16 bit stereo WAV format
44.1 kHz sampling rate

street repairs in Tiohtià:ke (Montréal)

recorded on 2023/05/29

using a Zoom H4n

Heavy Machinery 05

16 bit stereo WAV format
44.1 kHz sampling rate

street repairs in Tiohtià:ke (Montréal)

recorded on 2023/05/23

using a Zoom H4n

Heavy Machinery 04

Heavy Machinery 03

16 bit stereo WAV format
44.1 kHz sampling rate

street repairs in Tiohtià:ke (Montréal)

recorded on 2022/09/01

using a Zoom H4n as the recording device

Heavy Machinery 02

In a lightless aqueduct passing below the city. A semi-binaural rig and a pair of Geofons recording in parallel. The recording has not been edited, and the sounds have not been modified in any way. No EQ, no effects.

This is an excerpt from the full-length recording available at https://hearingbeings.bandcamp.com/track/underground-listening-meditation.

@Bandcamp

2024.03.02 Underground Listening Meditation (Excerpt). Summer.

“Signs and wonders by the Holy Spirit follow the preaching of God’s Word. So, open your heart to the flow of the manifest acts of the Holy Spirit through the solid aqueduct of God’s Word.”

THESE RADIO PROGRAMMES HAVE BEEN MADE POSSIBLE BY KIND DONATIONS OF SURE REALITY VISION PARTNERS. TO PARTNER WITH US VISIT,
https://www.surereality.net/become-a-vision-partner/

This radio programme has been sponsored by:
Frontline Cleaning, specialists in commercial & domestic cleaning.
https://frontlinecleaning.co.uk/
Faith-based top quality tees, hoodies, sweatshirts and accessories. NAOFA BEYOND at https://nsbeyond.com/ 
.................................................
A Sure Reality production
http://surereality

#GTWD 300 God-tracking is living by Word and Spirit

Alabama Gates 2024 was a weekend of free community events in Lone Pine, California, November 15 – 17, 2024, commemorating the centennial of the Alabama Gates Occupation. This significant historical event occurred when the people of Owens Valley non-violently seized the Los Angeles Aqueduct’s control gates just north of Lone Pine on November 16, 1924, diverting the entire flow of the aqueduct into the historic Owens River channel in protest of the City of Los Angeles’ aggressive land acquisition and water harvesting activities within the valley that began with the construction and completion of the Los Angeles Aqueduct in 1913. The 1924 Alabama Gates occupation evolved into a multi-day community picnic as 700 to 1,500 Owens Valley residents gathered in solidarity with the occupiers over four days.

Our event marked this legendary act of civil disobedience, which reverberated worldwide, illuminating these two regions’ complicated and intertwined water history. But it also reflects how white settlers had previously confiscated and occupied Payahüünadü, the ancestral lands of the Paiute and Shoshone People in what is now called Owens Valley, along with the repercussions of this settler colonialism on contemporary Tribal residents who continue to live here.

Our November 15 – 17, 2024, program included roundtable discussions at Lone Pine’s Statham Hall, a no-host community picnic at Lone Pine’s Spainhower Park featuring local food truck concessionaires, film screenings at the Museum of Western Film History, and an interpretive walking tour with a local naturalist at Patsiata (Owens Lake).

This event was produced by There It Is—Take It! in partnership with Sierra Forever (formerly ESIA). Our program was made possible with support from California Humanities, a partner of the NEH. Visit our website at alabamagates2024.org.

ABOUT THIS TRACK
Our first panel discussion on Saturday, November 16, 2024, with Payahüünadü Tribal representatives Kyndall Noah, Communications Specialist, OVIWC; Noah Williams, Water Program Coordinator for the Big Pine Paiute Tribe with Dr. Sophia Borgias, Assistant Professor at Boise State University as panel moderator.

CREDITS
Fault Line Radio, a broadcasting project of Metabolic Studio broadcasted our three panel discussions live from Statham Hall in Lone Pine on 89.9 FM. Big thanks to Audrey Clementine Turner for streaming and recording these sessions over the weekend of November 15 – 17, 2024.

Alabama Gates 2024: Panel One, November 16, 2024

Dudley Anderson was born and raised in Johannesburg, South Africa. After graduating from Bible College in 1990, God opened the way for Dudley to branch out into Christian radio. As a musician and worship leader he developed a heart for Christian music, which became the main thrust of his radio work in South Africa. 

 In 1996 God called Dudley and his family to the United Kingdom where he now works as a radio programme producer and presenter. Dudley also writes a FREE weekly e-mail devotional called, GodTracker, available at surereality.net

Dudley Anderson is married to Karen-Leigh and has two adult children, Kerryn and Ryan.

E-mail Dudley at dudley@surereality.net

Kim Stringfellow is an artist, educator, writer and independent curator based in Joshua Tree, CA. Her work bridges cultural geography, public practice and experimental documentary into creative, socially engaged transmedia experiences. She is a 2016 Andy Warhol for the Visual Arts Curatorial Fellow and a 2015 Guggenheim Fellow in Photography. She was awarded an honorary doctorate from Claremont Graduate University in 2018. Stringfellow is a Professor Emeritus at San Diego State University’s School of Art + Design.

𝔈𝔵𝔭𝔩𝔬𝔯𝔦𝔫𝔤 ℌ𝔢𝔞𝔯𝔦𝔫𝔤, 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔞𝔟𝔩𝔢, 𝔞𝔫𝔡 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔢𝔯, 𝔞𝔰 𝔞𝔫 𝔈𝔳𝔢𝔫𝔱, 𝔞 𝔐𝔬𝔡𝔢, 𝔞𝔫𝔡 𝔞 𝔇𝔦𝔪𝔢𝔫𝔰𝔦𝔬𝔫 𝔬𝔣 𝔅𝔢𝔦𝔫𝔤.

listening, 
grooming,
sleeping
...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

https://bandcamp.com/hakekong
https://www.facebook.com/ha.kekong
...
My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
Sorry Joe. =(
...
sometime in 2025:
I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

New tracks tagged #aqueduct