the other day my gut feeling told me, if i was recording this 1 it would become a solid track. maybe, i thought.
that's how it works sometimes.
and it was happening again.
no percussion or any drums this time.
simply the catchy, bass-heavy and dreamy drone vibe that came out of pure improvisation.
straight from the guts

all instruments played simultaneously & recorded live on an sp404


(2024)

Guts

ending my summer with echos of a DX7 and the cool wind through the neon sunset

pixel palm trees

That Anus Song

Socioradio decay and musical mirages tuned to the majestic despair of our times. Analog synthesizers, AM and shortwave, spring reverb, effects. Home recordings cut up and rearranged throughout 2024. Part II

ROTRADIO II

Socioradio decay and musical mirages tuned to the majestic despair of our times. Analog synthesizers, AM and shortwave, spring reverb, effects. Home recordings cut up and rearranged throughout 2024. Part III

ROTRADIO III

Releases 12.25.2024 by Beam Nine

DOWNLOAD FREE: https://crow96.bandcamp.com/track/theres-something-on-the-mountain

Recorded in autumn of 2024, this single takes a more electronic approach than Crow 96's previous body of work. Working around his infant son's naps, the artist created the majority of this song within the confines of headphones, recording guitars via digital modeling as opposed to mic'd amps. The artist's passion for analog synthesis was able to shine through the song's rhythm and lead synth portions.

LYRICS

There's something on the mountain
Can you see it
There's something there again
Can you hear it
There's something on the mountain
Can you feel it
Can you get near it again

There's something on the mountain
Can you see it
There's something there again
Can you hear it
There's something on the mountain
Can you feel it
Can you get near it again

There's Something On The Mountain

This is my Gen X, mid-life crisis, electronic ambient record, made primarily with analog synthesizers, drum machines, many guitar pedals (mostly EHX), and plugins. Very much inspired and influenced by Boards of Canada, Suzanne Ciani, Brian Eno, Aphex Twin, and Fans of Collision.

Night wave

Twinkling lights (interlude)

Drone rise

Some more synthwave with additive and fm synthesis together with atmospheric electric grand piano. Tried to find also some oldskool 80s and 90s computer game / demo lead sounds. In this I was mostly using Air Loom II, Surge, and Ultra Analog VA-3 for the sounds, combining everything around simple layered 2-layer (2x2 fm oscillators) arpeggio repeating through the entire piece...

Galactic Teardrops

Phantom Empire

The song is about feeling like time is running out to make an important decision.

Broadcast

14. How much Time

Commissioned project I've been working on for a client.

Hakuna Kulala is Swahili for “No sleeping!” and is a call to stay awake, move, and party all night. This track pushes House into new territory, fusing psytrance kicks with amapiano log drum patterns, deep tribal percussion, and analog‑processed piano chords. Heavy sub‑bass drives the groove while swirling psychedelic breakdowns create a ritualistic, futuristic atmosphere.

It’s progressive house at heart, but colored with influences from amapiano, deep techno, and trance, designed to feel as much like a ceremony as a dancefloor cut. Inspired by the idea of tradition colliding with technology, Hakuna Kulala is both nostalgic and forward‑looking: ancestral rhythm reimagined through modern synthesis.

📌 Please note:

Free to share with attribution ✅
No commercial use ❌ (but you're allowed to add it to your DJ mixes/sets)

Let this track be your soundtrack to sleepless nights, endless movement, and boundless energy.

The Chosen - Hakuna Kulala

Synthetic Arts - Back In 1999 Album (Out Now)

© Michael Calabris Music (ASCAP), 2025. All rights reserved.

This is an excerpt from "The Obsidian Mask," a Buchla Easel V-realized composition, divided into six sections.

You can check out the entire recording of "The Obsidian Mask" on Bandcamp: https://michaelcalabris.bandcamp.com/album/the-obsidian-mask

The Obsidian Mask

Prelude & Sonata I (from "The Obsidian Mask")

Established in 2018, our international label boasts an impressive variety of genres and artists from all corners of the globe. Created by a talented audio engineer and music producer, we offer unparalleled services for artists looking to make a name for themselves.

Our track record speaks for itself, with countless top-selling songs on Beatport and Traxsource.

✉︎ Demos Submission: behaviormusicrecords@gmail.com

Infeckted Wrecktum. Australia's own 100% freestyle breaks and hardcore circus with two clowns attempting to control a menagerie of analog synthesizers, drum machines and distortion pedals. You never know what to expect from these two wankers, THEY don't even know what they're going do... 

Highly unanticipated, dirty and deep in the underground like a potato.

50%   Psychadeathic
50%   Audio Druid
100% Shitcunts

#DeepInTheCultureLikeYoghurt

🥁🎶🤘
☠️🥔♾️

Crow 96 is the most recent iteration of solo lo-fi recording projects by a musician and composer in Nevada. In part due to a relatively transient lifestyle, the artist has been releasing music under several monikers across the United States since 2007.

Long nights power sessions making bangers, I'm a learning by doing type. Lots of CC0/CC tracks. Drop a comment/follow if you like anything <3 #FLSTUDIO 4Ever

#techhouse #house #psytrance #electronic #rave #techno #darktech #darkhouse

Lazriel Fontaine is a London-based composer and avant-garde sound designer whose music drifts between cinematic orchestration and experimental electronics. Born in Hannover, Germany, while his father was stationed abroad, Lazriel spent much of his later life moving across the world — a journey that shaped the diverse textures and emotional range of his work.
His compositions draw inspiration from artists such as Ludovico Einaudi, Two Steps from Hell, Dexter Britain, and the nostalgic pulse of 80s synthwave, blending them into pieces that are both hauntingly intimate and grandly expansive.
Fontaine’s music often explores the tension between structure and improvisation, weaving together influences from classical minimalism, film scoring, and modern sound design. Each piece feels like a landscape — shifting, atmospheric, and deeply tied to memory and movement.
Though eclectic in style, his work remains united by a search for resonance: music that lingers, unsettles, and uplifts.

Started making music with 8bit and PC computers in 80s & 90s inspired by the time C64 and Amiga music and demo scene composers. Composers and artist who have mostly inspired me during the years include people like Jean Michel Jarre, Vangelis, Klaus Schulze etc. In addition to ambient and synth music, my life at early stages at home was affected by 50s and 60s instrumental rock i.e. in Finnish "rautalankamusiikki" and Finnish rock and pop from 70s and 80s.    

Now-a-days I am trying to play guitar, bass and synths, and singing...from other instruments, flutes and pipes are close to my heart too.

Seattle based visual artist and sound composer. His work has been heard in Iancu Dumitrescu's 1st Annual Computer Music Festival in Bucharest, and the Center on Contemporary Art's People Doing Strange Things With Electricity Too.

🎶 Music Producer
​🔊 Sample Pack & Synth Preset Designer
🎹 Synthwave | 80s Retrowave | Electronic Music

Thanks for your support.

📍Chicago | Northwest Indiana
📧 matthewcassettemusic@gmail.com

New tracks tagged #analog synthesizers