Living Under The Spectre Of Extinction

An Approximation Of Honesty

This one is a slight trip in to Synthwave territory...

Gear used:
- Polyend Tracker (percussion & main clock)
- Akai Force (synths sequencer)
- ASM Hydrasynth Explorer (pads & lead synth)
- Moog Grandmother (bass synth)
- Waldorf Blofeld (lead synth)
- Roland JV-1080 (arp synth)
- Eventide TimeFactor (vintage delay)
- FMR Audio RNC1773 (compressor - slight use)
- Tascam Model 16 (analog mixer)

Sudden Gleam

Calm

----traptypebeat, کردها, موسيقي حاصل ڪريو, کلاهی, Authentic #Life, 휴양지, Black Art, Affittibrevi, নির্মলেন্দু, Aexcit, -one- Capital, Abolition,, Batsaura, Atlantahiphopكافر, من از زمین می ترسم, --'S Hardcore, هات, समाचार, #Plateformes, (Rise, Aaliyah Dana Haughton, والجيش, کاوه, 办utsa毕业证学位证q微---, Advertisement Voiceover, बाबू, โนมูระ, 路地裏, وظائفها,  -elevenbeats, وتيتو, Bajau, “You, Aima Eventaltrinchamalice Phoebe Lou, 音楽を入手, Acoustic Music Instrumental, Analiza, Bharna

フレデリック uplifting background music (FREE DOWNLOAD)

The so-called “reality” is probably cinema and quite cheap at that.

Video: https://youtu.be/9E9qT9WpF1g

Nord Stream 2

When I'm not playing video games, I might actually be found working on some production. I'm really into an all hardware approach to music making these days and loving various synths, sequencers, and drum machines. I would even dare to say music making has surpassed gaming and is now my main pastime! While still trying to pinpoint my musical "sound", I definitely find myself incorporating my love for Deep House from my many years spent as a DJ but I'm not afraid to just let the music guide me in the moment. You can likely expect House, Techno, Electronica, Experimental, Synthwave, and basically anything synth-focused. Thanks for listening!

Producer of electronic, ambient and experimental music from the North coast of Italy. Subscribe to the channel, like, share. Thank you. 

▬ Follow me on Spotify ► https://open.spotify.com/intl-it/artist/7s4vWzcm3TI4vyjG7uOjfT
▬ Follow me on Bandlab ► https://www.bandlab.com/nativesoundproject
▬ Follow me on Bandcamp ► https://nativesound.bandcamp.com/music
 ▬ Follow me on YouTube ► https://www.youtube.com/@NativeSoundProject

🙏 If you'd like to support me, you can tip me on Ko-fi: https://ko-fi.com/nativesound or with Donorbox: https://donorbox.org/embed/make-a-donation-for-native-sound?language=en-us

Rosario Marcianò (Native Sound), in addition to being an author of essays, a documentary filmmaker and an independent investigator, especially expert in the field of clandestine geoengineering and geopolitics, is also a musical composer. Self-taught, since adolescence he has cultivated, among other things, a passion for art whose inspiring goddess is Euterpe. This passion, over time, has given rise to a style and inspiration transfused into instrumental productions of considerable emotional impact. 

His compositions, which tend to go beyond the boundaries of more or less codified genres or subgenres, tend to combine a tense, sometimes hammering sense of rhythm with melodic lines not devoid of a refined dissonance. Generally speaking, these creations can be traced back to the field of soundtracks accompanying dramatic films, thrillers, action films.

It is symptomatic that the motifs created are exclusively instrumental, we would say orchestral, so as to focus the enjoyment on the essence inherent to the art of sounds, without the intervention of the text which, although it can enrich the score, sometimes distracts from the heart of the inspiration. However, the titles, almost always coinciding with a single word or a syntagm of strong texture, introduce the forms and functions of verbal language to recover, so to speak, the eclipse of words.

The tracks are precisely fixed by incisive and pregnant titles, not only in relation to the phonic and melodic structure, but also foreshadowing abysmal themes: life, death, destiny, freedom, hope, nature, love, memory, meaning, power... They are the same contents that dot the section dedicated to the maxims: for this reason it seemed appropriate, indeed natural to us to match some pieces with precise aphorisms, as a harmonic complement. A music therefore to listen to, but also to read with a multisensory approach that involves soul and intellect, aesthetic pleasure and reflection.

Exploring synthesis techniques with hardware instruments.

New tracks tagged #asmhydrasynth