Bass boomin' in ya chest like booya
Like the hot Sonoran sun rippin through ya

Free Download :)

Sonoran

جديد - هيثم علام - يا أحلامي 
متاحة كمان على:
Spotify / Apple Music / Deezer / Anghami / YouTube / Apple Music

#هيثم_علام #TrapArabic #NewMusic #SoundCloudRelease #HaithamAllam

الأغنية كاملة على 
Spotify
https://open.spotify.com/track/0ODQWOnGT0H5mz4U4lalcD?si=kfXq8r9yTQmyXnIkSDLM7A&context=spotify%3Aalbum%3A42C9xq1OayhKvd7HyGR6GU

وجميع المنصات العالمية

Haitham Allam-Ya Ahlamy

Radio Nerativim 18/6/25

Nerativim Edit Daboor & Shabjdeed - Inn Ann ضبــور وشب جديد - إن أن FREE DOWNLOAD

prod by: hrim(ह्रीं)| Sambata Type Beat - 'DHUN ' | SAMBATA TYPE BEAT 2025
🎵 BPM - 95
🎵 KEY - Eminor

💰 Purchase Untagged | Download: https://beat22.com/bt-201364 [ Indian store ]
💰 Purchase Untagged | Download:https://beat22.com/bt-201364 [ Beatstar ]

🏷️Tags [ignore]
type beat, free for profit type beat, free type beat, free beat, sambata type beat khunkhar, 808 emperor type beat, sambata type beat, hard type beat, indian type beat, sambata type beats, free sambata type beat, melodic beat, freestyle beat, trap beat, emotional type beat, instrumental, dark type beat, sad type beat, rap beat, music production ,2000s type beat, dancehall type beat, reggaeton type beat, free beat, arabic club bounce type beat, scott storch arabic type beat, trap beat, afro drill type beat, background music, instrumental, sad type beat, rap beat, music production, chill type beat, emotional beat, hip hop beat, fusion beats, studio beats 

#SambataTypeBeat  #ArabicTypeBeat #ArabicVibes #TrapArabic
#MiddleEasternTrap  #OrientalBeat  #EthnicTrap  #yundsa  #mcstan



Sambata Type Beat - Arabic Vibe  ' Dhun '

Everyday Muslim Instrumental

Everyday Musilim Instrumental

اعادة نشر لتراك ضائع لرابر معتزل يسمى عثمان

مش متذكر

The finale, loose, raw, freestyle energy rising like spirits, trap bleeding into eternity.

Dr0pit

Belly-Trap-Dancer

It's the sound of a late-night drive through city lights, trying to outrun your own thoughts. The hypnotic "Yalla" (يلا) chant is the energetic mask we wear – the desperate push to move forward, to party, to escape.

But underneath, the colossal 808s and the raw, emotional undertones tell the real story. It’s an anthem for anyone who has ever danced through their pain. An instant classic with a story to tell.

Play it LOUD and let it speak for itself.

Spinecky feat. SMM - Yalla

Live session from our rehearsals in Volta

Introducing Egyptian vocalist Kasrawy: El Korasa El Safra (The Yellow Notebook) is a journey crafted between Berlin, Cairo, and Brussels. It weaves Kasrawy’s vocals through electronic rhythms of the past decades, influenced by the microtonal textures and swana drum presets of the Casio AT-5 keyboard. El Korasa El Safra moves between deep, percussive bass tracks and more introspective, spacious moments.

https://exfala.bandcamp.com/album/el-korasa-el-safra

(English below)

ايه الحكاية
تعبت مالقراية
كبرت و شوفت نفسي
بدور عالهداية

برد عالمكالمة
ثانية مين معايا
ايوة انهي سلمى
انا لوحدي
و مين معايا
فبتقولي بابا نويل
بس مجيش بليل
باجي الفجر
الاجر كاش
الاجر كام

بجري ورا اكل عيشي
و كسم الامريكان
و لاجل culture اخنصر
بفلح فالمزيكا agriculture
بحصد بقشر
باقي الاغاني على المنشر
فالحفلة تقولي سانتا
بنوزع الهدايا
مش بحكم مالبداية
بس بحكي للنهاية
يسطى انت زي ما انت
ملزق زي فانتا
صفر جوا خانتك
جيت تاخدني خدتك
عيش و ملح حتى
رز عيش و لحمة فته

انا حر
للخلف در
طعم الحبر مر
بس طعم الكاش الذ
مش بنزل
مش بأذن
كله سامع
مش بمثل
كله شايف اللي حاصل
لما مسكت المايك
ليه سابت المفاصل
سابق الافاضل
سابق مش بحصل
بس احصل
باخد حقي كاش
و مش بتأثر
مش بقصر
بأثر
بشرح مش بفسر
بحب اكسر اي سقف
منجيش مع اي بقف
ناس بتقضي حياتها لقف
و أنا مش بمد ايدي
متخلينيش امد ايدي

فكل حوش خدت لفه
شوفت الوشوش بتتلفق
شوفت الوحوش بتتخفى
شوفت الكروش بتتدفى
مجيتش و ايه اللي فاتني
ايه اللي فاتنا
لا مش حياتنا
مشيت و انا صغير
بس لسه قلبي ساكنة

What’s the story
I’m tired of reading
I grew up and saw myself
Searching for guidance

I answer the call
Wait—who’s with me?
Yeah, which Selma?
I’m alone
And who’s with me?
So she says “Santa Claus”
But he didn’t come at night
I come at dawn
The pay is cash
How much is the pay?

