A twangy snarl from the secretaries of punk. “More” blends deadpan sass, raucous glam riffs, and a vengeance-fueled stomp. Dolly Parton with The Dead Kennedys' brass knuckles.

A scream into static. “More” is the spark of rebellion, when numbness shatters and the want surges through like voltage.

Elbow Don't Have Eyes

MORE

"poca fe" es una descripción oscura y satírica de cómo los pensamientos intrusivos nos llevan a los estados más deplorables. A través de la gratitud, encontramos un vehículo para entender quiénes somos y lo que sentimos. Es una canción de autoaceptación, agradecimiento y fe en la vida.

"poca fe" is a dark and satirical depiction of how intrusive thoughts can lead us to the most deplorable states. Through gratitude, we find a vehicle to understand who we are and what we feel. It is a song about self-acceptance, gratitude, and faith in life.

poca fe

"ahogado" es una representación cruda de la vida del asalariado promedio en los entornos laborales más tóxicos de la sociedad moderna. Habla de cómo, a través del mito de la meritocracia, nos subyugan y alienan. Es una crítica directa al culto al trabajo, la explotación laboral y la relatividad del concepto del éxito.

"ahogado" portrays the harsh reality of the average salaried worker in the most toxic modern workplaces. It explores how, through the myth of meritocracy, we are subjugated and alienated. It is a direct critique of the work cult, labor exploitation, and the relativity of success.

ahogado

"en paz" es una mirada retrospectiva hacia el pasado para liberarnos del rencor que a menudo nos impide sentirnos livianos en la vida, para así lograr superarnos y crecer. Es una reflexión sobre los altibajos de la vida y cómo, desde ellos, construimos mejor quiénes somos, buscando perdonarnos y perdonar. Es una pieza emotiva que contrasta con el sonido crudo de sus guitarras disonantes y ritmos contagiosos.

"en paz" is a retrospective look at the past to free ourselves from the resentment that often prevents us from feeling light in life, enabling us to overcome and grow. It is a reflection on life's ups and downs and how, from them, we better build who we are, seeking forgiveness for ourselves and others. It is an emotional piece that contrasts with the raw sound of its dissonant guitars and contagious rhythms.

en paz

"el autosabotaje como deporte extremo" es una introspección cruda y visceral sobre la batalla interna entre el caos emocional y la búsqueda de sentido. La canción navega por la dualidad extrema de esos días en que vemos todo con claridad y aquellos en los que simplemente no sentimos nada. En medio de los momentos más oscuros, emerge la realización de que el amor propio es la clave para romper el ciclo de autodestrucción y abrazar la vida en su complejidad y belleza.

"el autosabotaje como deporte extremo" is a raw and visceral introspection about the internal battle between emotional chaos and the search for meaning. The song navigates the extreme duality of those days when everything seems clear and those when we simply feel nothing. Amid the darkest moments, the realization emerges that self-love is the key to breaking the cycle of self-destruction and embracing life in all its complexity and beauty.

el autosabotaje como deporte extremo

"impedir lo necesario" es una de las piezas que definió el sonido de LURDEZ y el espíritu del álbum. Inspirada en Swans y Gilla Band, mezcla un caos controlado que refleja el efecto negativo de cargar con patrones y maldiciones generacionales. Habla de identificar y soltar los males heredados, las imposiciones y las creencias limitantes. Es de las canciones más crudas y contundentes de la banda, pero también de las más emotivas, porque pone el perdón y la reconciliación al centro como actos necesarios para romper ciclos y traumas generacionales.

"Impedir lo necesario" is one of the pieces that defined LURDEZ's sound and the spirit of the album. Inspired by Swans and Gilla Band, it blends controlled chaos that reflects the negative effects of carrying generational patterns and curses. It speaks about identifying and letting go of inherited harms, impositions, and limiting beliefs. It is one of the band's rawest and most forceful songs, yet also one of the most emotional, as it places forgiveness and reconciliation at the center as necessary acts to break cycles and generational traumas.

impedir lo necesario

"hoy no fío, mañana sí" juega con la ironía de vivir esperando algo que nunca llegará. Esta expresión cotidiana, propia de la cultura colombiana, se convierte en una sátira sobre las promesas vacías y la falsa esperanza. Es también una reinterpretación sarcástica y, quizás, una antítesis de "un día a la vez".

"hoy no fío, mañana sí" plays with the irony of living in expectation of something that will never come. This everyday expression, typical of Colombian culture, becomes a satire on empty promises and false hope. It is also a sarcastic reinterpretation and, perhaps, an antithesis of "un día a la vez."

hoy no fío, mañana sí

BadBaht (n.): A twisted fate stitched with sorrow, guided by misfortune, yet strangely beautiful.

GL - BadBaht | Indie Dance Set

Gargled rusted razorblades, switchblade sliced riffs, giant insect steel workers, baritone sax offenders, angelic propofol nightcaps, and alien scalpel fingers exploring...

