idek anymore

Hollow Pines is a dark folk lament rooted in quiet dread and ancient woods. With fingerpicked guitars, ghostly vocals, and a wind-whispered melody, it captures the feeling of being watched by something older than memory. It’s a song for lost trails, cold embers, and truths buried beneath moss and bone.

#darkfolk #folknoir #neofolk #gothicfolk #indiefolk #hauntingmusic #acousticfolk #moodyfolk #americana #forestmusic #hollowpines #ghostfolk #singersongwriter #altfolk #melancholyfolk #sadfolk #etherealfolk #darkacoustic #woodlandmusic #mythicfolk #newmusic

Hollow Pines

Rattle the Hollow is a dark folk invocation—an echo through empty rooms and bone-deep memories. Built on eerie acoustics, minor-key melodies, and whispered vocals, it’s a song for the haunted and the hungry. Shake the silence. Stir the shadows. Some ghosts don’t wait to be invited.

#darkfolk #folknoir #gothicfolk #neofolk #ghostfolk #indiefolk #acousticfolk #hauntingmusic #altfolk #rattlethehollow #moodyfolk #singersongwriter #forestfolk #etherealfolk #sadfolk #darkacoustic #americana #melancholyfolk #storysong #mysticfolk #newmusic

Rattle the Hollow

Lullabies for Outlaws is a soft-spoken anthem for the hard-living. A blend of dusty guitars, worn-in vocals, and campfire melancholy, it’s outlaw country at its most tender. These are songs not for sleep, but for survival—sung to the bruised, the broke, and the ones too wild to settle. It’s comfort with a rough edge, a love letter to the restless.

#outlawcountry #americana #darkcountry #altcountry #lullabiesforoutlaws #rootsrock #acousticcountry #moodyfolk #grittymusic #singersongwriter #countryballad #honkytonk #countryblues #campfiremusic #storysong #dustyroads #emotionalcountry #lonelyhighway #altfolk #newmusic

Lullabies for Outlaws

Australian indie folk artist Daggy Man (the solo project of Thomas Calder) returns with “Ten Minutes”, the first single from his forthcoming album, Always Almost. The single will be released on June 13, marking the beginning of a new chapter in Calder’s ongoing exploration of vulnerability, presence, and poetic restraint.

Ten Minutes

An indie-folk celebration of finding your people through shared music and style. From acoustic verses to piano-driven choruses, it captures that magical recognition when you meet someone who speaks your language.

I Know You Hear the Music

The ritual won’t wait — it’s the place of becoming. Lines drawn, a transformation beyond undoing, to become herself.

[lyrics]
It's running it's running it's running 
red on the floor
she's coming she's coming  she's coming 
ready for more
it's running It's running It's running 
flooding the gates
little by little by little
it evaporates

for too long been evicted from my own skin
for too long I've carrying  invisible weight
for too long i've been reduced to something
i couldn't love or hate

you know it's not what you need
why are you reaching all the way for it
It's running it's running it's running 
red on the floor
she's coming she's coming  she's coming 
ready for more

won't you hear her out
what is this about

cause i have been living
but i didn't have the evidence
cause I've been broken 
but nobody could see
cause I've been screaming 
but it did not make any sense
now can you see me, can you see me?

it's night again and we know what it means
the ritual won't wait, it's a place of becoming
It's running
red on the floor
she's coming  she's coming  she's coming  she's coming 
silent no more

you will look at the after
but will you ever
ever ever ever see the before
It's coming it's coming it's coming it's coming

“Lye and Lace” is a dark folk tale dressed in soft lies and sharp consequences. Beneath the delicate harmonies lies a story of betrayal, retribution, and the kind of love that stains more than it soothes. It’s old-timey, haunting, and dangerously beautiful — the sound of secrets soaked in moonlight and regret.

#DarkFolk #FolkNoir #astrul #LyeAndLace #MurderBallad #SouthernGothic #FolkWithFangs #GhostFolk #AppalachianFolk #FolkTale #AcousticDarkness #HauntingFolk #DeathInDresses #AltFolk #PoisonedLove #FolkStorytelling #GraveyardFolk #FolkMusic2025 #SoundCloudFolk #NewFolkDrop

Lye and Lace

Daman!demo1

Copyright Erin Wolf 2025
Week 24 - Song A Week 2025
"Like We Did Before"

i am going home
i am going home
thought i knew the way
i wanted to go

i thought i could find
some kinda peace of mind
but i found that i was still
walking alone

now i don't which way to turn
i don't know if i'll freeze or burn
but i know i'll find my way out
somehow

i don't know if i'll sink or swim
i don't know if i'll go out or in
all i know is that i will find my way
somehow

i can feel you near
like you're just around somewhere
just beyond my line of sight
you and i 

i don't know who you are
but i know you're my north star
and i cannot wait to see
the day we meet again

and i don't know how
and i don't know when
but i know i'll see you
again

i don't know how or when
i'll see you again, my friend
we'll figure it out
like we did before

Like We Did Before

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

Daggy Man is the solo side-project of Thomas Calder, Singer/Songwriter of The Trouble With Templeton.
These songs are somewhat of a scrapbook, constructed from memories that may or may not be entirely accurate.

my darkest light. my chaos. my underworld.
✛✛✛
Japan-based alt singer songwriter. Finally starting to make music after a decade of severe depression, dissociation and many more struggles I will be uploading rough demos to overcome my fear of exposure and to give myself enough pressure to start learning production. Everything so far is recorded on my phone, with some effects added. Bear with me while I learn to do better.

Also vocalist of the Japanese post-hardcore band REX and a genre-bending band KAMIKA.

Official account of Erin Wolf for Song A Week 2019-present. • For 2016-2018 Song A Week archives, follow @erniwolf or click the link below.

New tracks tagged #altfolk