I’m running after my daily bread
And damn the Americans
And for the sake of “culture” I shrink
I thrive in music like agriculture
I harvest and peel
The rest of the songs hang out to dry
At the party, she calls me Santa
We’re handing out the gifts
I wasn’t in control from the start
But I tell the story to the end
Yo bro, you’re the same as ever
Sticky like Fanta
A zero inside your vault
You came to take me, but I took you
Bread and salt, even that
Rice, bread, and meat fatteh

I’m free
To the back — about-face
Ink tastes bitter
But cash tastes sweeter
I don’t come down
I don’t ask permission
Everyone hears
I’m not acting
Everyone sees what’s happening
When I grabbed the mic
Why did the joints give out?
I’m ahead of the greats
I’m ahead, not catching up
But I still get mine
I take my due in cash
And I’m not affected
Not falling short
I leave an impact
I explain, I don’t interpret
I love breaking any ceiling
I don’t vibe with any clown
People spend their lives going in circles
And I don’t stretch out my hand
Don’t make me stretch it out

In every hood, I made a round
Saw faces getting fabricated
Saw monsters pretending to hide
Saw bellies getting cozy
I didn’t come — what did I miss?
What did we miss?
No, that wasn’t our life
I left when I was young
But my heart still lives there

Hekaya حكاية - Live @ Volta, Brussels. [EP out on Bandcamp]

#BintElHawa #ArabicPop #ArabicTrap #OudTrap #FemaleEmpowerment #ArabWomen 
#MiddleEastern #Levant #NancyAjramVibes #EmpowermentAnthem #ArabGirl 
#HijabiBoss #ArabDiaspora #ArabicMusic #2025 #Oud #Arabic 
#دخترالهوا #بنت_الهوا #عربية #تراب_عربي #أنثى_قويةolitical rap, conscious, protest, techno, political, dystopian, truth, industrial, dark techno, conscious, political drill, rap philosophy, anti-system, rebellion, dystopian beats, protest music 2025, political hyperpop, truth bombs, anarchist, cyberpunk, political phonk, revolutionary, industrial, deep lyrics, social commentary rap, awake rap, mind control beats, resistance music

جای ما را خالی کنید

Arabic empowerment anthem / بنت الهوا  #BintElHawa #ArabicPop #ArabicTrap #OudTrap #FemaleEmpowerment #ArabWomen 
#MiddleEastern #Levant #NancyAjramVibes #EmpowermentAnthem #ArabGirl 
#HijabiBoss #ArabDiaspora #ArabicMusic #2025 #Oud #Arabic 
#دخترالهوا #بنت_الهوا #عربية #تراب_عربي #أنثى_قويةolitical rap, conscious rap, protest rap, rap techno, political techno, dystopian rap, truth rap, industrial rap, dark techno, conscious trap, political drill, woke rap, rap philosophy, anti-system, rebellion rap, techno rap, dystopian beats, protest music 2025, political hyperpop, truth bombs rap, anarchist rap, cyberpunk rap, political phonk, revolutionary rap, rap industrial, deep lyrics, social commentary rap, awake rap, mind control beats, resistance music

Bint El Hawa _ بنت الهوا

@EXFALA  
= (@matokamusic & @vicking1998)

VICEYARD

Victor Arthur Maillard (1998, Belgium) is a 
Belgian producer and composer.  
Victor works across producing artists, electronic music and doing scoring work for media.

Currently he is producing his debut album under the group alias Viceyard and working as a producer duo named 'EXFALA' with jazz musician Matoka. Maillard just finished scoring and sounddesign for Michael Zandl’s show ‘Food’ Premiered in September ‘25.

Nerativm is an enigmatic trio of sibling artists hailing from diverse Middle Eastern backgrounds. The three siblings come together from different religious and ethnic heritages, creating a perfect stage for a rich musical dialogue. Each member contributes their unique cultural roots, crafting a sound that seamlessly fuses traditional rhythms with contemporary electronic elements.

Their collaboration stands as a powerful statement of unity, joy, and community—values they believe are essential in today’s world. Through their music, Nerativm celebrates the beauty of cultural diversity and promotes peace, using the universal language of sound to bridge divides and uplift shared human experiences.

نيراتيفيم هو ثلاثي غامض يتكون من ثلاثة أشقاء فنانين، ينحدرون من خلفيات متنوعة في الشرق الأوسط. يجتمع الأشقاء الثلاثة رغم اختلاف دياناتهم وأصولهم العرقيه، ليشكلوا منصة مثالية لحوار موسيقي غني. يساهم كل منهم بجذوره الثقافية الفريدة، ما ينتج صوتًا يمزج بسلاسة بين الإيقاعات التقليدية والعناصر الإلكترونية المعاصرة.
تُعدّ تعاونهم رسالة قوية للوحدة والفرح وقيم اجتماعيه يؤمنون بأنها ضرورية في عالمنا اليوم. من خلال موسيقاهم، يحتفي نيراتيفيم بجمال التنوع الثقافي ويروّج للسلام، مستخدمين اللغة العالمية للصوت لسد الفجوات ورفع التجربة الإنسانية المشتركة.

Born in the deep pulse of Georgia, USA, TrapGhost are a young couple who treat trap as both ritual and rebellion. Their music is not just bass and beats, it is haunted storytelling where Southern grit collides with futuristic sound design. Raised on the legacy of Atlanta’s trap pioneers yet drawn to the shadows of underground EDM, they carve a sound that is both intimate and spectral. Dark pads drift like memories, robotic vocal chops confess like ghosts in the night, and every 808 they drop feels like a heartbeat echoing under purple fog. For TrapGhost, trap is not a genre but a séance, a way of summoning love, loss, and survival from the other side of silence.

All "SWAYGROW MUSIC "composed and played by Roger Bruderlin on MIDI and Romantic Classical Guitars.  @  Earlymusicalinstruments.com

Born and raised in Arizona. I'm a simple dude. I like bass music and dogs.

New tracks tagged #arabictrap