Blood Drum

Cellphone

節奏起飛後失重，聲音成為漂浮推進器

Impulsive Flight

According to the SoundCloud algorithm, this track "isn't eligible for recommendation" ... i.e. not considered music by a robot ... so, probably worth a listen lol! 😁

I was fascinated by this spider plant shadow ... and all of a sudden an abstract tune popped out of nowhere! Enjoy! ❤️

Download the track if you fancy doing a crazy remix 🔥 ... Looking forward to hearing what you create! 🎶👂

Check out the accompanying visuals at https://youtube.com/shorts/0lIBo3ZYsXs

visuals (YouTube)

halF shadowworK

Rupert

En este episodio platicamos sobre: 

*Congreso de México inicia discusión de reformas clave de seguridad
*Miércoles de ciencia y hablamos sobre la Regla Angular DML 
*Primeras imágenes de la cámara más grande revelan millones de galaxias

25 junio 2025 - Inicia periodo extraordinario en el Congreso

Stick with it, it goes everywhere in the beginning, but I promise it'll be worth it. Magic along the Journey!!! Tracklist at the end...

This is a long time in the making. I've always been transfixed with parallels, opposites, light and dark, happiness and sorrow. This mix encompasses how I can feel in a single day, being highly sensitive, an embodiment of the trials of being. A sum of of extremes. It is experimental and emotive, chilling and spooky yet ethereal and joyous. Conveying that both are never too far removed from each other. This is deliberately jarring at times, screechy, booming. I tried to replicate the feeling of space by riding hard bass lines over each other, sometimes into the red to achieve that effect. Slightly off beat to create a Gallop, an urgency, a swing or a groove. 

The contrast of light and dark, soft and hard, fast and slow is apparent throughout, often sharp and sudden, sometimes seamless and barely noticeable. All juxtaposed with intent and purpose. This was recorded in my cans, without speakers, raw, with a few "mistakes", this wasn't about achieving the perfect mix. This was sheerly about expression, many of these tracks have sculpted me as a DJ, and i aspire to be able to create such masterpieces soon. 

Burial has had a massive impact on me. From the moment i heard Endorphin, I was hooked. It creates such emotion, it felt like I had been transformed into song, me, a personification of this production by Burial, chilling, soft, provocative, jarring euphoria, perfectly imperfect.

I've been accruing these tracks since 2008. I compiled them into a playlist, fully unprepared, having never tested them out together, so it's quite stripped back, not overly heavy on FX, but definitely hit my stride on a few occasions.

The Truest Beauty is in the Darkness


Tracklist:
Burial - Endorphin
Izan Hesse - Does Not Matter
Caterina Barbieri - Fantas
Gesaffelstein - Opr
Oneohtrix Point Never - Sleep Dealer
Burial/Four Tet - Moth
Matthew Herbert - It's Only DJ Koze Remix
Shed - Day After
Moderat -Eating Hooks
Will Clarke - Lust ft. Vincensa
Izan Hesse - Clouds 
Inigo Kennedy - Spiralling
Delta Funktionen - Silhouette 
Shackleton - Blood on My Hands Ricardo Villalobos Apocalypse Now Mix
Stevie Wilson & Danny Smith - Berlin Is Calling
DVS1 - Black Russian
Under Black Helmet - Mute 
Moderat - Seamonkey
Inigo Kennedy - Trees Fell In Brody
Regis - Blood Witness 
Under Black Helmet - Have You Ever Had a Dream
Cassegrain - Nubian Ibex 
Moderat - The Fool
Pfirter - New State Of Consciousness
Avalon Emerson, Anunalu A+A North Star
Jhorman Peña - ARCA
Izan Hesse - Sunday Mood 
Burial - Archangel
Inigo Kennedy - The Long Tail
Regis - Purification
Talismann - Dub Rola
Niki Istrefi - Red Armor
Blawan - Many Many Pings
Rival Consoles - Pulses of Information

Solas 's Dorchadas

[Verse 1]
She says,
It helps with the lights out.
Her rabid glow
Is like braille to the night.

She swears
I'm a slave to the details,
But if your life is such a big joke,
Why should I care?

[Chorus]
The clock is set for nine,
But you know you're gonna make it eight,
So that you two can take some time,
Teach each other to reciprocate.

[Verse 2]
She feels that my sentimental side
Should be held with kid gloves,
But she doesn't know
That I left my urge in the icebox.

She swears
I'm just prey for the female—
Well then hook me up and throw me, babycakes,
'Cause I like to get hooked.

[Chorus –Variant]
The clock is set for nine,
But you know you're gonna make it eight.
All the people that you've loved—
They're all bound to leave some keepsakes.

I've been swinging all the time.
Think it's time I learned your way.
I picture you and me together—
In the jungle, it will be okay.

[Bridge]
I'll bring you when my lifeboat
Sails through the night—
That is supposing that
You don't sleep tonight.

[Verse 3]
It's like learning a new language,
Helps me catch up on my mind.
If you don't bring up those lonely parts,
This could be a good time.

It's like learning a new language—
You come here to me.
We'll collect those lonely parts
And set them down.

You come here to me.

[Outro]
She says brief things,
Her love's a pony,
My love's subliminal.

