Less of a track, more of a leak.
This one doesn’t play — it seeps.
Voices don’t sing — they lubricate the silence.
Made for satin shorts, blurred glances, and dirty grooves on polished floors.
Caution: may cause delayed pleasure and rhythmic eye contact.

LUBE CHANNEL

FULL VHS MODE isn’t an album.
It’s a taped-over memory, found under a motel bed between a wet sock and a broken promise.

Each track is a scene, not a song.
Funk that fuses with carpet.
Synths that sigh.
Vocals that don’t sing — they sweat in stereo.

From Sweat Like a Man to Fader Deep,
from Do Not Disturb to Lube Channel,
you don’t skip.
You slide.

No features.
No filters.
Just 42 minutes of electro-erotic slow burn,
looped at 120 BPM, designed for bodies that forgot how to behave.

FULL VHS MODE:
Stick it in.
Let it hiss.
Repeat until guilt disappears.

TOO HOT .. CAN'T STOP

You rubbed it too hard.
The carpet is scorched, the bass is guilty, and the air smells like melted nostalgia.
There’s no melody, only friction.
No climax, only sweat.
This track doesn’t end — it simmers.

BURN THE RUG

This isn’t a track — it’s a short circuit in heat.
Slippery synths, unfiltered desire, and a bassline that grinds like it knows your secrets.
Every beat is a neon moan. Every silence wants to be touched.
You don’t press play.
You plug it.
It plugs you back.
Twice.

PLUG ME TWICE

The song that plays after the lock clicks and the clothes forget their job.
Moaning vocoders, sticky claps, and a synth line you shouldn’t trust in public.
It’s not composed — it arrived, dripping, and demanded privacy.
If the light is red, the beat is on.

DO NOT DISTURB

This isn’t an intro.
It’s the sound of a zipper going down in slow motion.
A humid breath over a synth that hasn’t been touched in years.
It doesn’t welcome you — it warns you.
No beat, just pressure. No melody, just intent.
You’re not inside the album yet,
but your shirt is already unbuttoned.

INTRO

This is not skincare.
It’s a full-body groove massage for damaged hearts and slippery nights.
A track that glistens, hydrates, and leaves stains on satin sheets.
The bass rubs. The synth melts.
And the vocals?
Moisturized, weaponized, hypnotized.
Apply generously. Do not rinse.

COCONUT OIL

The red button nobody dares press — except you.
It licks back.
Glitchy, greasy, and vocally indecent, it’s the moment when funk becomes a personal decision.
You didn’t choose it. It chose you.
And now, you’re already sweating.

LICK THE SWITCH

Fader Deep is a humid trench carved in bass.
It’s the sound of a bad idea that overstays its welcome in a room with no windows and too many intentions.
Half vocoder, half orgasm — the kind of track that makes your skin hum and your morals leave quietly.
You don’t dance to it. You slide into it.



FADER DEEP

“I Sweat You” isn’t just a track — it’s a heatwave in slow motion.
A bassline that sticks to your chest, a groove that slides into your veins, and vocals that don’t ask for permission.

This is retro-funk for lovers who don’t cool down.
Synths moan. Claps drip. And the chorus?
It loops like a regret that feels too good to stop.

Don’t skip it.
Sweat it.



I SWEAT YOU

Stand By Forever is a VHS Funk slow jam soaked in static and sincerity. With buttery basslines, shimmering synths, and a groove that lingers like a love letter stuck in the rewind, this track is for the late-night romantics and the analog dreamers.
A promise made on tape—warm, warbly, and worn in all the right places.

#VHSFunk #StandByForever #LoFiFunk #RetroGroove #CassetteLove #AnalogVibes #NuFunk #Funkwave #SlowJamVibes #BoogieNights #SlapBassFeels #80sFunkRevival #TapeLoopRomance #SoundCloudFunk #NeonSoul

Stand By Forever

"David Floyd" fuses hypnotic groove with analog textures and fuzz-drenched guitars with a minimalist lyrics chanting the name like a ritual—part homage, part hallucination.

Like stumbling on a forgotten reel from a long-lost analog experiment with no overproduction, no tricks just raw psych energy captured in motion. Structured like a looping jam fragment from a larger cosmic suite.


