Songs from the revival of the Jesus Christ Superstar mastered from the 2012 arena tour featuring Ben Forster, Tim Minchin, Melanie C and Chris Moyles.

This Jesus Must Die (Gerard Bentall, Pete Gallagher)

Damned for All Time/Blood Money (Tim Minchin, Pete Gallagher, Gerard Bentall)

Superstar (Tim Minchin)

Following an acclaimed sold-out tour of the United Kingdom, Cameron Mackintosh’s spectacular new production of Andrew Lloyd Webber’s phenomenal musical success, THE PHANTOM OF THE OPERA, will come to Los Angeles as part of a brand new North American Tour.

"The Music of the Night" - THE PHANTOM OF THE OPERA

Pie Jesu
Requiem 1985
Andrew Lloyd Webber
In memory of grandmother Izabel El-Hage, victim of cancer
Recorded and Edited at Teddy Nasr Studio

Pie Jesu - Requiem covered by Rita Hokayem (Andrew Lloyd Webber)

Website: https://www.carl-lindquist.com
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__________________________________

- Credits -

Song: Heaven On Their Minds
Musical: Jesus Christ Superstar
Written by Andrew Lloyd Webber & Tim Rice

Mixing by Greg Giraudo
__________________________________

Lyrics:

My mind is clearer now
At last, all too well I can see
Where we all soon will be
If you strip away
The myth from the man
You will see where we all soon will be

Jesus, You've started to believe
The things they say of you
You really do believe
This talk of God is true

And all the good You've done
Will soon be swept away
You begun to matter more.
Than the things You say.

Listen, Jesus I don't like what I see
All I ask is that You listen to me
And remember, I've been Your right hand man all along
You have set them all on fire
They think they've found the new Messiah
And they'll hurt You when they find they're wrong

I remember when this whole thing began
No talk of God then, we called you a man
And believe me, my admiration for You hasn't died
But every word You say today, is twisted round some other way
And they'll hurt You if they think You've lied

Nazareth's your famous Son
Should have stayed a great unknown
Like His father carving wood
He'd have made good.
Tables, chairs and oaken chests
Would have suited Jesus best
He'd have caused nobody harm, no one alarm!

Listen Jesus, do You care for Your race?
Don't You see we must keep in our place?
We are occupied, have You forgotten how put down we are?
And our conquers object, to another noisy sect.
And they'll crush us if we go too far, if we go too far

Listen, Jesus to the warning I give
Please remember that I want us to live
But it's sad to see our chances weakening with every hour
All Your followers are blind, too much heaven on their minds
It was beautiful but now it's sour, yes it's all gone sour

Listen, Jesus to the warning I give
please, remember that I want us to live
Listen Jesus to the warning I give, aaaah
I just want us to live, it's all... gone sour....
__________________________________

Heaven On Their Minds - Jesus Christ Superstar

I know... another POTO track. Last one I promise!

Some of you who kindly liked the organ backing have asked for a full orchestra version of this, so here is a quick MIDI mockup I did. Enjoy!

Phantom Of The Opera: Overture backing track @ 60bpm 
Full Organ/Synth/Rhythm track + Orchestra.


For more info on custom backing tracks please visit me at www.richmcleod.com

Phantom Of The Opera - Overture (Organ Backing Track WITH Orchestra)

This is a cover of 
Barbra Streisand - Memory song 
(Andrew Lloyd Webber - Cats)
on Yamaha Motif XF and Motif XS.

Barbra Streisand - Memory

angel of music • phantom of the opera (duet)

This is my hundredth attempt (or above?) to make this very close to perfection =)), but still it is not perfect. This is one of my favourite songs from POTO. Let me know how this cover sounds by leaving comment and rating :-). Male part is sung by Dakota Brown on youtube. Thank you :-)

Past the Point of no Return (Phantom of the Opera Cover)

I produce compositions, backing tracks and play drums for a living.

For more information and for booking/project enquiries please visit my website www.richmcleod.com

For licensing of my original tracks you can also contact concierge@musicgateway.net

Carl Lindquist is an actor, singer and voice artist. Born and raised in Stockholm, Sweden. He is known for his extensive experience as a stage actor, as well as appearing in various film & TV productions.

From a young age Carl immersed himself in a musical environment provided by his family, listening to the likes of David Bowie and Bryan Ferry, eventually developing to diverse styles such as Dave Grohl and Tommy Körberg. 

Very fond of guitar and piano, and also player of those instruments, Carl is a singer, first and foremost with a broad versatility of styles. With a very soulful and unique voice, Carl has learned to differentiate himself from other singers on the strength of his vocals alone. 

Carl has been involved with numerous projects all around the world including: Vocalist of the French/Swedish band Coexistence, with their latest album, 'Everlasting Scars' released in 2016, Vocalist on the Anton Johansson’s Galahad Suite album (Lion Music), released in 2013, collaboration with VRA! from Brazil, recording a cover of the Dream Theater song, ‘As I Am’ which has gained over 800 000 views on YouTube, and even airtime on National Brazilian TV among others. 

Carl is also a singer-songwriter and he released his debut EP, 'End of Our Road' in May 2012. He is currently working on a new solo EP.

As an actor, Carl has played leading roles and supporting roles in various stage productions, film & TV productions and commercials across the globe. He's also a working voice artist with experience in adverts, video games, ADR, dubbing and audiobooks.

In the heart of Hollywood, on Hollywood Boulevard, right down the block from Vine Street, stands the Hollywood Pantages Theatre. It's a fitting location: The Hollywood Pantages has become one of the greatest landmarks of Hollywood, signifying both the glorious past and adventuresome future of the world's entertainment capital.

A very faux and artificial version of Sandrine Piau. A soprano chorister of 78 Youth Choir.

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