Tee.

In Late September Heart fängt Mary Jane Dawson jene leisen Momente ein, die am lautesten nachhallen – ein flüchtiger Blick, ein stummes Verstehen, eine Liebe, die fast entsteht, aber noch nicht beginnt. Poetisch, warm und melancholisch klingt dieser Song wie ein nächtlicher Heimweg unter Straßenlaternen nach einer Beinahe-Romanze.

Für alle, die Stille, Tiefe und Lieder lieben, die noch lange nach dem letzten Ton wirken.

lyrics:
do it
poppin off the bottles and i screw it- screw it
idk who you talking to you gotta move it
my whole life is a movie
fuck what you said that that sh!t ain meant for me
it aint meant for me- it aint meant for me

Grippin on a bad bitch
you dont know what you doin but you gon do this
just the two of you
i wanna do it-do it
poppin off the bottles and i screw it- screw it
idk who you talking to you gotta move it
my whole life is a movie
fuck what you said that that sh!t ain meant for me
it aint meant for me- it aint meant for me
got a lil white b!tch call ha stephanie
she be smoking blunts she smoking heavily,
she smoking heavily
i gave the b!tch my weed
thought id never see the day- day
fi- fire going in my face- face
these b!tches didn't have the taste- have the taste
fire alarm and the car alarm goin off
goin off im in la 
i got two bottles full of vod

x2


my whole life is a movie (Prod. walronD!)

Baton Rouge, Louisiana native Dylan Droll is a respected recording artist, songwriter, and audio engineer now residing in Tampa, Florida. Born on January 3rd,  Dylan Droll embarked on his musical journey in 2008, accumulating a wide-ranging portfolio of collaborative ventures, with a strong focus on the rap genre. Since 2013, he has graced stages throughout Louisiana and Texas, solidifying his presence in the music scene. Dylan Droll maintains an open invitation for new artist collaborations, inviting those who share his passion for creating exceptional music to reach out without hesitation.

I make things that can annoy your neighbours if you play them loud

2️⃣🆙️



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# property of creation #


🖼️🧬🪦



"We as humans are vessels of energy, the energy in question is emotions and emotions are represented by color; We dont experience one emotion at a time therfore on another spiritual realm we are glowing colorful beings, if you were able to master the emotional spectrum you would become a vibrant rainbow."

"living in fairytales" - (OST Full Album 2023) New Album Out Now - https://possibilityofisland.bandcamp.com
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“Possibility Of Island” (½ от Satureded Pixels) са последователни проекции, в които личността на Любо, неумолимо се развива, завинтвайки свределът на вниманието там където времето се рони различно, а след срещата си с тях, нищо не е същото. 
POI е лупа за звукови съзерцания, самоопомняща се амнезия и химн на активното търпение. 
POI е леко танцуващ димен силует преминаващ през пазарските мрежи на баналното време. 
Състоянията на POI са като онези слънчеви лъчи рекуширащи се в прашинки от звуци, та спокойното внимание да ги обгръща и съдържа като мъниста сред паспарту-то на тишината. 
Друг път внимателната светлина на POI преминава през природната геометрия на паяжина отрупана с капчици чиито подредба се стича или изпарява в тази хронометрична сутрешна мрежа - спокойна и свежа в безсъзнателното си звучене. 
Рече ли някой да разглоби магията му с някакви ментални щипци, ще се окаже че болезнено е строшил огледалото на собственото си Его , порязало се за да има мастило и опише преживяното в този поток от изплъзващи се абстракции. 
Ако му се оставиш, и ако спреш да държиш тези аварийни значения и се потопиш, за да се разтвориш като мастилена сълза в бистрия свеж поток на това съзнание, от превърнал се в поток, ще се окаже, че потокът се е завърнал отново при себе си, а не толкова, ти в него. 
Но територията на POI не е с/хванатa - няма как да се картографират сънища, за да се върне човек на същото място там и изрови съкровището на мига си. 
Освен ако не се забравиш, като един и същ, един и същ . Един и същ . В абстрактната картина от звуци човек не навлиза за да улавя неуловимото, а за да загуби уловимото. Да сглоби отново неделимия си свят в неговата цялост. В която без да подвежда, носталгията по настоящето сама повежда вниманието.
POI дешифрира тишината, за да се вслушва в нея отвъд баналното й було. 
Докато привидно немее, музиката на POI умее да реставрира уморения дух от значения. Подрежда стъклените топчета на детските сънища. Мравучка щикристални насекоми, които подреждат музикалната геометрия в света на минималистична вселена в която трябва да внимаваш да не я счупиш с някое непохватно слонско движение. 
”Възможността за остров"(Possibility Of Island ) е възможност да се оставиш и завърнеш "там" като жив сал. Теченията сами ще те отведат там където вътрешните гледки никога не закъсняват, защото са навсякъде. “
Ревю от Мето Лицев

New tracks tagged #almost