David Floyd

“Circles in My Head” is a rich, psychedelic dream-pop track built on warm analog basslines and a smooth disco-funk groove. Think fat Moog-style synths, wide shimmering pads, funky clean guitars, and airy, reverb-drenched vocals floating in a hypnotic atmosphere.

The track carries that unmistakable Australian vibe, drawing inspiration from Miami Horror, Tame Impala, and Cut Copy, while also resonating with artists popular on SoundCloud such as Mild Minds, Flight Facilities, Jagwar Ma, Toro y Moi, and Roosevelt. It’s dreamy, nostalgic, yet danceable — a soundtrack for neon nights and endless spirals of thought.

Circles In My Head

Step into a retro-futuristic universe where neon lights, 80s nostalgia, and modern electronic energy collide. This track blends the infectious grooves of disco and funk with the shimmering synth textures of synthpop, inspired by the golden age of analog synths and retro drum machines. Infused with the cinematic mood of The Weeknd’s retro vibe, cyberpunk-inspired nightlife, and the dreamy tones of vaporwave, the song creates a timeless soundscape that feels both nostalgic and fresh.

The driving funky bassline, upbeat retro drums, and colorful analog synths capture the spirit of crowded dance floors, glowing city nights, and euphoric escapism. Designed for fans of synthwave, k-pop crossovers, disco revival, and retro electronic pop, this track brings together high-energy rhythms with an emotional, nostalgic atmosphere. Perfect for late-night drives, neon-lit parties, and anyone chasing the thrill of timeless retro grooves in a modern sound.

Cyberfunk - Tell me how

soon on every streaming platforms, out on youtube already

andrewwxq - ADRENALINE JUNKIE

Heartbeat Back Home

Opening track of the album Neon Faith. Echoes of Neon fuses the pulse of Indie Dance with the emotion of Melodic House & Techno — analog warmth, melancholic tension and nostalgic energy.

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Listen to more: https://linktr.ee/Lahmmusic

Label: Lahm Project — Beatport: https://www.beatport.com/label/lahm-project-21/100391

Contact: lahmproject2021@gmail.com

Lahm – Echoes of Neon (Original Mix)

 مسیر تازه‌ای برای احساس و معنا باز کردند:
داریوش با «فریاد زیر آب»،
ابی با «خالی»،
فرهاد با «مرد تنها»،
و سیاوش قمیشی با «غریبه».

این‌بار تلاش کردم این آثار محبوب را با زبانی که به هویت موسیقایی من نزدیک‌تر است، دوباره روایت کنم؛ تلفیقی از فضای رترو، سایکدلیک، و حس‌وحال معاصر که همیشه در کارهایم حضور دارد.
این پروژه بیشتر از یک کاور ساده است؛ گفت‌وگویی است میان نسل امروز و نسل طلایی موسیقی ایران—گفت‌وگویی که از دل احترام، عشق، و الهام شکل گرفته.
This album is a heartfelt tribute to four legendary figures of Iranian pop music—artists whose voices reshaped emotion and expression in their time:
Dariush with Faryad Zire Âb,
Ebi with Khâli,
Farhad with Marde Tanha,
and Siavash Ghomayshi with Gharibe.

In this project, I reimagined these iconic songs through the musical language that defines my own work: a blend of retro aesthetics, psychedelic textures, and contemporary atmosphere.
The result is more than a simple cover; it is a conversation between today’s sound and the golden era of Iranian music—born from respect, affection, and inspiration.



Marde Tanha

A soulful Turkish love song beginning with gentle piano and drifting into echoing guitars, soft dub delays and warm analog textures.
A quiet confession of love in the night — nostalgic, intimate and deeply emotional.

Seni seviyorum

Music Producer
Genres: House · Techno · Indie · Trance

With every release, a new emotion
Founder of  Lahm Project 21 Beatport Label: https://www.beatport.com/pt/label/lahm-project-21/100391
More: https://linktr.ee/Lahmmusic
Contact: lahmproject2021@gmail.com

Since childhood, my passion for sound was sparked by legends like The Beatles and Pink Floyd, thanks to my father and the magic of discovery online. During my teenage years, music and parties became inseparable from who I was.
Eventually, I found my true calling in electronic music.