She says brief things,
Her love's a pony,
My love's subliminal.

She says brief things,
Her love's brief,
My love's subliminal.

She says brief things,
Her light is brief,
My darkness eternal.

———

"Subliminal Love" is a jagged, cinematic ode to miscommunication and intimate irony—where one love flickers, and the other haunts. Driven by post-punk guitar swells and brooding baritone vocals, this E♭ Major anthem conjures the ghost of Interpol through angular riffs and subliminal ache.

A relentless, rapid pulse. A name that lingers even when she won’t.
Stream. Repost. Fade in.

———

Genre: Post-Punk Revival  
Key: E♭ Major  
BPM: 133  
Time Signature: 4/4

———

A tribute to the legendary band 'Interpol'.

———

Artist: Kareem Tyler 
https://www.instagram.com/tylercraftsart

© 2025 Kareem Tyler. All Rights Reserved. 

Reinventing Green

Subliminal Love

Oxford post-hardcore Fugazi-influenced trio

Achilles (Live July 2025)

Cats Eyes (Live July 2025)

Untitled (Live July 2025)

One man enterprise with guests. From prog to ambient and then some. Loves a T-Bird bass, analog synthesizers and compressed guitars.

https://open.spotify.com/artist/1Y6Q6X2kihOrD8jkxNa7Zf?si=vqckbxy2TBOTa-UbUhXOOg

https://www.instagram.com/o_man_2023?igsh=MXFyeGpkejBvc3k1

https://youtube.com/@oman3809?si=-AMoHxYnb0a4v3ir

https://oman5.bandcamp.com/



LURDEZ es una banda de post-punk bogotana creada para expresar la vulnerabilidad. Su sonido visceral, agresivo y caótico contrasta con sus letras honestas y directas que se nutren de temas como salud mental y masculinidades frágiles; con el anhelo de fortalecer la vida en comunidad y rechazar contundentemente el individualismo.

LURDEZ is a Bogotá-based post-punk band created to express vulnerability. Its visceral, aggressive, and chaotic sound contrasts with its honest and direct lyrics that draw from themes such as mental health and fragile masculinities, with a desire to strengthen community life and firmly reject individualism.

All fucked up for CC, if you want that you got that.

¡Te informamos lo bueno, donde quiera que estés!

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

Project KT (standing for Knowledge Transfer) is the solo creative project of Kareem Tyler, a multidimensional being navigating the constraints of the physical realm through immersive, genre-blending artistry. Blending progressive rock, symphonic fusion, post‑punk ambience, and a touch of metallic catharsis, Project KT crafts cinematic soundscapes rooted in raw poetry, violin-led instrumentation, and emotional tension.

After a life-altering accident that caused partial vocal cord paralysis and ended his ability to play piano, Kareem reinvented his creative process with digital composition and visual art—turning personal trauma into transcendent expression. His music now explores loss, longing, and rebirth through long-form storytelling and orchestral depth. Though Project KT remains firmly his own vision—overseeing lyricism, production, and artwork—he is actively seeking a female vocalist collaborator to give voice to the remaining untold emotional core.

With a vibrant presence on Instagram and BandLab, Project KT continues building cross-medium narratives that fuse sound, image, and meaning. If you are a vocalist or visual artist drawn to gothic romanticism, cinematic drama, and genre-fluid experimentation, Project KT invites you into the echo.

Spinner Fall
Tim Darch bass, vocals
Toby Coates drums
Andrew Thompson guitar

twitter @spinnerfall_OX4

From Oxford's Nightshift magazine review January 2012:
Spinner Fall feature
former members of Oxford hardcore
pioneers Skydrive and Callous as
well as post-rockers From Light To
Sound but bear only a passing
resemblance to any of those, opting
instead for an intensely turbulent
noise that somehow marries
shoegaze glissando with a postpunk
brittleness and a throat-shreddingly
hectoring vocal
delivery that can variously remind
you of Ride, Husker Du and The
Fall, all at the same time. One
slower, almost robotic number
skirts close to Comsat Angels’
‘Independence Day’ but it’s when
they stamp on their myriad pedals
and just let the guitar soar that they
really envelope you.

Music In Oxford July 2013 
http://www.musicinoxford.co.uk/2013/07/11/soundcloud-roundup-for-11-july-2013/
Riffs! WE HAVE RIFFS!!!! Punky, spiky goodness. Haven’t seen them live yet, but if they can deliver the goods, they may just be bloody ace.

“Dark age, sonic raiding party” 🎶 💔 New Album: Elbow's Don't Have Eyes - 13 track out Friday the 13th 🎶

Yawlag Collective Co-Founder 

Blue Detroit loading... 🎺

GRMMAfón Records 💿

Celtic Chaos Inductee @ Burning Man 🐦‍🔥



Previous project was TYMEKZ. My new project MettaUniverse is more alternative rock/dance rock/industrial rock/triphop/ambient/soundscape.

I am incorporating live guitar and bass with programmed drums.

www.soundcloud.com/tymekz

New tracks tagged #angular