A blackened and unknowable vast psychedelic-atmospheric-ambient-doom-noise synthesizer arrangement.
9-7-2024

What You Cannot See

other realm's first release 'YOU ARE NOT IMMUNE' out march 3, 2024

1. residue
2. you are not immune
3. 4th vessel
4. absolve

absolve

you are not immune

Third track from the album 'we  all burn in the fire'. Recorded Apr2025 using an Akai Drum Machine, Yamaha PSR 220, Behringer pro-1, Donner essential B1 a theremin, a mini Korg oscillator and a load of pedals. All tracks were recorded in one take with no overdubs, samples, edits or sequencing. 

Byzantine Torture Chamber

Fifth track from the album 'we  all burn in the fire'. Recorded Apr2025 using an Akai Drum Machine, Yamaha PSR 220, Behringer pro-1, Donner essential B1 a theremin, a mini Korg oscillator and a load of pedals. All tracks were recorded in one take with no overdubs, samples, edits or sequencing. 

Doom Cathedral

Seventh track from the album 'we  all burn in the fire'. Recorded Apr2025 using an Akai Drum Machine, Yamaha PSR 220, Behringer pro-1, Donner essential B1 a theremin, a mini Korg oscillator and a load of pedals. All tracks were recorded in one take with no overdubs, samples, edits or sequencing. 

13th Circle

Ninth track from the album 'we  all burn in the fire'. Recorded Apr2025 using an Akai Drum Machine, Yamaha PSR 220, Behringer pro-1, Donner essential B1 a theremin, a mini Korg oscillator and a load of pedals. All tracks were recorded in one take with no overdubs, samples, edits or sequencing. 

Golgotha

Eleventh track from the album 'we  all burn in the fire'. Recorded Apr2025 using an Akai Drum Machine, Yamaha PSR 220, Behringer pro-1, Donner essential B1 a theremin, a mini Korg oscillator and a load of pedals. All tracks were recorded in one take with no overdubs, samples, edits or sequencing. 

Dungeon

Thirteenth track from the album 'we  all burn in the fire'. Recorded Apr2025 using an Akai Drum Machine, Yamaha PSR 220, Behringer pro-1, Donner essential B1 a theremin, a mini Korg oscillator and a load of pedals. All tracks were recorded in one take with no overdubs, samples, edits or sequencing. 

We All Burn In The Fire

A lament soaked in reverence and ruin, If I Didn't Have You is a ritual gospel doom offering for anyone who’s ever loved through catastrophe. With haunting vocals, aching repetitions, and a slow build of sacred grief and cosmic longing, this track is a hymn for the unspoken.
We cast.
We break.
We rise.
We ache.
This is what it sounds like to hold the moon and let it go.

 Vocals recorded in a single take at midnight.
 Produced with ritual bones and starlight.
 For the ones still awake.

If I Didn't Have You

"THE HIDDEN HAND" is a dense and unsettling exploration of sound. It blends the improvisational spirit and harmonic language of jazz with the abrasive textures and unpredictable structures of noise music. Don't expect moments of fractured saxophone or other jazz instrumentation because they're buried deep within and are battling against layers of static, feedback, and electronic distortion. The track creates a claustrophobic and intense atmosphere, where familiar jazz elements are deconstructed and contorted by a raw, soft but often overwhelming sonic assault. It's a challenging listen that sits at the intersection of avant-garde jazz and noise, rewarding those seeking a truly unconventional and confrontational sonic experience. Although rooted deeply in doom music and drone metal, this track might not be for listeners that prefer traditional notions of these genres.

THE HIDDEN HAND

Lyrics 

En skugga i dörren, ett steg i vår hall
Inte skrämd, men jag hör dina steg och skaftet på lien mot golvet slår
Du ser på mig stilla, med ögon så grå
Inget hot, bara tystnad – och det är dags att gå


Det känns som ett löv som släpper sitt grepp
Som ett andetag stilla, ett sista kliv i rätt skepp
Ingen vrede, inget tvång
Då vet du i hjärtat att resan är lång


När det är dags så är det dags
Ingen bön, inget knep, ingen mask
Vi föds för att vandra, för att en dag förstå
Att när döden kommer – då är det dags att gå


Du viskar mitt namn som en vän från förr
Din röst bär på lugn, ingen dom, inget murr
Jag reser mig upp, inget mer att slåss för
Ett steg ut i natten – där livet blir större än förr


När det är dags så är det dags
Ingen bön, inget knep, ingen mask
Vi föds för att vandra, för att en dag förstå
Att när döden kommer – då är det dags att gå


Och inget mer finns kvar att säga
Bara stegen som vi tar
När döden knackar utan att tveka
Och tiden lämnar våra kvar

När Det Är Dags - REMASTERED - HD

A Creeper

Doom Scrolling

Arrival of the Fly

ambient, soundtrack and techno tracks with a dark and doomy, metal and industrial influence; I use cheap, scuzzy old out of date equipment, field recordings and analog synths. I mostly record live. Grit is Good. 
Also one half of the ultra-hard electro noise punk doom duo 9hx5t/5x9nxl. 

Thanks for reading & listening!

Electronic Doom Music forever!!!!

𝖔𝖙𝖍𝖊𝖗 𝖗𝖊𝖆𝖑𝖒
Queer ambient & electronic doom made on Sinixt Territory.
otherrealmsound@gmail.com

I’m a Swedish music maker who loves blending club, house, rock, and electronic vibes into something that feels alive. I’ve been writing lyrics for a few years now, and every song is like a piece of my own story. If it makes you want to dance, dream, or just feel something – then I’ve done my job. / S.H.Thorn

Aelthune is the sound of sacred ruin.
Summoned from the shadow of an abandoned stone church, her music weaves dark folk, cosmic gospel, and haunted poetry into something both reverent and feral. With a voice that howls like a hymn through stained glass dust, Aelthune sings of death, devotion, myth, and memory—where love is a spell, loss is a sacrament, and every chorus is a curse wrapped in silk.

Each track feels like it was unearthed, not written—an offering from a deeper place.
Her songs don’t ask for permission. They knock down the door of your soul and leave petals on the threshold.

An experimental musician and sound artist blending noise, jazz, electronics and avant-garde improvisation. 

Usually: exploring and pushing the boundaries of sonic textures and dissonance. Sculpting soundscapes that challenge conventional notions of melody and harmony. 

Sometimes: a member of noise rock, drone, doom and powerviolence groups.

I have absorbed a wide, eclectic variety of music for decades, and am spewing out my personal blend.

stuck in the experimental phase. I mix for headphones because that's how I listen to  my tracks so may take some eq for speakers.

New tracks tagged #ambient doom