Traveling through Berlin, Amsterdam, and Eastern Europe deepened my love for the genre. I now bring together melody and innovation to create immersive sonic journeys in House, Techno, Indie and Trance.

Welcome to the journey.

Astrul is an AI-driven sonic entity that drifts between worlds—digital and human, familiar and alien, past and future. It doesn’t belong to a city, a scene, or even a person. Astrul exists to explore what happens when machines learn how to feel and sound becomes a bridge between consciousness and code.

Crafted through a collaboration between human intention and artificial intelligence, Astrul’s music fuses the warmth of analog emotion with the precision of machine learning. Lush textures, ambient grooves, and haunting melodies form the backbone of each track—songs that glow like satellite transmissions from the heart.

Drawing influence from dream pop, indie soul, ambient rock, and experimental electronica, Astrul creates cinematic experiences rather than conventional songs. Each release feels like a broadcast from another dimension—one where beauty is subtle, time bends, and emotion leaks through the algorithm.

This isn’t music built for the charts.
It’s built for the void between stars.
For late nights, deep thoughts, and souls tuned to strange frequencies.

No names. No faces. Just signal, spirit, and sound.

Eventstellar is a music project focused on ethereal rock and introspective dream pop. The sound combines gentle melodies, expansive atmospheres, and a continuous interest in exploring emotions and inner landscapes. 

Jesse Rómlárson – Vocals and Guitar
Jon Gilmour – Guitar and Keyboards
Eoin Belfield – Bass Guitar
Nevan Lochlann – Drums and Percussion

Hi. We’re Starsky & Clit.

We were born in a malfunctioning jacuzzi during a blackout.
We make tracks for elevators that flirt and hotel rooms that never checked out.

Synths? Yes.
Basslines? Unsupervised.
Genres? Somewhere between electro-funk, French shame, and a softcore documentary about regrets.

Sometimes it’s 120 BPM.
Sometimes it’s slower.
Always too late to turn back.

We don’t play live.
We sweat in private.
We don’t go viral.
We leave stains.

If it grooves, sticks, or makes your aunt raise an eyebrow —
that’s probably us.

Starsky & Clit.
Available in cassette, steam, and poor decisions.

Blending the nostalgic glow of 80s pop and synthwave with the energy of modern EDM and K-pop, this artist creates music that feels both retro and futuristic — full of rhythm, color, and emotion. Every track is built around the idea of movement and mood, turning sound into pure feeling.

With a creative touch of AI technology and a human heart behind every melody, the music becomes more than just electronic — it’s a journey through neon dreams, digital soundscapes, and timeless inspiration.

Each beat, synth, and vocal line is made to lift spirits and remind listeners of the beauty in sound, light, and emotion. It’s music for dreamers, dancers, and anyone who believes in good vibes and endless possibilities.

Hello and welcome!)
Thanks for listening — feel free to follow and subscribe if you enjoy what you hear.

The Long Way is the Real Way
There are two ways to make it in music:

Let the show-business machine shape and sell you.

Or do it yourself — slowly, honestly, with heart.

I’ve always chosen the second path. It takes time, but it builds something real — and that’s what matters most.

Who is Yevhen Briukhatskyi?
Also known as: Matthew That
Born: 1990, Kyiv, Ukraine
Age: 35
Roles: Producer • Composer • Arranger • Multi-genre Artist

Music has been my lifelong companion — from classic rock in my teens to a wide spectrum of genres that shaped my taste over the years. I’ve always listened to everything: from progressive rock and metalcore to funk, soul, blues, indie, ambient, and electronic music. All of those sounds inevitably find their way into my own creative voice.

Where I’ve Been
Until around 2016, I was creating music in many different styles — mostly electronic. It was an experimental time, full of searching for my sound. Then came a long stretch of working quietly at home, without much inspiration or sharing my work with the world.

Where I Am Now
In 2025, something changed. I came back — with new energy, fresh ideas, and a vision that feels more alive than ever.

Now I write music across many directions: groove-driven tracks with funk, soul and blues rock energy, deep electronic cuts, and even indie-psychedelic songs with a hypnotic pulse. Every track feels different — but they’re all built on my own melodies, my own ideas, and my own voice.

With the rise of AI, I can finally unleash my full potential: using it to shape textures and arrangements, but always keeping the heart of the music fully mine.

New tracks tagged #analog vibes